Since opening its doors in 2003, Frontline Club has hosted over 1,200 events. Its founders do not receive wages and the events programme is almost self-sustaining, mainly from membership fees and ticket income.
The club includes a restaurant open to non-members, a club room, meeting rooms, two lodging rooms and a discussion forum as well as an annex with 12 bedrooms available to members[3] The club also hosts film and documentary screenings and organises training and workshops in such skills as camera operation and film editing.
In May 2011, broadcaster Louis Theroux said in an interview with the Evening Standard that the Frontline Club was his favourite London club.[4]
History
The Frontline Club opened in 2003. It was founded by surviving members of Frontline News TV, a cooperative of freelance cameramen formed during the chaos of the Romanian revolution in 1989.[citation needed]
It specialized in war reporting for television.[5]Vaughan Smith, one of two surviving founders of Frontline News TV, turned the operation into a club, offering a meeting place for those who believe in independent journalism, as well as to honour dead colleagues. It also aims to lobby for better support for the freelance journalistic community.[citation needed]
The clubroom has a display of relics drawn from the history of war reporting since the Crimean war. Cabinets show personal items, some with shell still embedded, that have stopped a bullet and saved a journalist's life. The walls of the Frontline Club display examples of war photography and artwork.[citation needed]
In December 2010 Vaughan and Pranvera offered Julian Assange of WikiLeaks their private home, Ellingham Hall, in Norfolk as an address for bail.[6] Assange had been staying at the club for two months.[7]
In 2019 the club launched Frontline Freelance Register[8] for freelance journalists and reporters operating in war zones to help them with issues related to welfare, digital security and insurance.[9] The register states on their website "The Frontline Freelance Register" (FFR) is open to international freelance journalists who are exposed to risk in their work and who adhere to our Code of Conduct. We aim to provide our members with representation and a sense of community."
Loyn, David (2006). Frontline: The True Story of the British Mavericks Who Changedf the Face of War Reporting. Michael Joseph Ltd. ISBN978-0-14-101784-6.
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