The English industrial metal band Godflesh have released eight studio albums and six extended plays along with a number of singles, compilations and remix and live albums. The group formed in 1982 under the name Fall of Because, but they did not release any music (outside of a 1986 demo tape titled Extirpate)^[1] until 1988 when Justin Broadrick and B. C. Green changed the project's name to Godflesh and recorded a self-titled debut EP.^[2] That EP, released through the independent label Swordfish, was met with underground success and has since been recognised as one of the first industrial metal releases, if not the first.^[3][4][5]

Though the self-titled EP acted as Godflesh's introduction to innovation and experimentation, their next release and first through Earache Records, 1989's Streetcleaner, garnered even more recognition for its musical importance.^[6][7][8] After the success of Streetcleaner, Godflesh recorded Pure in 1992, which has drawn retrospective recognition as a significant release in the post-metal genre.^[9][10] The band's third album, Selfless (1994), was Godflesh's debut on Columbia Records.^[11] The album sold under expectations,^[12] and that coupled with MTV banning the music video of its lead single, "Crush My Soul", led to Columbia dropping support of Godflesh.^[11][13] Regardless of the disappointing commercial performance of Selfless, Broadrick considers that album and all of the preceding releases as Godflesh's best material.^[14][15]

In 1996, Godflesh, back on Earache, released Songs of Love and Hate, which featured Bryan Mantia on drums; this was a significant departure from the band's characteristic style, since all of their previous releases had been structured around programmed industrial beats from a drum machine.^[16] Broadrick later described this shift as a dilution of Godflesh's original goal, which was to meld human and machine music.^[17] Love and Hate in Dub, a remix album released in 1997, saw Godflesh again experimenting, this time with hip hop, breakbeats and dub.^[18][19] Those experiments continued and heightened with the 1999 studio album Us and Them, which again featured machine percussion.^[20] After Us and Them proved creatively dissatisfying for Broadrick,^[21] the band found a new live drummer (this time in Ted Parsons). Hymns (2001) was recorded in a professional studio, which led to a great deal of frustration for the band.^[22][23] Shortly after Hymns' release, Green quit Godflesh, and Broadrick officially ended the band not long after that.^[24]

Godflesh reformed in 2010 as Broadrick and Green.^[25] After performing scattered shows for four years, the band's return album, A World Lit Only by Fire (2014), was released to critical acclaim and appeared on several critics' year-end lists.^[26][27] It was a notably heavy industrial metal album focused again on downtuned guitar, distorted bass and driving machine drums.^[28][29] In 2017, Godflesh's eighth album, Post Self, was released. Like A World Lit Only by Fire, it drew critical praise and award recognition;^[30][31] unlike that previous album, however, Post Self proved introspective and experimental.^[32] Despite regular acclaim from critics and fellow musicians, Godflesh have received only minor commercial success.^[33]