"Brown Girl in the Ring" is a traditional children's song in the islands of the West Indies. Originally said to have originated in Jamaica,^[1] as part of the children's game also known as "Brown Girl in the Ring". The songs lyrics instruct the game's performance: as a girl enters the ring, formed by children holding hands, and performs a dance.

The song became internationally known when it was recorded by Euro-Caribbean vocal group Boney M. in 1978. Originally it was the B-side of their hit "Rivers of Babylon" but soon became a hit in its own right and included on their third album, Nightflight to Venus (1978). The song had previously been recorded in 1975 by the group Malcolm's Locks, leading to a dispute over royalties. Bahamian musician Exuma also recorded a version of the song that appears on his 1972 album Reincarnation. The Boney M. version was remixed in 1993 by Frank Farian.

Children play ring games in many parts of the world, especially during their pre-teen years. In There's a Brown Girl in the Ring, an anthology of Eastern Caribbean song games by Alan Lomax, J.D. Elder and Bess Lomax Hawes, it is suggested that ring games are a children's precursor to adult courtship.^{[citation needed]}

Arguably the most popular version of the song, Boney M.'s recording was originally the B-side to the group's number-one hit single "Rivers of Babylon" (1978). In July 1978, following ten weeks in UK Top Ten, five of them at number one, "Rivers of Babylon" slipped to number 18 and then to 20, when radio stations flipped the single. Airplay for "Brown Girl in the Ring" resulted in a happy chart reversal, with the single re-entering the Top Ten, where it spent an additional nine weeks, peaking at number two in September.^[2] Liz Mitchell had previously recorded the song in 1975 with the group Malcolm's Locks, as the B-side of their single "Caribbean Rock". Mitchell's ex-boyfriend Malcolm Magaron was the group's lead singer. Arranger Peter Herbolzheimer accused Frank Farian of stealing his arrangement for the song, for which Farian claimed credit on the single.^[3] The court case ran for more than 20 years in Germany.

The early single version (1st pressing) released on the Diamond CD box-set in 2015 includes the full-length 4:18 version. The single mix is also slightly different from the album version: the latter makes use of steel drums on the outro riff of the song whereas the single mix does not. The four-minute single hit version (2nd pressing) has yet to appear on CD (as of July 2018). Rivers of Babylon/Brown Girl in the Ring single is the sixth best-selling single of all time in the UK with sales of 2 million.^[4]

• Lord Invader, a calypsonian from Trinidad, recorded a version circa 1946–1947 in New York. The recording is now part of the Smithsonian Folkways collection and was only released in 2000 on Lord Invader Calypso in New York CD.
• Lord Invader also recorded a new version of the song in the late 1950s, released on the There's a Brown Boy in the Ring and Other Children's Calypso Songs (1959).
• Jamaican poet, actress and singer Louise Bennett recorded the song in 1957 on an album of Children's Jamaican Songs and Games, re-released by Smithsonian Folkways (2007)
• The Italian movie Il Bisbetico Domato features a cover of the song as part of the soundtrack.
• Children's musician Raffi recorded the song for his 1987 album Everything Grows.
• Boney M.'s version was covered in the 1990s by the Australian childrens' artist The Wiggles and by the German pop group Liquido.^[5]

• The song appeared in the film Touching the Void when mountaineer Joe Simpson worries he is succumbing to madness or death. He recalls: "I remember thinking, bloody hell, I'm going to die to Boney M".
• Nalo Hopkinson's first novel Brown Girl in the Ring took its name from the song.
• Manchester United fans used the chorus of the song in support of Ruud van Nistelrooy in the early 2000's. ^[6]
• Liverpool FC fans have adopted the chorus as a crowd song to sing at games in support of Divock Origi.
• The Nigerian gospel song "O Se O Jesu" uses the melody of this song.

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