Olivia_De_Haviland_1933.jpg
Summary
Description Olivia De Haviland 1933.jpg |
English:
Olivia de Havilland promotional card for the 1933 stage production of
Alice in Wonderland
by the Saratoga Community Players, Saratoga, California
|
Date | |
Source | Strictly Vintage Hollywood |
Author | Unknown author Unknown author |
Permission
( Reusing this file ) |
This promotional card was first printed in 1933 to promote de Havilland's debut in amateur theatre in
Alice in Wonderland
, a production of the Saratoga Community Players (Thomas 1983, p. 26). The image subsequently appeared in Tony Thomas's 1983 book
The Films of Olivia de Havilland
(p. 19) and Judith Kass's 1976 biography
Olivia de Havilland
(p. 18). Neither book contains a copyright indication for the photo. In Robert Matzen's book
Errol & Olivia: Ego & Obsession in Golden Era Hollywood
(p. 4), a similar promotional photo is used, also without a copyright notice.
Nancy Wolff, includes a similar explanation:
Film industry author Gerald Mast, in Film Study and the Copyright Law (1989) p. 87, writes:
Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference with cinema scholars and editors, that they "expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements ... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs." ( "Fair Usage Publication of Film Stills" by Kristin Thompson, Society for Cinema and Media Studies ) Note on non-renewalː The back of the photo indicates that the Minneapolis Journal received the photo in November 1936, but did not use it for publication until February 17, 1937. A check of publications renewals for the Minneapolis Journal for the years 1964 and 1965 showed that the paper did not renew any issues during those two years. |
Licensing
Public domain Public domain false false |
This work is in the
public domain
in the United States because it was
published
in the United States between 1929 and 1977, inclusive,
without a
copyright notice
. For further explanation, see
Commons:Hirtle chart
as well as a
detailed definition
of "publication" for public art. Note that it may still be copyrighted in jurisdictions that do not apply the
rule of the shorter term
for US works (depending on the date of the author's death), such as Canada (50
p.m.a.
), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
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