The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line.

This article relies excessively on references to primary sources. (April 2019)

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Arriflex 535

Indian cinematographer Ramachandra Babu with Arriflex 535B Camera.
Variant models	535 (aka 535A) 535B
Manufacturer	Arri
Introduced	1990 (535) 1992 (535B)
Gauge	35 mm
Weight	7.7 kg/17.0 lbs without magazine
Movement	Seven link with dual registration pins and pulldown claws, for 35 mm negativefilm DIN 15 501
Speed	3-60 frames per second, forward and reverse. Crystal accurate to 0.0001[citation needed] frame/s.
Aperture size	.945" x .710"
Aperture plate	removable
Motor	DC with quartz crystal control
Indicators	speed, run, counter (ft or m), shutter angle, time code (user bit and sensitivity level), voltage, incorrect movement, asynchronous speed, low battery, film end
Lens mount	Arri PL (Super 35 compatible)
Lens control	Arri-style follow focus.
Shutter	reflex mirror; manual model stops at 15°, 30°, 45°, 60°, 75°, 90°, 105°, 120°, 135°, 150°, 144°, 165°, 172.8°, 180°.
Video assist	Integrated Video System (IVS)
Magazines	rear-mounted, available in 400 ft (122 m) coaxial, 1000 ft (300 m) coaxial, and 400 ft (120 m) displacement Steadicam sizes.
Magazine loading	Coaxial-type magazine
Film cores	standard cores
Batteries	24V

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As such, its potential applications are widespread, and thus it is regularly used as a primary camera on feature films, second unit work on features, on music videos, commercials, special effects work and motion control, among other usage. Before the introduction of the Arricam System, the 535 was one of the most popular 35 mm sync-sound movie camera in usage^{[citation needed]}, due to its wide range of production adoption, intuitive design, high reliability, and retail availability. In recognition of the achievements of the 535 system, AMPAS awarded Arri a Scientific and Engineering Academy Award in 1995. The original variant was capable of between three and fifty frames per second.

Variation of the 535, introduced in 1992. One of the main advantages is the higher frame rate of sixty frames per second.

Until he switched over to the digital Arri Alexa line of cameras, the 535 had been the choice camera of renowned cinematographer Roger Deakins for much of his career.^{[citation needed]}

• Arriflex 535B

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