The earliest official release of the song was by English musician Boz Burrell under the name Boz, whose version was released as a single on May 3, 1968 on Columbia.[2]The Band recorded their version of the song for their debut album Music from Big Pink, released two months later in July 1968, with Richard Manuel singing lead vocals, and Rick Danko and Levon Helm harmonizing on the chorus. The song was also performed near the end of the Band's 1976 farewell concert, The Last Waltz, in which all the night's performers except Muddy Waters, plus Ringo Starr and Ronnie Wood, appeared on the same stage. Additional live recordings by the Band were included on the 1974 concert album Before the Flood and the 2001 expanded CD reissue of Rock of Ages.
In 1971, Dylan recorded the song a second time with a different arrangement and altered lyrics. He was accompanied by Happy Traum and the song was released on Bob Dylan's Greatest Hits Vol. II.
Style and content
The song is influenced by gospel music, combining images of religious redemption with implied literal release from prison. David Yaffe described the song as a song about redeemed prisoners.[3] The song describes life behind a wall, hearing a man who "swears he's not to blame" and is "crying out that he was framed". While the narrator reflects on "every man who put me here", and says that "any day now I shall be released".
Author Mike Marqusee observed that the cruelty of the justice system is a recurring theme in Dylan's work, but that Dylan broadens the idea of imprisonment to social issues with an urge for freedom.[4]Clinton Heylin writes in his book Revolution In The Air:[5]
Prisons of the body and the mind seem to have preyed on Dylan's mind throughout his time spent with the boys on retainer. Among the songs recorded at early basement sessions were covers of "Folsom Prison Blues" and "The Banks of the Royal Canal" (the latter is particularly affecting), both songs written—metaphorically—from inside prison walls. Dylan then takes a leaf from Johnny Cash and Brendan Behan (brother of Dominic Behan), authors of those earlier songs, by writing his own prison song, "I Shall Be Released." He is characteristically careful not to confuse simplicity of construction with a commensurate simplicity of meaning. The release that he is singing about—and that Richard Manuel echoes—is not from mere prison bars but rather from the cage of physical existence, the same cage that corrodes on "Visions of Johanna".
Reception
Rolling Stone magazine ranked "I Shall Be Released" 6th on a list of the "100 Greatest Bob Dylan Songs". An article accompanying the list calls it a "simple, evocative tale of a prisoner yearning for freedom" and a "rock hymn [that] was part of a conscious effort by Dylan to move away from the sprawling imagery of his mid-Sixties masterpieces". It also describes the original Basement Tapes version thusly: "The rough church of the organ and guitar frame Dylan's urgent nasal prayer, until Richard Manuel's keening harmony illuminates the chorus, like sunlight pouring through a stained-glass window".[6]
Live performances
According to his website, Dylan performed the song 491 times in concert between its live debut in 1975 and its last outing in 2008.[7] It has been common for Dylan to perform it as a duet with touring partners or musical artists he is sharing a bill with. This has been the case with, among others, Willie Nelson, Norah Jones, Elvis Costello, Joni Mitchell, Van Morrison, The Band, Jerry Garcia Band and Amos Lee.
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