Afghan_lady_in_Kabul.jpg
Summary
James Rattray : Ladies Of Caubul ( ) | ||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q28474214
|
|||||||||||||||||||||||
Title |
Ladies Of Caubul
|
|||||||||||||||||||||||
Description |
English:
A political mission composed of Doctor Lord and Captain Rattray (James' brother) was established at Bamiyan. This was the frontier city of Afghanistan and the first spot which could be attained by the Russians. It was also the only road by which the exiled Dost Mohammed could revisit his kingdom. The region was famed for its Buddhist statues.
Shakar Lab ('Sugar Lips') was the favourite wife of a former governor of Bamiyan and niece by marriage to Dost Mohammed. As a great favour, Rattray was introduced to her at Kabul. Describing her as a Qizilbash belle of the first water, Rattray wrote: "Afghaun ladies exercise more control over their husbands than is usual in Eastern countries." Though women of the higher classes were strictly under purdah as in Hindustan, Rattray wrote that they certainly enjoyed life more than the Hindustanis. Women were seen making constant pleasure excursions into tombs, gardens and bazaars, and they threw off their veils and restraint in secluded spots. He had sometimes come upon them thus and found them strikingly handsome.
فارسی:
بانوان کابل
این نقاشی از صفحهٔ ۲۴ «افغانستان» اثر ستوان جیمز راترای گرفته شدهاست. کاپیتان راترای (برادر جیمز) و دکتر لرد در بامیان مأموریتی سیاسی داشتند. این شهر شهری مرزی بود و نخستین شهری بود که میتوانست به دست روسها بیفتد. همچنین تنها جادهای بود که دوستمحمد تبعیدشده میتوانست از طریق آن به قلمرواش سر بزند. این منطقه به خاطر مجسمهٔ بودا مشهور بود. شکرلب زن مورد علاقهٔ حاکم سابق بامیان و خواهرزادهٔ دوستمحمد بود که در کابل راترای را به او معرفی کردند. راترای که وی را از قزلباشان توصیف میکند مینویسد: «بانوان افغان بیشتر از آنچه در شرق رایج است بر شوهران خود سلطه دارند.» گرچه زنان طبقههای عالیتر همچون هندوستان شدیداً در پرده (حجاب) محصور هستند، راترای مینویسد آنها بیشتر از زنان هند از زندگی بهره میبرند. بسیار دیده میشود که برای تفریح در آرامگاهها، باغها و بازارها رفتوآمد میکنند و پوشش و حجاب خود را در خلوت برمیدارند. وی که چهرهٔ برخی از ایشان را دیده بود آنها را بسیار زیبا توصیف میکند. |
|||||||||||||||||||||||
Date | 1839 or 1842 | |||||||||||||||||||||||
Collection |
institution QS:P195,Q23308
|
|||||||||||||||||||||||
Notes | This lithograph is taken from plate 24 of 'Afghaunistan' by Lieutenant Rattray. | |||||||||||||||||||||||
Source/Photographer |
|
Licensing
Public domain Public domain false false |
This work is in the
public domain
in the
United States
because it was
published
(or registered with the
U.S. Copyright Office
) before January 1, 1929.
Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. If the work is not a U.S. work, the file
must
have an additional
copyright tag
indicating the copyright status in the source country.
Note: This tag should not be used for sound recordings. PD-1923 Public domain in the United States //commons.wikimedia.org/wiki/File:Afghan_lady_in_Kabul.jpg |
Public domain Public domain false false |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer . You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. |
|
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/ PDM Creative Commons Public Domain Mark 1.0 false false