Ercole_amante

<i>Ercole amante</i>

Ercole amante (Hercules in Love, French: Hercule amoureux) is an opera in a prologue and five acts by Francesco Cavalli. Its Italian libretto is by Francesco Buti, based on Sophocles' The Trachiniae and on the ninth book of Ovid's Metamorphoses. The first performance took place on 7 February 1662 in the Salle des Machines of the Tuileries in Paris.

Title page of the 1662 libretto

Background

Cardinal Mazarin commissioned the opera to celebrate the June 1660 wedding of Louis XIV and Maria Theresa of Spain, but preparations for the staging were on a grand scale and caused a twenty-month delay, irritating the composer. Worse for him, eighteen ballet entrées and intermèdes by Isaac de Benserade with music Jean-Baptiste Lully were inserted, mostly at the ends of Cavalli's acts, to cater to French taste. These were not merely diversions but also served to further the plot,[1] and in the event they met with greater approval from the audience than Ercole amante itself, helping boost Lully's position at the French court.

Performance history

After its premiere the opera was given another seven times: 14 and 18 February; 18, 22, 25, and 29 April; and 6 May. The theatre was built specifically to present the opera, and if the construction costs of the theatre are included, it was the most expensive of the French court's theatrical productions mounted up to that point.[2]

Roles

More information Role, Voice type ...

Recordings

Audio

Video


References

Notes

  1. Casaglia, Gherardo (2005)."Ercole amante, 7 February 1662". L'Almanacco di Gherardo Casaglia (in Italian).
  2. An alternative spelling is Bordigoni, according to the Großes Sängerlexikon.
  3. Erato CD (1996, 1981) OCLC 954346914.
  4. David Fallows, "Cavalli. Ercole amante [review]", Gramophone, October 1980, p. 533.
  5. Opus Arte Blu-ray (2010) OCLC 658079891.
  6. Naxos Blu-ray (2020) OCLC 1224482311
  7. David Vickers, "Cavalli, Ercole amante [review of 2019 production by Pygmalion]", Gramophone, May 2021, pp. 74–75.

Sources

  • Clinkscale, Martha Novak (1992). "Ercole amante". In Stanley Sadie (ed.). The New Grove Dictionary of Opera. London. ISBN 0-333-73432-7.{{cite book}}: CS1 maint: location missing publisher (link)
  • Coeyman, Barbara (1998). "Opera and Ballet in Seventeenth-Century French Theatres: Case Studies of the Salle des Machines and the Palais Royal Theater". In Radice, Mark A. (ed.). Opera in Context: Essays on Historical Staging from the Late Renaissance to the Time of Puccini. Portland, Oregon: Amadeus Press. pp. 37–71. ISBN 9781574670325.

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