Dame_Harriet_Walter

Harriet Walter

Harriet Walter

British actress (born 1950)


Dame Harriet Mary Walter DBE (born 24 September 1950) is a British actress. She has performed on stage with the Royal Shakespeare Company, and received an Olivier Award, and nominations for a Tony Award, five Emmy Awards, and a Screen Actors Guild Award. In 2011, Walter was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.

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Walter began her career acting with the Royal Shakespeare Company in productions of Twelfth Night (1987–88) and Three Sisters (1988), for which she received the Olivier Award for Best Actress. She received Olivier nominations for Life x 3 (2001), and Mary Stuart (2006). Her other notable work for the RSC includes leading roles in Macbeth (1999) and Antony and Cleopatra (2006).

She made her Broadway debut in the 1983 revival of the William Shakespeare play All's Well That Ends Well (1983). She returned to Broadway in Mary Stuart for which she was nominated for the Tony Award for Best Actress in a Play. She reprised her roles of Brutus in Julius Caesar (2012) and the title role in Henry IV (2014), as well as playing Prospero in The Tempest, as part of an all-female Shakespeare trilogy in 2016.

Walter has acted in the films Sense and Sensibility (1995), The Governess (1998), Atonement (2007), The Young Victoria (2009), A Royal Affair (2012), Star Wars: The Force Awakens (2015), Denial (2016), The Sense of an Ending (2017), Rocketman (2019) and The Last Duel (2021). On television she starred as Harriet Vane in the 1987 BBC Wimsey dramatisations and as Natalie Chandler in the ITV drama series Law & Order: UK from 2009 to 2014. She has also acted in Downton Abbey (2013–15), London Spy (2015), The Crown (2016), Patrick Melrose (2018), Killing Eve (2020), and Silo (2023). She has earned Primetime Emmy Award nominations for her roles in Succession (2018–2023) and Ted Lasso (2020–2023).

Early life

Walter was born in London, England. She is the niece of British actor Sir Christopher Lee, being the daughter of his elder sister Xandra Lee. On her father's side, Walter is a great-great-great-great-granddaughter of John Walter, founder of The Times.[1][2] She was educated at Cranborne Chase School. After turning down a university education, she was rejected by five drama schools before being admitted to the London Academy of Music and Dramatic Art.[3] Following her training, she gained early experience with the Joint Stock Theatre Company, Paines Plough touring, and the Duke's Playhouse, Lancaster.[4]

Career

Walter worked with Royal Shakespeare Company (RSC) productions Nicholas Nickleby (1980), A Midsummer Night's Dream (1981), All's Well That Ends Well (1981), The Castle (1985), A Question of Geography, Twelfth Night (1988), Three Sisters (1988), The Duchess of Malfi (1989), Macbeth (1999), Much Ado about Nothing (2002) and Death of a Salesman (2015).

In 1987, Walter was made an associate artist of the RSC. Additional theatre work includes Three Birds Alighting on a Field (1991), Arcadia (1993), Hedda Gabler (1996), Ivanov (1997) and Mary Stuart (2005).

Walter made her Broadway debut in 1983, when the RSC production of All's Well That Ends Well transferred there. In 1993, she starred as Biddy in the off-Broadway production of Three Birds Alighting on a Field, for which she received a Drama Desk Award nomination. She returned to the Broadway stage in 2009, when she reprised her role in Mary Stuart. In 2014, Walter starred as Brutus in an all-female off-Broadway production of Julius Caesar and received her second Drama Desk nomination.

Walter's films include Sense and Sensibility (1995), Bedrooms and Hallways (1998), The Governess (1998), Onegin (1999), Villa des Roses (2002) and Bright Young Things (2003). In 1987, she portrayed Harriet Vane in three installments of the BBC's A Dorothy L. Sayers Mystery, and played Detective Inspector Natalie Chandler from 2009 to 2012 in the ITV drama series Law & Order: UK. Other television roles include Waking the Dead (2001), Little Dorrit (2008), A Short Stay in Switzerland (2009) and Lady Shackleton in four episodes of the series Downton Abbey (2013–15).[5]

In 2016, Walter played Clementine Churchill on the Netflix series The Crown, appeared in two episodes in 2017 in Call the Midwife and had a recurring role on the HBO series Succession (2018⁠–23). In 2020, Walter joined the series Killing Eve.[6][7]

Walter played Brutus in Julius Caesar in 2012, and the title role in Henry IV in 2014, in all-female productions at the Donmar Warehouse. Both productions transferred to Brooklyn's St. Ann's Warehouse in New York. She was set to reprise both roles, as well as playing Prospero in an all-female production of The Tempest, as part of director Phyllida Lloyd's Shakespeare trilogy at the Donmar's temporary, in-the-round, 420-seat theatre next to King's Cross station in 2016.

Personal life

Walter was in a relationship with actor Peter Blythe from 1996 until his death in 2004.[8] She married actor Guy Paul in 2011.[9]

At the age of 20, Walter became a feminist and went "into political theatre; to try and put as much feminism into the interpretation of parts I was playing".[10] She was conflicted on her damehood and nearly turned it down,[11] but eventually decided to accept because "there are many fewer women [than men] who can sustain a career to the point where they can be named a dame, and that's not through lack of talent. It was a slightly political gesture".[12] She supported the UK remaining in the European Union in the run-up to the 2016 EU referendum.[13]

Walter, who speaks Russian, performed a reading at the 2022 Poets for Ukraine event alongside the likes of Juliet Stevenson and Meera Syal.[14] In light of the 2023 Israel–Hamas war, Walter was one of over two thousand to sign an Artists for Palestine letter calling for a ceasefire and accusing western governments of "not only tolerating war crimes but aiding and abetting them."[15] She condemned the decision to rescind Caryl Churchill's 2022 European Drama Lifetime Achievement Award over Churchill's support of Palestine and alleged anti-semitism.[16]

Walter is a patron of the Shakespeare Schools Festival, a charity that enables school children across the UK to perform Shakespeare in professional theatres; Prisoners Abroad, a charity that supports Britons imprisoned overseas and their families; and Clean Break, a charity and theatre company dedicated to sharing the stories of imprisoned women and transforming the lives of female offenders through theatre education.[17]

Filmography

Film

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Television

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Theatre

Radio

Honours

She was appointed Commander of the Order of the British Empire (CBE) in the 2000 New Year Honours[24][4] and promoted to Dame Commander of the Order of the British Empire (DBE) in the 2011 New Year Honours for services to drama.[25]

In 2001 she and Kenneth Branagh were both given honorary doctorates and honorary fellowships at the Shakespeare Institute in Stratford.

Her performance in Mary Stuart at the Donmar Warehouse transferred to Broadway, where it was nominated for numerous Tony Awards, including Best Actress nods for her and her co-star Janet McTeer.[26]

Bibliography

  • Clamorous Voices: Shakespeare's Women Today (1988). Women's Press, ISBN 0-7043-4145-X.
  • Players of Shakespeare 3 (1994). Cambridge University Press, ISBN 978-0-521-47734-5.
  • Macbeth (Actors on Shakespeare) (2002). Faber and Faber, London. ISBN 0-571-21407-X
  • Other People's Shoes (2003). Nick Hern Books, London. ISBN 1-85459-751-5. Autobiography.
  • Facing It, Reflections on Images of Older Women (2010). Self Published, London. ISBN 978-0-9566497-1-3
  • Brutus and Other Heroines: Playing Shakespeare's Roles for Women (2016). Nick Hern Books, London. ISBN 978-1-84842-293-3

References

  1. "News: Stationers celebrate Times links". InPublishing. 8 April 2011. Archived from the original on 11 March 2012. Retrieved 13 February 2013.
  2. Fox, Chloe (3 February 2007). "The world of Harriet Walter, actress". The Daily Telegraph. London. Archived from the original on 24 April 2008. Retrieved 8 February 2021.
  3. Edemariam, Aida (15 January 2011). "Life's looking up, Dame Harriet". The Guardian. London.
  4. "Walter, Harriet Mary". Who's Who. Oxford, England: A & C Black. 1995.
  5. Petski, Denise (19 August 2019). "'Killing Eve': Harriet Walter & Danny Sapani Join Cast As Production Begins on Season 3". Deadline. Archived from the original on 19 August 2019. Retrieved 19 August 2019.
  6. Weiss, Josh (19 April 2020). "Who Is Dasha? Dame Harriet Walter Breaks Down Her New 'Killing Eve' Character And That Wedding Crash". Forbes. Archived from the original on 8 November 2020. Retrieved 1 November 2020.
  7. Shorter, Eric (6 August 2004). "Obituary: Peter Blythe". The Guardian. London. Archived from the original on 17 December 2015. Retrieved 26 November 2010.
  8. Culture (11 May 2011). "Harriet Walter: 'Why I am getting married at 60'". The Daily Telegraph. London. Archived from the original on 30 July 2013. Retrieved 13 February 2013.
  9. Robinson, Abby (8 March 2021). "Harriet Walter: "Your whole casting relationship is built around a man"". Digital Spy. Retrieved 18 October 2023.
  10. "Dame Harriet Walter's 'nightmare' title". Inside Nova. 17 April 2023. Retrieved 18 October 2023.
  11. "In full: Arts figures backing EU Remain campaign". BBC News. 20 May 2016. Retrieved 18 October 2023.
  12. Iorizzo, Ellie (25 March 2022). "Harriet Walter: We mustn't tar Russian people with same brush as their leaders". Belfast Telegraph. Retrieved 18 October 2023.
  13. "Tilda Swinton among 2000+ artists calling for Gaza ceasefire". Artists for Palestine. 17 October 2023. Retrieved 17 October 2023.
  14. Sherwood, Harriet (17 November 2022). "Cancellation of award for playwright Caryl Churchill condemned". The Guardian. Retrieved 18 November 2022.
  15. "Shakespeare Schools Foundation Patrons". Shakespeare Schools Foundation. Archived from the original on 11 December 2017. Retrieved 12 July 2021.
  16. Kanter, Jake (24 June 2021). "'This Is Going To Hurt': Harriet Walter, Alex Jennings Join BBC/AMC Series; First Look at Lead Ben Whishaw". Deadline Hollywood. Archived from the original on 24 June 2021. Retrieved 24 June 2021.
  17. "Olivier Winners 1988". The Official London Theatre Guide. 24 April 2008. Archived from the original on 4 May 2010. Retrieved 28 November 2010.
  18. "BBC News report on critical reception". 5 December 2012. Archived from the original on 6 December 2012. Retrieved 6 December 2012.
  19. Brantley, Ben (18 January 2017). "Review: In 'The Tempest,' Liberation and Exhilaration". The New York Times. Archived from the original on 8 November 2020. Retrieved 1 November 2020.
  20. "Scenes of Seduction · British Universities Film & Video Council". Bufvc.ac.uk. 7 March 2005. Archived from the original on 14 March 2016. Retrieved 13 February 2013.
  21. "No. 55710". The London Gazette (Supplement). 31 December 1999. p. 11.
  22. "No. 59647". The London Gazette (Supplement). 31 December 2010. p. 6.
  23. "Billy Elliot musical dominates Broadway's Tony award shortlist". The Guardian. London. 5 May 2009. Archived from the original on 7 March 2016. Retrieved 26 November 2010.

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