Truth:_Red,_White_&_Black

<i>Truth: Red, White & Black</i>

Truth: Red, White & Black

Marvel comic book limited series


Truth: Red, White & Black is a seven-issue comic book limited series written by Robert Morales, drawn by Kyle Baker and published by Marvel Comics. The series focuses on Isaiah Bradley, one of 300 African American soldiers experimented on by the US Army in an attempt to create super soldiers. Elements of Truth are adapted for the Disney+ series The Falcon and the Winter Soldier, set in the Marvel Cinematic Universe.

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Publication history

Published from January 2003 to July 2003, the series Truth: Red, White & Black is composed of seven comics: "The Future",[1] "The Basics",[2] "The Passage",[3] "The Cut",[4] "The Math",[5] "The Whitewash"[6] and "The Blackvine".[7] The series was announced as six issue series, but was later extended to seven. The cover of the first two issues include the text "Part I of VI" and "Part II of VI"; the later issues read "... of VII".[8]

The trade paperback collecting the series was published in February 2004[9] and the hardcover in 2009. The book version of Truth contains Morales's appendix in which he clarifies myth, history and imagination and provides sources for his story.[10] A new trade paperback edition was released in February 2022, under the title Captain America: Truth.[11]

Concept and creation

The original concept for the character came from an offhand comment by Marvel's publisher, Bill Jemas.[12] Axel Alonso was taken by the idea "inherent of politics of wrapping a Black man in red, white, and blue" and "a larger story ... a metaphor of America itself"; he also immediately thought of the Tuskegee Study.[12] In a meeting involving Joe Quesada,[13] Alonso proceeded to pitch the idea to Robert Morales, who was brought in to write the story and create the supporting cast and the ending.[12] The idea of an African American Captain America made Morales laugh, but, once he heard the premise, he found it depressing.[12] He says he "wrote a proposal that was so staggeringly depressing I was certain they'd turn it down. But they didn't."[13]

Morales originally envisioned the character as a young scientist prodigy who became the accidental victim of his own experiment, a nod to Silver Age scientists Reed Richards and Bruce Banner; however, Marvel wanted a more explicit reference to the Tuskegee Syphilis Study.[12] He was able to push through an ending in which Bradley suffered brain damage, a reference to Muhammad Ali that gave the character a tragic ending.[12] Morales was disappointed in having to get rid of his idea for a Black scientist, but he was consoled to know that the most important story element, a strong Black marriage, had remained at the core. He performed extensive research into the time period, which he balanced with editorial suggestions.[12] Bradley's strong marriage came from an unsuccessful Luke Cage proposal by Brian Azzarello.

Synopsis

Set in the Marvel Universe, the series takes the Tuskegee Experiments as inspiration for a tale that re-examines the history of the super-soldier serum that created Captain America.[13] Beginning in 1942, the series follows a regiment of black soldiers who are forced to act as test subjects in a program attempting to re-create the lost formula earlier used to turn Steve Rogers into Captain America.[14] The experiments lead to mutation and death, until only one remains: Isaiah Bradley.

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Analysis

In Super Black: American Pop Culture and Black Superheroes, Adilifu Nama notes that "Truth admonished the reader to incorporate the experiences and histories of black folk that paint a different picture of the cost and quest for freedom and democracy in America."[15]

Critical reaction

Axel Alonso felt some of the criticism for this series came from "outright racists who just don't like the idea of a black man in the Cap uniform."[13]

In an interview with Comic Book Resources, he recalled:

When we posted our first image of Isaiah Bradley the silhouette of an African American man in a Captain America costume the media latched onto it as a story of interest, but a lot of internet folks lined up against it, assuming, for whatever reason, that it would disparage the legacy of Steve Rogers. By the time the story was done, the dialog around the series had substantially changed. One high-profile reviewer even wrote a column admitting he'd unfairly pre-judged the series, that he now saw it was about building bridges between people, not burning them which I deeply respected. It's especially meaningful when you edit a story that functions as a little more than pure entertainment.[16]

Captain America timeline

Clarifying the timeline for Isaiah Bradley and Steve Rogers—and who predates whom—Robert Morales states in his appendix to the Truth: Red, White & Black trade paperback collection (2004):

Truth was originally planned to be outside of the Marvel Universe's official continuity. The editorial decision to place it into continuity meant explaining Timely Comics' first publication of Joe Simon and Jack Kirby’s Captain America in 1940—a full year before Pearl Harbor and the true start of our story.

Truth co-creator Kyle Baker further clarified the respective timelines of Bradley and Rogers in an interview:

With Captain America, people get on my case for 'changing' Captain America. We got a lot of grief from the Captain America fans on that series until the fifth and sixth issues came out; when it turned out that we hadn't tinkered with the continuity. Before that, everybody was very upset, because our story started with Pearl Harbor, and everybody knows that the first issue of Captain America took place before Pearl. Somewhere in the middle of the series, it's revealed that Cap already existed, and we hadn't tinkered with the timeline, and suddenly, the book is okay.[14]

In other media

Elements of the comic are adapted for the Disney+ series The Falcon and the Winter Soldier, set in the Marvel Cinematic Universe.


References

  1. "Truth: Red, White and Black (2003) #1". Marvel. Retrieved 24 April 2021.
  2. "Truth: Red, White and Black (2003) #2". Marvel. Retrieved 24 April 2021.
  3. "Truth: Red, White and Black (2003) #3". Marvel. Retrieved 24 April 2021.
  4. "Truth: Red, White and Black (2003) #4". Marvel. Retrieved 24 April 2021.
  5. "Truth: Red, White and Black (2003) #5". Marvel. Retrieved 24 April 2021.
  6. "Truth: Red, White and Black (2003) #6". Marvel. Retrieved 24 April 2021.
  7. "Truth: Red, White and Black (2003) #7". Marvel. Retrieved 24 April 2021.
  8. "GCD :: Series :: Truth: Red, White & Black". GCD. The Grand Comics Database. Retrieved 10 July 2021.
  9. "Truth: Red, White & Black (Trade Paperback)". Marvel Comics. February 4, 2004. Retrieved 24 April 2021. ISBN 0-7851-1072-0
  10. Weinstein, Matthew (2010). Bodies Out of Control: Rethinking Science Texts. Peter Lang. p. 126. ISBN 978-1-4331-0515-9.
  11. Carpenter, Standford W. (2007). "Authorship and Creation of Black Captain America". In McLaughlin, Jeff (ed.). Comics as Philosophy. University Press of Mississippi. pp. 53–58. ISBN 9781604730661. Retrieved 2013-08-17.
  12. Tom Sinclair (November 22, 2002). "Black in Action". Entertainment Weekly. Retrieved December 20, 2011.
  13. Brady, Matt (2003-07-07). "Newsarama - Baker's Future In Plastic: Kyle Baker On Plastic Man". newsarama.com. Archived from the original on 2009-03-02. Retrieved 2013-08-17.
  14. Adilifu Nama (2011). Super Black: American Pop Culture and Black Superheroes. University of Texas Press. p. 118. ISBN 978-0-292-74252-9.

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