Augmented_seventh_chord

Augmented seventh chord

Augmented seventh chord

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The augmented seventh chord, or seventh augmented fifth chord,[1] or seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and minor seventh (1, 3, 5, 7).[2] It can be viewed as an augmented triad with a minor seventh.[3] When using popular-music symbols, it is denoted by +7, aug7,[2] or 75. For example, the augmented seventh chord built on A, written as A+7, has pitches A-C-E-G:

Quick Facts Component intervals from root, Tuning ...

The chord can be represented by the integer notation {0, 4, 8, 10}.

Use

The root is the only optional note in an augmented seventh chord, the fifth being required because it is raised.[4] This alteration is useful in the major mode because the raised 5th creates a leading tone to the 3rd of the tonic triad.[3] See also dominant.

In rock parlance, the term augmented seventh chord is sometimes confusingly and erroneously used to refer to the so-called "Hendrix chord", a 79 chord which contains the interval of an augmented ninth but not an augmented fifth.[5]

One chord-scale option for an augmented dominant seventh chord (+7th) is the whole tone scale.[6]

The augmented minor seventh chord may be considered an altered dominant seventh and may use the whole tone scale, as may the dominant seventh flat five chord.[7] See chord-scale system.

The augmented seventh chord normally resolves to the chord a perfect fifth below.[8] Thus, G aug7 resolves to a C major or minor chord, for example.

Augmented seventh chord table

More information Chord, Root ...

See also


References

  1. Kroepel, Bob (1993). Mel Bay Creative Keyboard's Deluxe Encyclopedia of Piano Chords: A Complete Study of Chords and How to Use Them, p. 15. ISBN 0-87166-579-4.
  2. Garner, Robert (2007). Mel Bay Presents Essential Music Theory for Electric Bass, p. 69. ISBN 0-7866-7736-8.
  3. Kostka, Stefan; Payne, Dorothy (2004). "The Dominant with a Raised 5th". Tonal Harmony with an Introduction to Twentieth-Century Music (6th ed.). New York. pp. 446–447. ISBN 978-0-07-332713-6.{{cite book}}: CS1 maint: location missing publisher (link)
  4. Latarski, Don (1991). An Introduction to Chord Theory, p. 29. ISBN 0-7692-0955-6.
  5. Hatfield, Ken (2005). Jazz and the Classical Guitar Theory and Applications, p. 121. ISBN 0-7866-7236-6.
  6. Berle, Annie (1996). Contemporary Theory and Harmony, p. 100. ISBN 0-8256-1499-6.
  7. Bay, William (1994). Mel Bay Complete Jazz Sax Book, p. 64. ISBN 0-7866-0229-5.

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