Equal temperament

An equal temperament is a musical temperament or tuning system that approximates just intervals by dividing an octave (or other interval) into equal steps. This means the ratio of the frequencies of any adjacent pair of notes is the same, which gives an equal perceived step size, as pitch is perceived roughly as the logarithm of frequency.[2]

A comparison of some equal temperaments.[1] The graph spans one octave horizontally (open the image to view the full width), and each shaded rectangle is the width of one step in a scale. The just interval ratios are separated in rows by their prime limits.
12-tone equal temperament chromatic scale on C, one full octave ascending, notated only with sharps. Play ascending and descending 

In classical music and Western music in general, the most common tuning system since the 18th century has been 12-tone equal temperament (also known as 12 equal temperament, 12-TET or 12-ET, informally abbreviated as 12 equal), which divides the octave into 12 parts, all of which are equal on a logarithmic scale, with a ratio equal to the 12th root of 2 (122 ≈ 1.05946). That resulting smallest interval, 112 the width of an octave, is called a semitone or half step. In Western countries the term equal temperament, without qualification, generally means 12-TET.

In modern times, 12-TET is usually tuned relative to a standard pitch of 440 Hz, called A440, meaning one note, A, is tuned to 440 hertz and all other notes are defined as some multiple of semitones away from it, either higher or lower in frequency. The standard pitch has not always been 440 Hz; it has varied considerably and generally risen over the past few hundred years.[3]

Other equal temperaments divide the octave differently. For example, some music has been written in 19-TET and 31-TET, while the Arab tone system uses 24-TET.

Instead of dividing an octave, an equal temperament can also divide a different interval, like the equal-tempered version of the Bohlen–Pierce scale, which divides the just interval of an octave and a fifth (ratio 3:1), called a "tritave" or a "pseudo-octave" in that system, into 13 equal parts.

For tuning systems that divide the octave equally, but are not approximations of just intervals, the term equal division of the octave, or EDO can be used.

Unfretted string ensembles, which can adjust the tuning of all notes except for open strings, and vocal groups, who have no mechanical tuning limitations, sometimes use a tuning much closer to just intonation for acoustic reasons. Other instruments, such as some wind, keyboard, and fretted instruments, often only approximate equal temperament, where technical limitations prevent exact tunings.[4] Some wind instruments that can easily and spontaneously bend their tone, most notably trombones, use tuning similar to string ensembles and vocal groups.

A comparison of equal temperaments between 10-TET and 60-TET on each main interval of small prime limits (red: 3/2, green: 5/4, indigo: 7/4, yellow: 11/8, cyan: 13/8). Each colored graph shows how much error occurs (in cents) on the nearest approximation of the corresponding just interval (the black line on the center). Two black curves surrounding the graph on both sides represent the maximum possible error, while the gray ones inside of them indicate the half of it.

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This article uses material from the Wikipedia article Equal temperament, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.