Season 1

On July 20, 2018, Netflix announced that Shonda Rhimes, through her production company Shondaland, would produce the screen adaptation of the bestselling novels of the Bridgerton series by Julia Quinn, while Chris Van Dusen would serve as showrunner.^[10] Quinn explained on The Tamron Hall Show that when she heard from her agent that Rhimes was interested in adapting her novels, she "almost fell off of [her] stool," and quickly agreed to the offer.^[11] Season 1 of the show adapted The Duke and I, the first book of Quinn's series.

Van Dusen said in a Shondaland article: "I think [period shows] are considered a bit traditional and conservative. With Bridgerton, I wanted to take everything I loved about a period show and turn it into something fresh, topical, and relatable."^[12]

Season 2

Before the first season aired, the show was already in pre-production for a second season which was officially announced in January 2021.^[13][14] It is focused on Anthony and based on the book The Viscount Who Loved Me.^[15][14] On April 13, 2021, creator Van Dusen revealed on Twitter that the series had additionally been renewed for a third and fourth season.^[16][17]

Season 3

Unlike the first two seasons, which followed the order of the book series, the third season will focus on Colin, based on Quinn's fourth novel Romancing Mister Bridgerton.^[18] Jess Brownell will replace Van Dusen as writer and showrunner for the third and fourth seasons.^[19][20]

Season 1

On June 19, 2019, Julie Andrews was cast as Lady Whistledown, whose voice-overs explain much of the series' action.^[27] In addition, Phoebe Dynevor and Regé-Jean Page were cast to play the leads with Jonathan Bailey, Golda Rosheuvel, Luke Newton, Claudia Jessie, Nicola Coughlan, Ruby Barker, Sabrina Bartlett, Ruth Gemmell, Adjoa Andoh and Polly Walker co-starring.^[28] Luke Thompson, Will Tilston, Florence Hunt, and Ruby Stokes were cast as the remaining four Bridgerton siblings at the end of July. Rounding out the cast were Ben Miller, Bessie Carter, Harriet Cains, Martins Imhangbe, and Lorraine Ashbourne.^[29]

Season 2

On January 21, 2021, it was announced that Jonathan Bailey would be reprising his role as Anthony and would be the center of the show's sophomore season. The following month, Simone Ashley had been cast as Kate.^[30] On April 5, 2021, Charithra Chandran joined the cast as Edwina; Rupert Young joined to play a new character;^[31] Shelley Conn was cast as Kate's stepmother and Edwina's mother, Mary; and Calam Lynch was cast as Theo Sharpe.^[32] On May 28, 2021, Rupert Evans joined the cast as Edmund Bridgerton, the late patriarch of the Bridgerton family.^[33]

Page did not return for the second season despite being asked to come back as he only signed a one-year deal and wanted to explore other opportunities outside the show.^[34][35]

Season 3

In April 2022, Bailey and Ashley were confirmed to return for the third season as Viscount and Viscountess Bridgerton, exploring their married life and duties as heads of the eponymous family.^[36] The following month, Hannah Dodd was cast to replace Ruby Stokes as Francesca Bridgerton for the third season. Stokes exited the show due to scheduling conflicts with Lockwood & Co.^[37] Chandran will not reprise her role as Edwina for the season.^[38] In July 2022, Daniel Francis, Sam Phillips, and James Phoon were cast in undisclosed capacities for the third season.^[39] In October 2022, Hannah New joined the cast as Lady Tilley Arnold.^[40] In January 2023, Dynevor confirmed she will not appear in the third season, but remained open to returning "in the future".^[4]

Season 1

Principal photography commenced in July 2019 and wrapped in late February 2020.^[41] Bridgerton was filmed in London and Bath,^[42] as well as at various estates and parks around England. Although the series takes place in London, most street scenes were filmed in Bath, York, and Chatham. The grounds of Wilton House were used for Hyde Park and the grounds of Somerley were used for Hampstead Heath. Garden scenes were filmed at Painshill near Cobham and the Commissioner's House in Chatham.^[43]

Filming locations included Ranger's House in Greenwich (standing in for the Bridgerton House in London exterior); Halton House at RAF Halton (Bridgerton House interior, Featheringtons' interior); Wilton House (Simon's Hastings House, Clyvedon estate interior, St James's Palace throne room); Syon House and Badminton House (Hastings House); Castle Howard (Clyvedon estate); Coneysthorpe (Clyvedon village); Hampton Court Palace and Lancaster House (St. James's Palace); Holburne Museum (Lady Danbury's estate); Hatfield House (Featheringtons' interior); No. 1 Royal Crescent (Grosvenor Square); Queen's House and Somerley (Somerset House); and Dorney Court (coaching inn).^[44][45]

Vauxhall Pleasure Gardens no longer exists in its entirety. The production team recreated it for Lady Danbury's ball by combining the remaining parts with Castle Howard and Stowe Park. The banqueting room at the Guildhall, Bath was used for another ball as well as the Great Hall at Leigh Court in Somerset.^[46]

Anthony Bridgerton and Simon Basset meet in the real-life Reform Club on Pall Mall in central London.^[47] The scene in which Lady Featherington takes Marina to the slums was filmed at Chatham Dockyard in Kent. Boxing scenes were also filmed here in addition to Normansfield Theatre in Teddington. Theatre scenes were filmed at the Hackney Empire. A café in Bath, Pickled Greens, was used as the site of the Modiste shop and the Bathrooms at No.5 store on Trim Street became the site of Gunter's Tea Shop.^[48]

The costuming was led by Ellen Mirojnick and involved over two hundred people and five months of preparation to create 5,000 costumes.^[49]

Season 2

Production on the second season began in March 2021.^[50] In May 2021, it was reported that the Royal Borough of Windsor and Maidenhead refused permission to build a film set for the second season in Sunninghill Park near Windsor, despite royal approval.^[51] On July 15, 2021, production on the second season was paused for 24 hours when a crew member tested positive for COVID-19, but resumed the following day. However, on July 17, production was halted indefinitely following a second positive test.^[52] Production resumed in August 2021.^[53] Production for the second season wrapped on November 20, 2021.^[54]

New filming locations for season 2 included Wrotham Park (standing in for the Bridgertons' country home Aubrey Hall); West Wycombe Park (Aubrey Hall interior and the Crane estate); Wrest Park, Ivinghoe Beacon, and Ashridge (the Orangery and Aubrey Hall grounds); the Royal County of Berkshire Polo Club (Royal Ascot); Old Royal Naval College; Windsor Great Park (woods scenes); Goldsmiths' Hall (Buckingham palace throne room); and Wilton's Music Hall (feminist meeting place). The real St James's Church is in the series. The art display at Petworth House was used for the museum scene, with Royal Artillery Barracks used as the exterior. The finale ball was filmed at Basildon Park.^[55]

Season 3

The third season began principal photography in July 2022 and wrapped in March 2023.^[56]

Season 1

The first season featured orchestral covers of contemporary popular music, which director and executive producer Julie Anne Robinson said was inspired by the use of classic rock songs in the 2001 film A Knight's Tale.^[58] Songs featured included Ariana Grande's "Thank U, Next", Maroon 5's "Girls Like You", Shawn Mendes's "In My Blood" and Billie Eilish's "Bad Guy", all four of which performed by Vitamin String Quartet. Also included are Celeste's "Strange" performed by Bowers, and Taylor Swift's "Wildest Dreams" performed by Duomo.^[57] Bowers also included modern interpretations of classical music, such as Bach's Cello Suite No. 6 in D major from Peter Gregson's Recomposed by Peter Gregson: Bach – The Cello Suites and Vivaldi's The Four Seasons from Max Richter's Recomposed by Max Richter: Vivaldi – The Four Seasons.^[59] The first season also included JPOLND's "The End" which has a "swingy melody but intense lyrics."^[60]

Season 2

In the second season, covers include Nirvana's "Stay Away" and Robyn's "Dancing On My Own" by Vitamin String Quartet, Madonna's "Material Girl," "Kabhi Khushi Kabhie Gham" from the soundtrack of the film of the same name and Calvin Harris' "How Deep Is Your Love" by Bowers. Also included are Alanis Morissette's "You Oughta Know" and Pink's "What About Us" by Duomo, Harry Styles' "Sign of the Times" by Steve Horner, Rihanna's "Diamonds" by Hannah V and Joe Rodwell and Miley Cyrus' "Wrecking Ball" by Midnight String Quartet.^[61] To promote the show, Morisette appeared in a video performing "You Oughta Know" with Duomo. When discussing the music of season two, music supervisor Justin Kramps explained that "even for these songs that are just huge songs that everyone knows, [an instrumental version] still breathes new life and brings them to a new audience, and in a different way. Pop is where we start, because it fits the style of the show, and it's often using these super-recognizable songs that just add a lot of joy, which is what pop does in general."^[62]

Season 1

For the first season, the review aggregator website Rotten Tomatoes reported an approval rating of 87% based on 99 reviews, with an average rating of 7.9/10. The website's critics consensus reads, "Sumptuous design, soapy drama, and a sterling cast make Bridgerton a delightful treat."^[71] Metacritic gave the series a weighted average score of 75 out of 100 based on 34 reviews, indicating "generally favorable reviews".^[72]

Kristen Baldwin of Entertainment Weekly gave the series a B+ and wrote, "Bridgerton, it seems, is a wonderful diversion for those who love Pride & Prejudice but wish it had more stairway sex."^[75] Richard Roeper of Chicago Sun-Times gave the series four out of four stars and called it "A show that will give you that unmistakable binge twinge and have you activating that "Next Episode" time and again, until there are no more "Next Episodes"."^[76] British GQ described Bridgerton as a cross between Downton Abbey and Gossip Girl, but noted that it "may just end up being another disappointment" and "it could have been brilliant."^[77] Salamishah Tillet of The New York Times said "Bridgerton provides a blueprint for British period shows in which Black characters can thrive within the melodramatic story lines, extravagant costumes and bucolic beauty [...] without having to be servants or enslaved."^[78] Erum Salam of Cosmopolitan wrote "I kept wanting more. I wanted more explanations of how race factored into this society..."^[79] Carolyn Hinds from The Observer stated "Bridgerton has been praised as a racially diverse show set in the Regency Era."^[80] Vanity Fair's Caroline Framke describes the sex in the series "isn't altogether shocking material for Shondaland to mine for its first drama series absent broadcast restraints."^[81]

The first season's 6th episode drew criticism with regard to the non-consensual nature of Simon and Daphne's lovemaking, which amounted to marital rape.^[82][83] The episode depicts Daphne, while having sex with Simon, changing her position to be on top, preventing Simon from pulling out of her when he climaxes despite his objections, to ensure he impregnates her.^[82] Described as one of the toxic plot points of their relationship, it further drew scrutiny due to the fact that the deceit was never addressed as sexual assault in the series.^[84][85] Critics pointed out that it failed to acknowledge the difficulties of male victims of rape and the further fetishization of black men in media.^[86][87]

Season 2

For the second season, Rotten Tomatoes reported an approval rating of 77% based on 91 reviews, with an average rating of 7.2/10. The website's critics consensus states, "The risqué thrill may have faded, but Bridgerton remains a compulsive episode-turner in this delightful sophomore season."^[73] Metacritic gave the series a weighted average score of 70 out of 100 based on 32 reviews, indicating "generally favorable reviews".^[74][88]

Kristen Baldwin of Entertainment Weekly gave the series an A− writing, "With a second season that's more clever, moving, and emotionally complex than the first, this period drama... proves that it's not just a titillating trifle."^[89] The Hollywood Reporter's Angie Hahn echoed the sentiment describing the season as "older and wiser" than its predecessor's "rampant horniness" with an effective central romance that prioritized "a meeting of minds, played out over quick-witted arguments outside ballrooms and vicious competition during a friendly family game of pall-mall."^[90] Peter Travers of ABC praised the season writing, "Kudos to season two for digging deeper into the emotional lives of its characters and continuing the colorblind casting that creates a utopia in which diversity is so ingrained it's hardly worth a mention."^[91]

Alison Herman of The Ringer commented that Season 1 is "sexy without quite being erotic" while "Season 2 is the reverse. There's not a lot of sex, but in the crackling chemistry and relentless self-denial that defines Anthony and Kate's dynamic, there's plenty of eroticism."^[92] Emma Clarke of The Independent argued that, "it is precisely the lack of physicality that makes this season (of the show and of courtship) so... well, sexy."^[93] Scott Bryan of the BBC wrote that the season serves as antidote to the "always static, laboured and slow" period dramas, adding that it comes with "real energy, it feels so modern (even though it is set in the past) and even though it feels extravagant, it doesn't feel too highbrow. It is refreshingly accessible."^[94]

Kevin Fallon of The Daily Beast elaborating on Bailey's "exquisite lead performance," wrote that "he has an exceptional ability to carry his angst, pain, and guilt with him without bogging down things into a somber drag."^[95] The Telegraph' s Anita Singh wrote that Bailey "brings more soul to the role of Lord Bridgerton than Page ever did with the Duke,"^[96] with Randy Myers of Mercury News adding that Bailey "has a gift at comedic timing."^[97] Proma Khosla of Mashable concluded that with "Bailey and Ashley, Bridgerton Season 2 strikes gold" as they deliver "heaping, smoldering helpings of sexual tension" for "their chemistry is nothing short of explosive."^[98]

Season 1

On January 27, 2021, Netflix announced that 82 million households have watched at least two minutes of the season amounting to 625 million hours viewed. It was the most-watched original series launch on the service at the time of its premiere,^{[100][101][102]} prior to being surpassed by Squid Game in October 2021.^[103] Caroline Framke of Variety attributed this huge viewership to "the perfect storm of a perfectly timed premiere (Christmas Day of 2020), providing silly and sexy entertainment after the first terrible year of COVID."^[104][2]

Season 2

Season 2 premiered on March 25, 2022, and debuted number one in 92 countries on the platform. It was also the most viewed show on United States television screens for three weeks per Nielsen Media Research.^[88] Season 2 amassed 193 million viewing hours in its opening weekend, the highest opening for any English-language Netflix series at the time.^[105] It also broke the record for most viewed English-language series in a single week at that time, with 251.74 million viewing hours from March 28 to April 3. The first season also re-entered Netflix's top ten in second place.^[106] By April 19, Bridgerton's second season had overtaken its predecessor as the most watched English-language television series on Netflix at the time with 627.11 million hours viewed since its March 25, 2022, launch.^[107] This viewing numbers went up to 656.16 million by the 28-day mark.^[108]

Nielsen Media Research, analyzing the 2.55 billion minutes viewed on United States television screens in the first three days of season 2's availability (double all others across streamers for the week of March 21), characterized Bridgerton's audience as "diverse and broad". The firm found one third of viewers to be Hispanic or African American and an even split in popularity across the 18–34, 35–49, and 50–64 age groups at 25% each. The only exception was gender parity, with 76% of the audience reported to be female.^[109][110] It added 3.2 billion minutes viewed in its second week on top of the chart.^[111] It topped the chart for a third week with 1.6 billion minutes viewed.^[112]