Charles Webster, FBA, is a historian and retired academic specialising in the history of medicine and science. He was Reader in the History of Medicine and Director of the Wellcome Unit for the History of Medicine at the University of Oxford from 1972 to 1988 (when he was also a fellow of Corpus Christi College, Oxford), and a senior research fellow at All Souls College, Oxford, from 1988 to 2004. Webster was elected a Fellow of the British Academy in 1982.^[1][2]

• Samuel Hartlib and the Advancement of Learning (Cambridge: Cambridge University Press, 1972).
• From Paracelsus to Newton: Magic and the Making of Modern Science (Cambridge: Cambridge University Press, 1982).
• Problems of Health Care: The National Health Service before 1957 (London: Her Majesty's Stationery Office, 1988).
• Government and Health Care: The British National Health Service 1958–1979 (London: Her Majesty's Stationery Office, 1996).
• The Great Instauration, 2nd edn. (Oxford: Peter Lang, 2002).
• The National Health Service: A Political History, 2nd edn. (Oxford: Oxford University Press, 2002).
• Paracelsus: Medicine, Magic and Mission at the End of Time (New Haven: Yale University Press, 2008).
• In Times of Strife (Oxford: Taylor Institution, 2023). Open Access. From the cover: The book explores the pursuit of humanitarian objectives in the face of perilous conditions of war, exile and extreme social dislocation from 1600 to 1945. Each section reconstructs the endeavours of a pair of associated intellectuals or artists within a multi-cultural European setting. The first two chapters cover the fate of 17th century intellectuals Samuel Hartlib, Jan Amos Comenius (Komenský), John Hall and William Rand. The last two chapters discuss the artists Ernst Barlach and Jakob Steinhardt and the brothers Salo and Robert Pratzer. All relate to multi-cultural situations and they possess a European, and especially Eastern European, dimension. Although addressing disparate situations, there are many points of interconnection between the sections, and also relevance to current disasters as for instance the crisis in Ukraine. The Pratzer family were driven into exile from the Lviv region of Ukraine, while the Ukraine journey of Ernst Barlach traversed the current line of demarcation and culminated with a visit to Bakhmut, Kramatorsk and Kostyantynivka. This unusual and challenging undertaking exploits many fresh archival and related resources in pursuit of its goals of reassessment, correction and addition to knowledge on all the fronts of its coverage. The book is richly illustrated with original artwork by Ernst Barlach, Käthe Kollwitz, Jakob Steinhardt, and earlier artists whose work reflects an engagement with the theme of displacement. The title image 'Deportation' is based on a sketch by Charlotte (Lotka) Burešová (1904-1983) who in 1942 was deported to Theresienstadt, worked in the Sonderwerkstätte there and escaped three days before the liberation. The book is part of the 'Cultural Memory' publications of the Treasures of the Taylorian Cultural Memory series, vol. 5, and linked with an exhibition of books and art works.