Ashlar

Ashlar (/ˈæʃlər/) is finely dressed (cut, worked) stone, either an individual stone that has been worked until squared, or a structure built from such stones. Ashlar is the finest stone masonry unit, generally rectangular cuboid, mentioned by Vitruvius as opus isodomum, or less frequently trapezoidal. Precisely cut "on all faces adjacent to those of other stones", ashlar is capable of very thin joints between blocks, and the visible face of the stone may be quarry-faced or feature a variety of treatments: tooled, smoothly polished or rendered with another material for decorative effect.[1][2]

Dry ashlar masonry laid in parallel courses on an Inca wall at Machu Picchu
Ashlar masonry north gable of Banbury Town Hall, Oxfordshire
Ashlar polygonal masonry in Cuzco, Peru
Quarry-faced red Longmeadow sandstone in random ashlar was specified by architect Henry Hobson Richardson for the North Congregational Church (Springfield, Massachusetts, 1871). Although each block was cut with great precision on adjacent faces, the external face was left rough as when removed from the quarry. The blocks were laid randomly without continuous courses or vertical and horizontal joints.

One such decorative treatment consists of small grooves achieved by the application of a metal comb. Generally used only on softer stone ashlar, this decoration is known as "mason's drag".[3]

Ashlar is in contrast to rubble masonry, which employs irregularly shaped stones, sometimes minimally worked or selected for similar size, or both. Ashlar is related but distinct from other stone masonry that is finely dressed but not quadrilateral, such as curvilinear and polygonal masonry.[2][4]

Ashlar may be coursed, which involves lengthy horizontal layers of stone blocks laid in parallel, and therefore with continuous horizontal joints. Ashlar may also be random, which involves stone blocks laid with deliberately discontinuous courses and therefore discontinuous joints both vertically and horizontally. In either case, it generally uses a joining material such as mortar to bind the blocks together, although dry ashlar construction, metal ties, and other methods of assembly have been used. The dry ashlar of Inca architecture in Cusco and Machu Picchu is particularly fine and famous.


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