It's_Not_Unusual

It's Not Unusual

It's Not Unusual

1965 single by Tom Jones


"It's Not Unusual" is a song written by Les Reed and Gordon Mills, first recorded by a then-unknown Tom Jones,[3] after it had first been offered to Sandie Shaw.[2] He intended it as a demo for her, but when she heard it she was so impressed with his delivery that she recommended he sing it instead.

Quick Facts Single by Tom Jones, from the album Along Came Jones (It's Not Unusual) ...

The record was the second Jones single Decca released,[4] reaching No. 1 on the UK Singles Chart in 1965.[5][6] It was his first hit in the United States, peaking at No. 10 in May of that year. It was released in the US by Parrot Records and reached No. 3 on Billboard's easy listening chart. The song was first aired on pirate radio in the UK, as the BBC rejected it because of Jones' sexual image. In the US, Jones performed the song on three occasions on the The Ed Sullivan Show.[7]

"It's Not Unusual" is the theme song of his late 1960s–early 1970s television musical variety series, This Is Tom Jones. The first studio version was released in 1995 on the compilation album, The Legendary Tom Jones – 30th Anniversary Album.

Musical arrangement and recording

The musical arranger was Les Reed. Although the guitarist has been cited as Jimmy Page of Led Zeppelin,[8] Reed has said the only guitarist was Joe Moretti, who also played on "Shakin' All Over" and "Brand New Cadillac". Page lists the session in his online discography.[9] Drums were played by Scottish percussionist Andy White, who had previously drummed on a Beatles recording session,[10] or possibly by Ronnie Verrell,.[11] Alan Grahame has also said he was involved.[12] According to Jones's regular drummer, Chris Slade, there were four attempts with different drummers, him included, in order to get one with the right 'feel'. Though he was certain that his take was not chosen, he was unable to confirm which one of the others did make the final recording. Jones's group, "Tom Jones and the Squires", were missing their regular keyboard player for the session, so Slade (a future member of Manfred Mann's Earth Band, AC/DC, and The Firm with Jimmy Page and Paul Rodgers) ran across the street to the "La Giaconda" coffee house, and recruited the then-unknown Reginald Dwight (who later adopted the stage name Elton John) for the one-day recording session.[13]

Personnel

As was standard practice in the 1960s, session musicians were used instead of Jones's regular backing band. There are conflicting reports about who actually played on the record, but the most likely candidates are:[11]

Charts

More information Chart (1965), Peak position ...

Certifications

More information Region, Certification ...

Cover versions

The Fresh Prince of Bel-Air

The song enjoyed a resurgence in the mid-1990s, as it was used in the hit sitcom The Fresh Prince of Bel-Air on several occasions. It typically features Carlton Banks, one of the lead characters, lip-syncing to the lyrics and performing comedic choreography (which came to be known as "the Carlton dance").[32] Jones had guest-starred on the show on a few occasions, also performing and dancing alongside Carlton in the episodes. Jones later made a guest appearance in the third season episode "The Alma Matter" as Carlton's guardian angel, who performed the song with Carlton's actor Alfonso Ribeiro.[33]


References

  1. "Spike Milligan". Gramophone: 34. June 1965. Retrieved 30 January 2024.
  2. Rice, Jo (1982). The Guinness Book of 500 Number One Hits (1st ed.). Enfield, Middlesex: Guinness Superlatives Ltd. p. 89. ISBN 0-85112-250-7.
  3. "They can always go home to MAM". Life. 18 September 1970. p. 54. ISSN 0024-3019.
  4. Browne, Ray Broadus; Browne, Pat (2001). The Guide to United States Popular Culture. Popular Press. pp. 448–. ISBN 978-0-87972-821-2.
  5. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 175. ISBN 1-904994-10-5.
  6. Colin Larkin (27 May 2011). The Encyclopedia of Popular Music. Omnibus Press. pp. 488–. ISBN 978-0-85712-595-8.
  7. "Tom Jones - Ed Sullivan Show". Edsullivan.com. Retrieved 30 October 2014.
  8. "Sessions". JimmyPage.com. Retrieved 29 September 2016.
  9. "Scots percussionist paid fiver for playing drums on Beatles' debut single Love Me Do". Daily Record. London. 19 October 2012. Retrieved 30 October 2014.
  10. Slade, Chris. "Drummer". AC/DC Drummer Chris Slade - His Career. YouTube. Archived from the original on 14 December 2021. Retrieved 28 February 2011.
  11. 'Song of the Week #109 - "It's Not Unusual"' Classic Pop Icons. 4 June 2012
  12. Australian Chart Book (1940-1969) pp95 by David Kent
  13. "Item Display - RPM - Library and Archives Canada". Collectionscanada.gc.ca. 24 May 1965. {{cite web}}: Missing or empty |url= (help)
  14. "SA Charts 1965–March 1989". Retrieved 1 September 2018.
  15. Joel Whitburn's Top Pop Singles 1955–1990 - ISBN 0-89820-089-X
  16. Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 308.
  17. "Cash Box Top 100 6/12/65". Tropicalglen.com. Retrieved 18 April 2019.
  18. "Top 20 Hit Singles of 1965". Retrieved 12 September 2018.
  19. "Top 100 Hits of 1965/Top 100 Songs of 1965". Musicoutfitters.com. Retrieved 18 April 2019.
  20. "Cash Box YE Pop Singles - 1965". Tropicalglen.com. Retrieved 18 April 2019.
  21. Mark Bego (15 July 2004). Cher: If You Believe. Taylor Trade Publishing. pp. 292–. ISBN 978-1-4616-2592-6.
  22. The Carlton Dance, archived from the original on 14 December 2021, retrieved 14 March 2021
  23. Carlton Banks and Tom Jones Scene (Fresh Prince of Bel Air), archived from the original on 14 December 2021, retrieved 14 March 2021

Bibliography

  • Thompson, Gordon (2008). Please Please Me: Sixties British Pop, Inside Out. OUP USA. ISBN 978-0195333251.

Share this article:

This article uses material from the Wikipedia article It's_Not_Unusual, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.