1380s_in_music

1380s in music

1380s in music

Overview of the events of the 1380s in music

The 1380s in music involved some significant events.

Quick Facts List of years in music (table) ...
Quick Facts

Events

Bands formed

Compositions

  • 1382
  • 1388 or 1389 – Trebor, En seumeillant m'avint une vision (ballade).[16]
  • 1389
    • May
      • Anon., Cine vermeil, cine de très haut pris (ballade) for three voices, composed in connection with the wedding on 6 June (Julian) of Jehan, duc de Berry and Jeanne de Boulogne.[17]
      • Egidius, Roses et lis ay veu en une fleur (ballade), possibly composed for the wedding on 6 June of Jehan, duc de Berry and Jeanne de Boulogne.[18]
      • Solage[19]
        • S'aincy estoit (ballade) for three voices, composed for the wedding on 6 June of Jehan, duc de Berry and Jeanne de Boulogne
        • Corps femenin par vertu de nature (ballade) for three voices, written shortly before 6 June
        • Calextone qui fut dame (ballade) for three voices, written shortly after 6 June
      • Trebor, Passerose de beaute, la noble flour (ballade) for three voices, possibly also written for the wedding of Jehan de Berry and Jeanne de Boulogne.[20]

Births

  • 1389 or 1390 – Thomas Damett, English composer (d. between 15 July 1436 and 14 April 1437)

Deaths

Main article: deaths in 1380s
Further information: Category:1380s births

References

  1. [1]
    Susan Wollenberg, "Oxford", Grove Music Online (updated and revised, 1 July 2014), Oxford Music Online (accessed 1 September 2017).
  2. [2]
    Ursula Günther and Anne Stone, "Matteo da Perugia [Matheus de Perusio, de Perusiis, Perusinis]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  3. [3]
    Anne Beetem Acker, "Guild of St Luke", Grove Music Online (25 May 2016), Oxford Music Online (accessed 1 September 2017).
  4. [4]
    Ursula Günther and Maricarmen Gómez, "Senleches, Jacquemin de [Senlechos, Jacob; Selesses, Jacopinus]", Grove Music Online (updated 9 November 2009), Oxford Music Online (accessed 1 September 2017).
  5. [5]
    Craig Wright, "Tapissier and Cordier: New Documents and Conjectures", Musical Quarterly 59, No. 2 (April 1973): 177–89. Citation on 179–80, 186–89.
  6. [6]
    Horst Leuchtmann and Robert Münster, "Munich", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  7. [7]
    Jean Happel, "Strasbourg", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  8. [8]
    Kurt von Fischer and Gianluca D’Agostino, "Andreas de Florentia [Magister Frater Andreas Horghanista de Florentia; Andrea degli Organi; Frate Andrea de’ Servi, Fra Andrea di Giovanni]", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  9. [9]
    Juozas Antanavičius, "Vilnius", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  10. [10]
    David Lasocki, "Recorder", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  11. [11]
    Craig Wright and David Fallows, "Burgundy", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  12. [12]
    Frank A. D’Accone, "Florence: §1: To 1600", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  13. [13]
    Wolfram Steude, "Dresden, §1: To 1694", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  14. [14]
    Percy M. Young, "Osnabrück", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  15. [15]
    Ursula Günther, "Datierbare Balladen des Späten 14. Jahrhunderts, I", Musica Disciplina 15 (1961): 39–61. Citation on 43.
  16. [16]
    Yolanda Plumley, "Trebor", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
  17. [17]
    Ursula Günther, "Unusual Phenomena in the Transmission of Late 14th Century Polyphonic Music", Musica Disciplina 38 (Aspects of Music in Church, Court and Town from the Thirteenth to the Fifteenth Century, 1984): 87–118. Citation on 103–106.
  18. [18]
    Gilbert Reaney, "The Manuscript Chantilly, Musée Condé 1047", Musica Disciplina 8 (1954): 59–113. Citation on 68.
  19. [19]
    Gilbert Reaney, "The Manuscript Chantilly, Musée Condé 1047", Musica Disciplina 8 (1954): 59–113. Citation on 76–77.
  20. [20]
    Yolanda Plumley, "Trebor", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).
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