Male relationships

A core focus of the novel is the evolution of the relationships between Jude, Willem, JB, Malcolm and Jude's adoptive father, Harold. Jude's life in particular is populated by men who love and care about him, as well as men who exploit and abuse him, and those who fall in between the two categories. We see this directly from the moment that he follows Brother Luke into the greenhouse, as well as the moments in which he knew what he was doing in the motel rooms was wrong, but still had felt dedication and love for Luke since up until those moments in his life, he was the only person who was kind to him. The social and emotional lives of each male character are the fabric that weaves the novel together, creating an insular narrative bubble that provides few clues about the historical moment in which the story is situated.^[4]

Trauma, recovery, and support

In an article written for New York Magazine, Yanagihara states that "one of the things [she] wanted to do with this book was create a protagonist who never got better… [for him] to begin healthy (or appear so) and end sick – both the main character and the plot itself".^[1] The first 16 years of Jude's life, plagued by sexual, physical, and psychological abuse, continue to haunt him as he enters adulthood. His trauma directly affects his mental and physical health, relationships, beliefs, and the ways in which he navigates the world. He struggles to move beyond the damage the past has wrought upon his body and psyche.

Writing in The New Yorker, Parul Sehgal called Jude "one of the most accursed characters to ever darken a page". She went on,

The story is built on the care and service that Jude elicits from a circle of supporters who fight to protect him from his self-destructive ways; truly, there are newborns envious of the devotion he inspires. The loyalty can be mortifying for the reader, who is conscripted to join in, as a witness to Jude's unending mortifications. Can we so easily invest in this walking chalk outline, this vivified DSM entry? With the trauma plot, the logic goes: evoke the wound and we will believe that a body, a person, has borne it.^[5]

Self-harm and suicide

There is evident self-harm in the novel and Yanagihara does not shy away from the details of how Jude does it nor how he feels while doing so. Harold's realization is excruciatingly painful, more so than the news that Jude has indeed finally died by suicide. Harold's self-deception does not save him or Jude from pain; if anything, it adds to both their suffering.^[6]

Critical reception

A Little Life was met with widespread acclaim from critics.^[2] The novel received rave reviews from The New Yorker, The Atlantic, The Wall Street Journal, and other publications.^{[7][8][9][10][11]} Review aggregator website Book Marks reported only three negative and three mixed reviews among 49 total – 34 critics gave the book a rave review, whilst the remaining nine expressed positive impressions.^[3] In The Atlantic, Garth Greenwell suggested that A Little Life is "the long-awaited gay novel", as "it engages with aesthetic modes long coded as queer: melodrama, sentimental fiction, grand opera. By violating the canons of current literary taste, by embracing melodrama and exaggeration and sentiment, it can access emotional truth denied more modest means of expression".^[12]

The New Yorker's Jon Michaud found A Little Life to be "a surprisingly subversive novel – one that uses the middle-class trappings of naturalistic fiction to deliver an unsettling meditation on sexual abuse, suffering, and the difficulties of recovery". He praised Yanagihara's rendering of Jude's abuse, saying it "never feels excessive or sensationalist. It is not included for shock value or titillation, as is sometimes the case in works of horror or crime fiction. Jude's suffering is so extensively documented because it is the foundation of his character". He concluded that the book "can also drive you mad, consume you, and take over your life. Like the axiom of equality, A Little Life feels elemental, irreducible – and, dark and disturbing though it is, there is beauty in it".^[7]

In The Washington Post, Nicole Lee described Yanagihara's novel as "a witness to human suffering pushed to its limits, drawn in extraordinary detail by incantatory prose". She wrote that "through insightful detail and her decade-by-decade examination of these people's lives, Yanagihara has drawn a deeply realized character study that inspires as much as devastates. It's a life, just like everyone else's, but in Yanagihara's hands, it's also tender and large, affecting and transcendent; not a little life at all".^[13]

Jeff Chu of Vox would "give A Little Life all of the awards". He said that no book he previously read had "captured as perfectly the inner life of someone hoarding the unwanted souvenirs of early trauma – the silence, the self-loathing, the chronic and aching pain" as this one, and found Yanagihara's prose to be "occasionally so stunning" that it would push him "back to the beginning of a paragraph for a second read". As he phrased it, "indeed, A Little Life may be the most beautiful, profoundly moving novel I've ever read. But I would never recommend it to anyone". Chu also said that Yanagihara's descriptions embodied his feelings, citing that "Jude's inability to address his wounds" compelled him to begin to address his own: "his struggle to find his peace emboldened me to try to find mine".^[14]

Writing in The Wall Street Journal, Sam Sacks called the story "an epic study of trauma and friendship, written with such intelligence and depth of perception that it will be one of the benchmarks against which all other novels that broach those subjects (and they are legion) will be measured". He said, "what's remarkable about this novel, and what sets it apart from so many books centered on damaged protagonists, is the poise and equanimity with which Ms. Yanagihara presents the most shocking aspects of Jude's life. There is empathy in the writing but no judgment, and Jude's suffering, though unfathomably extreme, is never used to extort a cheap emotional response".^[8]

The Los Angeles Times's Steph Cha remarks that "A Little Life is not misery porn; if that's what you're looking for, you will be disappointed, denied catharsis. There are truths here that are almost too much to bear – that hope is a qualified thing, that even love, no matter how pure and freely given, is not always enough. This book made me realize how merciful most fiction really is, even at its darkest, and it's a testament to Yanagihara's ability that she can take such ugly material and make it beautiful".^[11]

To NPR contributor John Powers, A Little Life is "shot through with pain", but "far from being all dark"; in fact, it is "an unforgettable novel about the enduring grace of friendship", he concluded.^[10] Similarly, in Bustle, Ilana Masad wrote that Yanagihara explored "just what the title implies", which is, "the little bits of the little lives, so big when looked at close up, of four characters who live together in college and keep alive their friendship for decades after", and dubbed the novel "a remarkable feat, far from little in size, but worth every single page".^[15]

A notable negative opinion, however, appeared in The New York Review of Books. Daniel Mendelsohn sharply critiqued A Little Life for its technical execution, its depictions of violence, which he found ethically and aesthetically gratuitous, and its position with respect to the representation of queer life or issues by a presumed-heterosexual author.^[16] Mendelsohn's review prompted a response from Gerald Howard, the book's editor, taking issue not with Mendelsohn's dislike of the novel but "his implication that my author has somehow, to use his word, 'duped' readers into feeling the emotions of pity and terror and sadness and compassion", and his implication that the book only appeals to "college students and recent graduates who have been coddled by a permissive and endlessly solicitous university culture into 'see[ing] themselves not as agents in life but as potential victims'".^[17]

Christian Lorentzen, writing in the London Review of Books, referred to the characters as "stereotypical middle-class strivers plucked out of 1950s cinema". He asked, in regard to JB, who becomes a crystal meth addict, "what real person trapped in this novel wouldn't become a drug addict?".^[18] The New York Times reviewer Janet Maslin also wrote negatively of the novel, saying Yanagihara introduces "great shock value into her story to override its predictability. One major development here is gasp-inducingly unexpected, the stuff of life but also of melodrama. It may not lift the bleak mood, but it explains a lot about this voyeuristic book's popular success".^[19] Andrea Long Chu of New York Magazine received the Pulitzer Prize for Criticism in 2023 for her negative assessment of the novel.^[20][21] And in a 2022 review of A Little Life's theatrical adaptation (of which more below), Naveen Kumar of The New York Times stated that the book's reputation "has since become more divisive, with critics who consider its torment of Jude to be manipulative and excessive".^[22]

Yanagihara appeared on Late Night with Seth Meyers to discuss the novel.^[23]

Awards and accolades

In July 2015, the novel was long-listed for the Man Booker Prize^[24] and made the shortlist of six books in September 2015.^[25] In 2019, A Little Life was ranked 96th on The Guardian's list of the 100 best books of the 21st century.^[26]

Awards

• 2015 Man Booker Prize, shortlist^[27]
• 2015 National Book Award for Fiction, finalist^[28]
• 2015 Kirkus Prize in Fiction, won^[29]
• 2016 Andrew Carnegie Medal for Excellence in Fiction, shortlist^[30]
• 2016 Women's Prize for Fiction, shortlist^[31]
• 2017 International Dublin Literary Award, shortlist^[32]