Arthur Josephus Burks (September 13, 1898 – May 13, 1974) was an American Marine officer and fiction writer.

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Burks was born to a farming family in Waterville, Washington. He married Blanche Fidelia Lane on March 23, 1918, in Sacramento, California, and was the father of four children: Phillip Charles, Wasle Carmen, Arline Mary, and Gladys Lura. He served with the United States Marine Corps in World War I, and began writing in 1920. After being stationed in the Dominican Republic and inspired by the native voodoo rituals he'd learned about from Haitian prisoners in a military jail, Burks began to write stories of the supernatural that he sold to the magazine Weird Tales in 1924.^[1]

In late 1927, he resigned from the Marine Corps and began writing full-time. He became one of the "million-word-a-year" men in the pulp magazines by virtue of his tremendous output. He wrote approximately 800 stories for pulp magazines.^[2] He was known for being able to use any household object that someone would suggest to generate the plot of a story. His byline was commonplace on magazine covers. He wrote primarily in the genres of aviation, detective, adventure, science fiction, sports (primarily boxing), and weird menace. Two genres he was not to be found in were love and westerns. He wrote several series, including the Kid Friel boxing stories for the magazine Gangster Stories, and the Dorus Noel undercover-detective stories for All Detective Magazine, set in Manhattan's Chinatown.^[3]

His productivity decreased during the late-1930s. He resumed active military duty as the U.S. joined World War II and eventually retired with the rank of lieutenant colonel. Burks relocated to Paradise in Lancaster County, Pennsylvania, in 1948, where he continued to write until his death in 1974. Throughout the 1960s, he wrote many works on metaphysics and the paranormal. During his later years, he lectured on paranormal activities and gave psychic readings.

E. F. Bleiler described Burks' novel The Great Mirror (1952) as "pretty bad". He stated of the collection Look Behind You (1954) "In terms of content and format this is one of the low points in American fan publishing". Bleiler described Burks' collection Black Medicine (1966) as "a weak collection. The Caribbean stories show racial bias to the point of grotesqueness, and most of the other stories are routine pulp fiction. ["The Desert of the Road"] has points of interest, and ["Bells of Oceana"] is worth reading for a certain baroque, exuberant overkill of horror."^[4]

• Princess Der Ling - Burks wrote a preface to one of her books.