Recovering the Satellites is the second studio album by American rock band Counting Crows, released on October 15, 1996, in the United States. Released three years after their debut album (and two years of worldwide touring), it reached No. 1 in the United States and was a top seller in Australia, Canada, and the UK as well. The album featured founding Counting Crows members Adam Duritz, David Bryson (guitar), Charlie Gillingham (keyboards), Matt Malley (bass), as well as new additions Ben Mize (drums) and Dan Vickrey (guitars).^[4] Multi-instrumentalist David Immerglück played on the album as a session musician as well. Counting Crows brought in producer Gil Norton for Recovering the Satellites. (The track "Miller's Angels" was produced by Marvin Etzioni.) Three singles were released from the album, with "A Long December" being the best charting, reaching number 6 on the US Radio Songs chart^[5] and number 1 in Canada. The album itself peaked on the top spot of the Billboard Hot 200 album chart and has been certified double-platinum in both the US and Canada.

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Quick Facts Recovering the Satellites, Studio album by Counting Crows ...

Recovering the Satellites
Studio album by Counting Crows
Released	October 15, 1996 (1996-10-15)
Recorded	January–March 1996, Hollywood, San Francisco and The Sound Factory, Hollywood
Genre	Alternative rock
Length	59:22
Label	Geffen
Producer	Gil Norton
Counting Crows chronology
August and Everything After (1993) Recovering the Satellites (1996) Across a Wire: Live in New York City (1998)
Singles from Recovering the Satellites
"Angels of the Silences" Released: October 7, 1996[1] "A Long December" Released: December 2, 1996[2] "Daylight Fading" Released: May 19, 1997[3]

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As with their debut album August and Everything After, the band recorded this album by renting a large house and using the acoustics of that space for unique sounds.

Vocalist Adam Duritz recorded two songs on piano with friends of his in Soul Rebels Brass Band that he could not figure out how to sequence with the rest of this album. "Chelsea" would end up being a bonus track on Across a Wire: Live in New York City and "Good Luck" was presumed lost for several years, until in the early 2020s, HBO contacted Geffen Records to make a documentary on the band and they found the original masters of these recordings as well as video performances.^[6]

More information Review scores, Source ...

Professional ratings

Review scores
Source	Rating
AllMusic	[7]
Entertainment Weekly	C[8]
Los Angeles Times	[9]
MusicHound Rock	[10]
Q	[11]
Rolling Stone	[12]
The Rolling Stone Album Guide	[13]
Spin	6/10[11]

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Writing for Rolling Stone, Anthony DeCurtis gave the album four out of five stars. He said that the band's second album develops the sounds of August and Everything After and that they "largely achieve their serious ambitions". He praised Adam Duritz's lyrics and called the album "deeply satisfying".^[12] Andy Gill from The Independent gave the album a more negative review. He criticized Duritz's song-writing as "self-pity[ing]" and called him a "classic solipsistic soul-barer, he just won't shut up about himself". He called the album "bland" with "obvious" influences (including R.E.M., Bruce Springsteen and Lynyrd Skynyrd). Gill had some praise for producer Gil Norton's work on the album.^[14]

In a review for Entertainment Weekly, Ken Tucker also had negative feelings about the album, and gave it a "C" grade. He criticized Duritz's "yowling" and "moans" and called Counting Crows a "pastiche of its influences".^[8] The Los Angeles Times concluded that "there are precious few of the killer pop hooks that made such songs as 'Mr. Jones' and ''Round Here' irresistible despite their lack of originality."^[9]

In a review for AllMusic, Stephen Thomas Erlewine called the album a "self-consciously challenging response" to their successful debut album. He described the songs as "slightly more somber" than those on the first album but "more affecting". He noted an occasional "pretentiousness" on the album but praised "A Long December" as particularly articulate.^[7]

All tracks written by Adam Duritz unless otherwise indicated

1. "Catapult" (Duritz, David Bryson, Charlie Gillingham, Matt Malley, Dan Vickrey, Ben Mize) – 3:34
2. "Angels of the Silences" (Duritz, Gillingham) – 3:39
3. "Daylight Fading" (Duritz, Vickrey, Gillingham) – 3:50
4. "I'm Not Sleeping" (Duritz, Bryson, Gillingham, Malley, Vickrey, Mize) – 4:57
5. "Goodnight Elisabeth" – 5:20
6. "Children in Bloom" – 5:23
7. "Have You Seen Me Lately?" – 4:08
8. "Miller's Angels" (Duritz, Vickrey) – 6:33
9. "Another Horsedreamer's Blues" – 4:32
10. "Recovering the Satellites" – 5:24
11. "Monkey" – 3:02
12. "Mercury" – 2:48
13. "A Long December" – 4:57
14. "Walkaways" (Duritz, Vickrey) – 1:12

Counting Crows

• David Bryson – guitars, Dobro, tambourine, vocals
• Adam Duritz – piano, tambourine, Wurlitzer, lead vocals
• Charlie Gillingham – Hammond B-3, piano, Mellotron, Wurlitzer, accordion, harmonica, vocals
• Matt Malley – electric bass guitar, double bass, vocals
• Ben Mize – drums, tambourine, percussion, light bulbs, Zippo lighter, vocals
• Dan Vickrey – guitars, vocals

Additional musicians

• Paul Buckmaster – Orchestra conductor on "Daylight Fading", "I'm Not Sleeping", and "Another Horsedreamer's Blues"
• Charlie Gillingham – string arrangements on "Daylight Fading", "I'm Not Sleeping", and "Another Horsedreamer's Blues"
• Marvin Etzioni – mandolin on "Mercury"
• David Immerglück – pedal steel guitar and octave mandolin on "Miller's Angels"