Early films

Capucine made her film debut in Jean Cocteau's The Eagle with Two Heads (1948), in a small, unbilled role. She also appeared in Jacques Becker's Rendezvous in July (1949) and Robert Dhéry's Crazy Show (1949).

She was in Marc-Gilbert Sauvajon's My Friend Sainfoin (1950) and Dhéry's Bernard and the Lion (1951).

After a break of a few years, Capucine appeared in Mademoiselle from Paris (1955) and Frou-Frou (1955).

Rise to fame

In 1957, film producer Charles K. Feldman spotted Capucine while she was modeling in New York City. Feldman put her under contract at $150 a week. He brought her to Hollywood to learn English and study acting under Gregory Ratoff.^[5][6] She took the stage name "Capucine", saying, "Two names are interesting and I hope one is interesting."^[7]

She signed a seven-year contract with Columbia Pictures in 1958. After unsuccessfully auditioning for the role of Feathers in Rio Bravo (1959), she landed her first English-speaking role in the film Song Without End (1960), a biopic of Franz Liszt, where Capucine played Carolyne zu Sayn-Wittgenstein. Producer William Goetz said, "You can teach a girl to act, but nobody can teach her how to look like a princess. You've got to start with a girl who looks like a princess."^[8][9]

"Every time I get in front of the camera, I think of it as an attractive man I am meeting for the first time," she said in 1960. "I find him demanding and aloof, so I must do all I can to interest him."^[7] "I got much better as we went on," she said. "As the scenes warmed up, so did I."^[10]

In 1960, she was nominated for a Golden Globe Award.^[11][12]

Capucine followed this with North to Alaska (1960), a comedy that had been set up with her in mind by Feldman at 20th Century Fox. She played a French prostitute who becomes the love interest of John Wayne. Directed by Henry Hathaway, it was successful at the box office.

Capucine returned to Europe to co-star in Le triomphe de Michel Strogoff (1961) with Curd Jürgens, a sequel to Michel Strogoff (1956).

Back in Hollywood, she had second billing in Walk on the Wild Side (1962), produced by Feldman, in which she portrayed a redeemed hooker. Co-star Laurence Harvey complained that Feldman cut his part to expand Capucine's role.^[13]

She was then William Holden's love interest in The Lion (1962). During filming, Capucine began a romance with Holden, which led to the end of her romantic relationship with Feldman; however, the producer remained loyal professionally.^[14]

Feldman announced he would put Capucine in Mary Magdalene^[15] and Waltz of the Toreadors,^[16] but neither happened.

She moved to Switzerland in 1962.^[17]

Blake Edwards cast Capucine in The Pink Panther, playing Inspector Clouseau's wife, who is having an affair with a jewel thief, played by David Niven. It was a huge hit, and led to a number of sequels. In 1964, Capucine said the directors she had learned most from were Edwards and Henry Hathaway.^[18]

Capucine was reunited with Holden in The 7th Dawn (1964), produced by Feldman; it was a box office disappointment. Another film she did for Feldman, the comedy What's New Pussycat? (1965), which co-starred Sellers and Peter O'Toole, was far more successful; it was filmed entirely in France.^[2]

Capucine was one of several European stars in Sex Quartet (1966) for Columbia (originally The Queens),^[19] then Feldman put her in The Honey Pot (1967), directed by Joseph L. Mankiewicz. She was announced for Feldman's Casino Royale, but did not appear in the film.^[18][20]

Feldman died in May 1968, and Capucine's career never regained its former momentum.^[21] She inherited the rights to the book Zandy from his estate and sold them to the makers of Zandy's Bride.^[22]

Later career

Capucine had a supporting role in Fräulein Doktor (1968) and the lead in the Spanish thriller The Exquisite Cadaver (1969). She was in the supporting cast of Fellini Satyricon (1969). Fellini said, "She had a face to launch a thousand ships...but she was born too late."^[8]

In 1968, she told an Italian magazine she wished she did not always have to be elegant, that she longed to play a "disheveled woman," but "since the directors know I was a model, it is obvious that they can't see me as anything else."^[8]

Dirk Bogarde suggested her for the role of Tadzio's mother in Death in Venice (1971), but Luchino Visconti turned her down, saying, "She has a horrible voice and too many teeth. She looks like a horse, a beautiful horse, I know that, I was a trainer. I know all about horses, but I don't want a horse."^[8]

Capucine had a supporting role in the Western Red Sun (1971)^[23] and guest-starred on Search (1972), her first TV series.^[24]

She supported Jean-Paul Belmondo in Incorrigible (1975) and Richard Burton in Jackpot, which was ultimately abandoned.

She appeared on television in Cinéma 16 and La pêche miraculeuse (1976), and had roles in The Con Artists (1976), Per amore (1976), Ecco noi per esempio (1977), Nest of Vipers (1978), From Hell to Victory (1979), Atrocious Tales of Love and Death (1979), Neapolitan Mystery (1979), Arabian Adventure (1979), Jaguar Lives! (1979), and Martin Eden (1979).

1980s

Capucine appeared in episodes of Orient Express (1980); Hart to Hart (1982); and Murder, She Wrote (1985), as well as the 1986 miniseries Sins.

She went to Europe^{[clarification needed]} to make Les invités (1982), Aphrodite (1982), Trail of the Pink Panther (1982), and Curse of the Pink Panther (1983).^[25]

Capucine appears in episodes of Série noire; Voglia di cantare; Murder, She Wrote; Honor Thy Father; Sins; Delirium (1987); My First Forty Years (1987); Gila and Rik (1987); Una verità come un'altra (1989); Quartier nègre (1989); Blaues Blut (1990); and Il giudice istruttore.^[26]