The architecture of Zimbabwe is composed of three architectural types: the Hill Complex, the Valley Complex, and the Great Enclosure.^[1] Both traditional and colonial architectures have influenced the history and culture of the country.^[2] However, post-1954 buildings are mainly inspired by pre-colonial, traditional architecture,^[1] especially Great Zimbabwe–inspired structures such as the Kingdom Hotel, Harare international airport, and the National Heroes' Acre.^[2]

Homesteads in Zimbabwe have remained largely unchanged since the time of Great Zimbabwe. A village in Chapungu Sculpture Park uses tall grass as a natural fence, similar to the Hill Complexes of that time. The structure of the wall combines natural and artificial elements to provide a safe space for residents. Traditional houses, especially in rural areas, still have thatched roofs with mud walls, similar to structures dating back to the stone-walled huts of Great Zimbabwe. Even earlier village huts and settlements were usually constructed from clay and sticks with conical thatched roofs. A homestead will usually consist of two huts — one for cooking and the other for sleeping.^[3]

In modern times, the walls of houses are usually built of coursed, sun-dried bricks, with rectangular doorways and brush roofs. As a result of European influence, there are now rectangular buildings with concrete walls and corrugated iron roofs.^[3] Walls are occasionally decorated with geometric designs that carry religious and symbolic meaning. For both security and decoration, iron fences are increasingly popular. The traditional practice of constructing high sleeping platforms, cooking benches, and seats continues today. Most storage huts are made from branches and sticks, which make them less sturdy than cooking or residential huts.^[3]

During the farming season, people move from their village residences to their farmhouses. Farmhouse huts are located near the fields and consist of lean-tos made with wooden sticks, resting on stilts up to nine feet tall and accessed via ladders. They are sturdy enough to support an entire family.^[3]

During the second millennium BCE, two conventional styles of stone architecture dominated the architecture of Zimbabwe. The first style was Great Zimbabwe period architecture, which was an extension of natural elements.^[1] The well-coursed and thick stone walls were constructed on earth foundations. Well-shaped stones were used to define the external and internal surfaces, while irregular stones were used to fill interstices.^[2] Affluent people often lived in residences with nattily-constructed stone enclosures, but with crudely coursed walls are still being a part of the structure.^[4]

The second style is exemplified by Khami’s retaining walls that transform natural elements into built environments.^[1] Although structures of this period share some similarities with those of earlier periods at Great Zimbabwe, it is important to note the introduction of the retaining walls.^[5] The wall's top supported residential platforms with a profusion of herringbone, chevron, and checkered decor. A grouping of ten terraced platforms in Khami indicate a palace.^[6] Both Great Zimbabwe and Khami share some similarities of architectural design, with their differences being influenced by topography, weather, and the availability of building materials.^[7]

Post-modernism is considered an attempt to rebuild a relationship to the past.^[2] It can also be seen as a re-creation of the community using vernacular forms; it tries to highlight the concepts of identity associated with local cultures that were marginalized by modernism.^[8] Since 1990, several monuments and buildings constructed in Zimbabwe exhibit features of pre-colonial architecture. They can be seen as architectural styles vitalized by Zimbabwe's rich historical and archaeological inheritance, and highlight the role that heritage can play in contemporary architecture.^[2]

The National Heroes' Acre is located 11 kilometres (7 miles) from Harare. Its construction was initiated in September 1981—one year after Zimbabwe officially gained independence and can therefore be considered a structure of the post-independence period—with the assistance of architects from North Korea, where a pre-colonial architectural style had also found favor. It includes a well-paved open space where the leader of the state can host a gathering, which sits between two terraced hills. There are two trapezoidal structures, made of slate, to the north and south of the open space.

The history of the emancipation struggle is recorded in the forms of plaques on wall panels. At the top of each trapezoidal structure, there are two moldings of the Zimbabwe Bird (bateleur eagle), which are enameled in bronze. From the open space towards the east of the hill, numbers of low circular steps connect to an octahedral dais. Three huge statues of liberation war heroes were built on the dais with one of them holding the national flag of Zimbabwe. Below the statues is a black granite rectangular structure which represents the Tomb of the unknown heroes who sacrificed for the country.^[10]

During the annual Heroes' Day ceremony, flowers are placed on the foot of the dais, which is the most sacred portion of the entire shrine, and it serves as a boundary between the two parts of the site. There are four mostly undecorated curvilinear granite-walled terraces on each side, with the topmost wall having a series of chevron patterns as decoration. These patterns were inspired by those found on the wall inside the Great Enclosure at Great Zimbabwe. Burial tombs are beneath the terraces' surfaces, and these terraces are reminiscent of the Khami and symbolize human impact on the natural environment. Stairs lead to the landing at the north and lower south ends, adjacent to the tomb of the unknown soldier. These steps meet on the fourth level with a narrow passage at the junction, both sides of which are elaborately decorated, and lead to the 40-metre (130 ft) Freedom Tower, which rises from the summit of the hill.