Bali_Aga

Bali Aga

The Bali Aga, Baliaga, or Bali Mula are the indigenous people of Bali. Linguistically they are an Austronesian people. Bali Aga people are predominantly located in the eastern part of the island, in Bangli, Buleleng and Karangasem, but they can also be found in north-western and central regions. Bali Aga people who are referred to as Bali Pergunungan (Mountain Balinese) are those that are located at Trunyan village. For the Trunyan Bali Aga people, the term Bali Aga (Mountain Balinese) is regarded as an insult with an additional meaning of "the mountain people that are fools"; therefore, they prefer the term Bali Mula (lit Original Balinese) instead.[3]

Quick Facts ᬩᬮᬶᬓᬂᬢᬼ (Baliaga)ᬩᬮᬶᬓᬢᬽᬓᬃ (Bali Mula), Total population ...
A Bali Aga tribesfolk

Origin

Modern Distribution of Bali Aga people in Bali island.[4]
Round white: 10,000 to 75,000
Round white, black dots: 75,000 to 200,000
Yellow box, black dots: 200,000 to 750,000

The original inhabitants of Bali are said to have come from Bedulu village long before the Hindu-Javanese immigration wave. Legend states that, there lived the last king of Pejeng (an old Balinese kingdom), Sri Aji Asura Bumibanten, who had supernatural powers.[5] He could cut off his head without feeling pain and put it back on again. One day, his head accidentally fell into a river and was swept away. One of his servants panicked and decided to quickly decapitate a pig and replace the king's head with the animal's head. Embarrassed, the king hid in a tall tower, denying any visitors. A small child discovered the secret and since then, the king has become known as Dalem Bedulu, or He-who-changed-head. Another explanation is that the name comes from Badahulu or "the village upstream".[6] After the Pejeng kingdom, the Majapahit Empire rose to power.

Culture

A grave in Trunyan Village
Mekarè-karè or Perang pandan (pandan battle) in Tenganan village, Karangasem

The Bali Aga live in isolated areas in the mountains. Compared to the lowland Balinese, their relative isolation preserved some original Austronesian elements, apparent in Bali Aga architecture. Tourists wishing to visit certain villages must be careful due to the area's geography. While visiting, it is also important to be respectful and quietly observe the preserved way of life the Bali Aga have.[7]

In Tenganan, where tourism is more easily embraced and the people are said to be more friendly, a three-day festival called Udaba Sambah is held during June or July. Tenganan prohibits divorce and polygamy, unlike other villages.[8]

Language

The Bali Aga are a multilingual people. The majority speak their mother tongue (Bali Aga languages or Baliagaese), but a minority can also speak standard Balinese, due to being surrounded by Balinese speakers. Their dialect is slightly different from the common Balinese language. It dates back thousands of years and varies from village to village; the version spoken in the Tenganan village is different from the Trunyan village. Bali Aga people also speak Indonesian as a language of communication between ethnicities. They also speak English for tourists and Kawi/Old Javanese for religious rituals.

Craftwork

An important part of Bali Aga culture is the complex tie-dye technique used to make Bali's traditional geringsing double ikat. Bali's Tenganan village is the only village that still produces geringsing.[9]

In geringsing, both the cotton warp and weft threads are carefully dyed and cross-dyed before weaving; the finished pattern only emerges as the cloth is woven. According to textile expert John Guy, "the ancestry of Balinese geringsing is far from clear, although some cloths display the unmistakable influence of patola",[10] the silk double ikats produced in Gujarat during the height of the Spice Trade (16-17C). Many of these imported cloths became inspiration for later locally-made textiles, but one theory is that the Balinese-made cloths were exported to India and copied there for production to Asian markets. Many have unique Hindu motifs such as a bird's eye view of a mandala with a sacred center from which everything radiates. Others feature designs clearly inspired by patola, for example a design known as the frangipani flower (jepun).[11] The palette of geringsing is typically red, neutral, and black. Geringsing are regarded as sacred cloths, "ascribed supernatural properties, especially to assist in forms of healing, including exorcism."[12] Gering means decease and sing means no.

See also


References

  1. "Highland Bali Baliaga in Indonesia". joshuaproject.net. Joshua Project.
  2. James Danandjaja (1989). Kebudayaan petani desa Trunyan di Bali: lukisan analitis yang menghubungkan praktek pengasuhan anak orang Trunyan dengan latar belakang etnografisnya. Penerbit Universitas Indonesia. p. 1. ISBN 97-945-6034-0.
  3. Mischa Loose (2012). Bali, Lombok. DuMont Reiseverlag. ISBN 978-37-701-6713-5.
  4. "Bedulu village". Archived from the original on 2009-01-08.
  5. Sigit Wahyu (3 January 2015). Ni Luh Made Pertiwi F (ed.). "Menjaga "Geopark" Kaldera Danau Batur". Kompas. Retrieved 2016-11-14.
  6. "Different cultural insights in Bali's Tenganan village". The Jakarta Post. 10 November 2016. Retrieved 2016-11-19.
  7. Ryan Ver Berkmoes, Adam Skolnick & Marian Carroll (2009), Bali & Lombok, Lonely Planet, p. 67, ISBN 978-174-2203-13-3
  8. Guy, John, Indian Textiles in the East, Thames & Hudson, 2009, p. 13
  9. Guy, p. 96.
  10. Guy, p. 96.

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