Dominant_seventh_raised_ninth_vs_dominant_seventh_split_third_chord.mid
Summary
Description Dominant seventh raised ninth vs dominant seventh split third chord.mid |
English:
Dominant seventh raised ninth vs dominant seventh split third chord.
|
Date | 2 July 2011 (original upload date) |
Source | Own work |
Author | User:Hyacinth |
Created by Hyacinth ( talk ) 11:52, 2 July 2011 (UTC) using Sibelius 5.
See: Image:Dominant_seventh_raised_ninth_vs_dominant_seventh_split_third_chord.png
Licensing
Public domain Public domain false false |
This media depicts a chord outside of a specific musical context. Chords consist of an unordered collection of pitches outside of time (no " distinctiveness "), may be used in compositions by multiple composers ("common material"), and may not be readily apparent in compositions. As such, a chord is a musical concept or technique, which is considered too simple to be eligible for copyright protection , or which consists only of technique, with no original creative input. |
Public domain Public domain false false |
This media depicts a musical concept or technique, which is considered too simple to be eligible for copyright protection , or which consists only of technique, with no original creative input. |
Original upload log
Transferred from en.wikipedia to Commons using For the Common Good .
The original description page was
here
. All following user names refer to en.wikipedia.
Date/Time | Dimensions | User | Comment |
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11:52, 2 July 2011 | 140 bytes | w:en:Hyacinth ( talk | contribs ) | (Created by ~~~~ using Sibelius 5. See: [[:Image:Dominant_seventh_raised_ninth_vs_dominant_seventh_split_third_chords.png]] {{GFDL-self|migration=relicense}} [[Category:MIDI files]]) |