Critical reception

The film received mixed reviews from critics. Review aggregator website Rotten Tomatoes reports that 31% of 16 reviews were positive, with an average rating of 4.09/10.^[7]

Both The New York Times and the Los Angeles Times praised Dangerous Game, with Janet Maslin of the former complimenting both Keitel and Madonna for their acting, and admiring the film's "raw, corrosive" quality: "Shot in a grainy, urgent style with occasional lapses into video, it has a fury that goes well beyond the story at hand, and an energy level that transcends the story's self-indulgence. This tough, abrasive film maker is seldom without his deadly serious side. 'Dangerous Game' is angry and painful, and the pain feels real."^[4] Kevin Thomas of the Los Angeles Times found it "compelling and explosive", saying, "[I]t's a film of no-holds-barred language, passion and rage, but it's a move away from genre, more a chamber drama than action movie in which violence is more psychic than physical." He called Keitel "the ideal Ferrara star, his control, volcanic emotions and endless capacity for expressiveness and revelation matching up with those very qualities in Ferrara himself." Madonna, he said, "reveals the vulnerability as well as the strength of both the actress and the character she is playing."^[8]

In a mixed review, Peter Travers of Rolling Stone called Keitel "superb" and the film "a mesmerizing jigsaw", but found that "Madonna's take on an emotional crackup comes up snake eyes ... and Ferrara's Dangerous Game stops being worth the playing."^[9] However, Owen Gleiberman, giving it a C− grade in Entertainment Weekly, called it "an ego-driven botch, one of those dawdlingly self-important, semi-improvised affairs about a director making a movie that turns out to be just like the one you're watching (or is it the other way around?)", but allowed that, "Madonna isn't embarrassing; she plays down the wax-goddess exhibitionism."^[10]

Both Siskel & Ebert disliked the film and it later earned a place on their Worst of 1993 show. Siskel described the film in his initial review as "overwrought baloney" which Ebert concurred with and later denounced it as a "violent egotrip by its director Abel Ferrara."

Placing it in his list of the worst films of 1994, Bob Ross of The Tampa Tribune wrote that the film was a "sadly self-indulgent gab-fest" and described it as "sordid, pretentious claptrap."^[11]