Hattie_Morahan

Hattie Morahan

Hattie Morahan

English actress (born 1978)


Harriet Jane Morahan is an English actress. Her roles include Sister Clara in The Golden Compass (2007), Gale Benson in The Bank Job (2008), Alice in The Bletchley Circle (2012–2014), Ann in Mr. Holmes (2015), Rose Coyne in My Mother and Other Strangers (2016), and Agathe/The Enchantress in Beauty and the Beast (2017).

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Early life

Morahan was born in 1978, the younger daughter of director Christopher Morahan and actress Anna Carteret. Her older sister Rebecca is a theatre director,[2] and her half-brother Andy is a music video and film director.[1] As a child, she attended parties thrown by Sir Laurence Olivier,[3] who once helped her with her mathematics homework.[4]

Morahan was educated at Frensham Heights School. She wanted to attend Newcastle University, but her father encouraged her to follow older sister Rebecca to New Hall, Cambridge,[5][6] where she graduated with a BA in English in 2000.[7] While at Cambridge, she directed and appeared in student productions, including A View from the Bridge, which won her 'the most outstanding performance' award at the 1999 National Student Drama Festival for her role as Catherine.[8]

Following Cambridge, Morahan's parents encouraged her to attend the Royal Academy of Dramatic Art, but she was eager to begin working and told her parents she would enroll only if she was not working professionally within a year.[3]

Career

Morahan made her professional debut at 17, playing the leading role of Una Gwithian in a two-part BBC television adaptation of The Peacock Spring (1996).

Morahan joined the Royal Shakespeare Company in 2001, making her theatre debut at Stratford-upon-Avon in Love in a Wood and her London debut at the Barbican Theatre (that December) in Hamlet. Other credits for the company included Night of the Soul and Prisoner's Dilemma.

At the Tricycle Theatre in March 2004 she played Ruby, a 1960s hippie who becomes a disenchanted 1980s political wife, for the Oxford Stage Company revival of Peter Flannery's Singer.[9] In the same year she first worked with Katie Mitchell at the National Theatre when she starred in the title role of Euripides' Iphigenia at Aulis.[10]

In July 2005, she appeared again at the National in Nick Dear's Power, staged in the Cottesloe Theatre[11] and also won acclaim at the West Yorkshire Playhouse, Leeds, in September 2005 playing Viola in Ian Brown's production of Twelfth Night.[12]

In 2006, she played the leading role, of Penelope Toop, in Douglas Hodge's touring revival of Philip King's hit farce See How They Run.[13] In the same year, for her Lyttelton Theatre performance as Nina in Katie Mitchell's staging of Chekhov's The Seagull,[14] she was awarded second prize in the Ian Charleson Awards 2007.

TV credits include Bodies and BBC One's Outnumbered,[15] where she portrays recurring character Jane. She has appeared in series 1, 2 and 4 of Outnumbered, as well as the Christmas Specials in 2009, 2011 and 2012.

In January 2008, she appeared in the film The Bank Job, and she played a mounted policewoman in the ITV comedy drama pilot Bike Squad.

Giving a career enhancing performance, she also played Elinor Dashwood in BBC One's three-part adaptation, by Andrew Davies, of Jane Austen's novel Sense and Sensibility, first broadcast on New Year's Day 2008.[16] On 13 June 2008, she won Best Actress at the 14th Shanghai Television Festival for her performance.

On 26 February 2008, she played Libby, a graduate investigating mis-selling of bank loans, in D.J. Britton's radio play When Greed Becomes Fear, a BBC Radio 4 Afternoon Play 'inspired by the sub-prime lending fiasco in America.'

She worked again with director Katie Mitchell, co-starring with Benedict Cumberbatch in The City, a new, darkly comic mystery play by Martin Crimp,[17] 24 April – 7 June 2008.[3]

In July 2008, she returned to the National to appear in ...some trace of her, Katie Mitchell's adaptation of Dostoyevsky's The Idiot, co-starring Ben Whishaw at the Cottesloe Theatre,[18] while later in the year she played Mary in T.S. Eliot's The Family Reunion at the Donmar Warehouse.[19] She returned to the National in April 2009 to play Kay Conway in Rupert Goold's production of J. B. Priestley's Time and the Conways in the Lyttelton auditorium [20] and also Dawn in Caryl Churchill's Three More Sleepless Nights in the same season.

On 28 February 2010, she appeared as Miss Enid in Lark Rise to Candleford, and then as Martina Twain in the BBC adaptation of Martin Amis's Money. In the theatre, she played Annie in The Real Thing by Tom Stoppard at The Old Vic theatre, directed by Anna Mackmin, from April to June 2010; a year later returning to the stage in Thea Sharrock's pared-down Sheffield Crucible revival of David Hare's 1978 Plenty: Morahan affords the heady sensation of watching an actress at the top of her game (Sunday Times, Culture, 14 February 2011).

From 29 June to 26 July 2012, she played the lead role of Nora, opposite Dominic Rowan's Torvald, in a new version of A Doll's House by Simon Stephens at London's Young Vic Theatre, in a production directed by Carrie Cracknell and designed by Ian MacNeil. Her performance saw her named Best Actress at the 2012 Evening Standard Awards and the 2012 Critics' Circle Theatre Awards.[21]

From 8 August to 26 October 2013, Morahan reprised her role as Nora Helmer alongside Dominic Rowan, who returned as her husband Torvald, at the Duke of York's Theatre London.[22]

In July 2015, Morahan played the role of doomed mother Elizabeth Aldridge in the BBC's two-part television adaptation of Sadie Jones' debut novel The Outcast.[23] The Guardian's Julia Raeside was impressed with Morahan's portrayal, writing, "She is so perfectly cast, the lack of her is palpable on screen. We miss her too."[24] The following year, Morahan starred in the five-part BBC series My Mother and Other Strangers.[25]

Personal life

Morahan has been in a relationship with actor and director Blake Ritson since they met at Cambridge University in the late 1990s; the pair have been engaged since the mid 2000s.[26] She worked as script supervisor on three of his short films and as costume designer and a performer on Good Boy (2008). "He needs help behind the scenes," she told The Sunday Times. "I'm happy to supply it. I just like to get on with it."[3] Morahan gave birth to the couple's daughter, Amity, in August 2016.[25] And to their son in 2020.

Credits

Film and television

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Theatre

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Radio

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References

  1. Morahan, Andy. "About". AndyMorahan.com. Archived from the original on 23 November 2015. Retrieved 28 October 2015.
  2. "Hattie Morahan pulls it off at the Evening Standard Theatre Awards". Evening Standard. 27 November 2012. Archived from the original on 18 April 2017. Retrieved 17 April 2017.
  3. White, Lesley (20 April 2008). "We're just wild about Hattie Morahan". The Times. Archived from the original on 19 November 2015. Retrieved 19 November 2015.
  4. Durrant, Nancy (20 January 2015). "Hattie Morahan on why it's fun to behave badly". The Times. Archived from the original on 19 November 2015. Retrieved 19 November 2015.
  5. "Relative Values: Anna Carteret and her daughter Hattie Morahan". The Times. 30 November 2008. Archived from the original on 19 November 2015. Retrieved 19 November 2015.
  6. Rees, Jasper (21 April 2008). "Hattie Morahan: 'I decided not to think about Emma Thompson'". The Daily Telegraph. London. Archived from the original on 9 January 2013.
  7. "Theatre review: Singer at Oxford Stage Company at the Tricycle, Kilburn". Britishtheatreguide.info. Archived from the original on 7 February 2012. Retrieved 29 January 2014.
  8. Gerald Berkowitz (24 June 2004). "The Stage / Reviews / Iphigenia at Aulis". Thestage.co.uk. Archived from the original on 27 December 2013. Retrieved 29 January 2014.
  9. "Theatre review: Power at RNT Cottesloe". Britishtheatreguide.info. Archived from the original on 20 February 2012. Retrieved 29 January 2014.
  10. "Review of Twelfth Night". The Stage. Archived from the original on 11 June 2011.
  11. "Theatre review: See How They Run at Richmond Theatre and touring". Britishtheatreguide.info. Archived from the original on 7 February 2012. Retrieved 29 January 2014.
  12. John Thaxter (29 June 2006). "The Stage / Reviews / The Seagull". Thestage.co.uk. Archived from the original on 3 February 2014. Retrieved 29 January 2014.
  13. Hart, Christopher (13 January 2008). "Hattie Morahan's Elinor is as good a piece of acting as you're going to see this year". Sunday Times.
  14. Billington, Michael (30 April 2008). "Theatre review: The City / Royal Court, London". The Guardian. Archived from the original on 1 May 2008. Retrieved 1 May 2008.
  15. Aleks Sierz (31 July 2008). "The Stage / Reviews / ... some trace of her". Thestage.co.uk. Archived from the original on 3 February 2014. Retrieved 29 January 2014.
  16. John Thaxter (26 November 2008). "The Stage / Reviews / The Family Reunion". Thestage.co.uk. Archived from the original on 3 February 2014. Retrieved 29 January 2014.
  17. John Thaxter (6 May 2009). "The Stage / Reviews / Time and the Conways". Thestage.co.uk. Archived from the original on 17 December 2013. Retrieved 29 January 2014.
  18. "United Agents | Hattie Morahan". United Agents. Archived from the original on 2 February 2014. Retrieved 29 January 2014.
  19. "Interview with Hattie Morahan". Lastminutetheatretickets.com. 5 August 2013. Archived from the original on 21 September 2013. Retrieved 29 January 2014.
  20. "The Outcast: Episode 1 Credits". BBC One. Archived from the original on 12 September 2015. Retrieved 1 July 2017.
  21. Raeside, Julia (13 July 2015). "The Outcast review – 'I feared for Sadie Jones's adaptation of her perfect novel – but it is excellent'". The Guardian. London. Archived from the original on 13 July 2015. Retrieved 20 July 2015.
  22. Rampton, James (9 November 2016). "Hattie Morahan interview: 'There were a few hitches, I was pregnant during the shoot'". The Independent. Archived from the original on 14 November 2016. Retrieved 13 November 2016.
  23. David Stephenson (12 July 2015). "The Outcast's Hattie Morahan: There won't be any wedding bells this year". Daily Express. Archived from the original on 12 November 2016. Retrieved 21 June 2016.
  24. Billington, Michael (12 June 2017). "Anatomy of a Suicide review – a startling study of mothers and daughters". The Guardian. ISSN 0261-3077. Retrieved 2 April 2024.

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