Jewelry_ring

Ring (jewellery)

Ring (jewellery)

Round band worn as ornamental jewellery


A ring is a round band, usually made of metal, worn as ornamental jewelry. The term "ring" by itself denotes jewellery worn on the finger; when worn as an ornament elsewhere, the body part is specified within the term, e.g., earrings, neck rings, arm rings, and toe rings. Rings fit snugly around or in the part of the body they ornament, so bands worn loosely, like a bracelet, are not rings. Rings may be made of almost any hard material: wood, bone, stone, metal, glass, gemstone or plastic. They may be set with gemstones (diamond, ruby, sapphire or emerald) or with other types of stone or glass.

Ruby ring

Although some people wear rings as mere ornaments or as conspicuous displays of wealth, rings have symbolic functions respecting marriage, exceptional achievement, high status or authority, membership in an organization, and the like. Rings can be made to sport insignia which may be impressed on a wax seal or outfitted with a small compartment in which to conceal things.

History

The parts of a ring: 1) hoop, 2) shoulder, 3) bezel, and 4) stone or gem in setting or mounting

Ancient India

Rings[1] and other types of jewelry including necklaces, bracelets, earrings, bangles and pendants have been discovered from the 3rd millennium BC Indus Valley civilization. Factories of small beads have been discovered in Lothal, India.[2]

Ancient Near East

Rings have been found in tombs in Ur dating back to circa 2500 BC.[3] The Hittite civilization produced rings, including signet rings, only a few of which have been discovered.[4] People in Old Kingdom Egypt wore a variety of rings, of which a few examples have been found, including the famous scarab design.[4] Rings became more common during the Egyptian Middle Kingdom, containing increasingly complex designs.[4] Egyptians made not only metal rings but rings from faience, some of which were used as new year gifts.[5] Native styles were superseded by Greek and Roman fashions during the Ptolemaic dynasty.[4]

Archaic and classical Greek

Archaic Greek rings were to some extent influenced by Egyptian rings, although they tended to be less substantial and were not generally used as working signet rings.[6] As gold was not locally available, rings made in the eastern colonies tended to be made from silver and bronze, while Etruscans used gold.[6]

The classical period showed a shift away from bronze to a wider adoption of silver and gold. The most typical design of the period involved a lozenge bezel mounting an intaglio device.[7] Over time, the bezel moved towards a more circular form.[7]

Roman

Henig II rings from the Snettisham Jeweller's Hoard

During the early and middle imperial era (first two centuries AD), a typical Roman ring consisted of a thick hoop that tapered directly into a slightly wider bezel.[8] An engraved oval gem would be embedded within the bezel with the top of the gem only rising slightly above the surrounding ring material.[8] Such rings are known as Henig II and III/Guiraud 2 in formal academic parlance or simply as Roman rings to modern jewellers.[8] In general, Roman rings became more elaborate in the third and fourth centuries AD.[9]

Germanic

Rings were highly important in early Germanic cultures, being worn variously on arms, fingers and necks. They had a central role in the interconnected roles of swearing oaths, affirming loyalty through gifting, and in financial transactions.[10][11] They further feature prominently in Germanic mythology and legend and are widely distributed in the archaeological record, being frequently found across the Germanic-speaking world between the Migration Period and into the Viking Age.[10]

High and Late Middle Ages in Europe

During this period, it was fashionable for several rings to be worn on each hand and each finger. Rings during this period were mostly made from copper-based alloys, silver or gold.[12] Gems became common after 1150, along with the belief that certain gems had the power to help or protect the wearer in various ways.[12] Engraved rings were produced using Lombardic script until around 1350, when it was replaced by Gothic script.[12] Some of the inscriptions were devotional, others romantic in nature.[12][13] For romantic inscriptions, French was the language of choice.[13] An increasing use of contracts and other documents requiring formal seals meant that signet rings became more important from the 13th century onwards.[12]

Ring location

Episcopal rings for bishops and archbishops. (Musée national du Moyen Âge, hôtel de Cluny, Paris)

Each finger had a symbolic association or meaning (most of which were lost in antiquity and varied with culture) for the placement of a ring, significant to observers.

The fourth digit or ring finger of the left hand has become the customary place to wear betrothal, engagement and wedding rings in much of the world, though in certain countries the right hand finger is used.[14] This custom was practically established as norm during World War II.[15]

The use of the fourth finger of the left hand (the 'ring finger') is associated with an old belief that the left hand's ring finger is connected by a vein directly to the heart: the vena amoris, or vein of love. This idea was in vogue in the 16th and 17th century England, when Henry Swinburne referred to it in his book about marriage.[16] It can be traced to ancient Rome, when Aulus Gellius cited Appianus as saying that the ancient Egyptians had found a fine nerve linking the fourth finger to the heart.[17]

Occasionally rings have been re-purposed to hang from bracelets or necklaces.[18]

The signet ring is traditionally worn on the left pinky or little finger.[19]

A birthstone ring and/or "birthday" stone ring is customarily worn on the first finger of the right hand and indicates respectively the month and day of the week in and on which the bearer was born.

Amulet rings, meaningful for various purposes from protection (pentacle rings) to augmenting personal attributes (wisdom, confidence, social status etc.), are worn on various fingers, often depending on the intent of the ring's design or attributes of the stone inset. Although it has been thought that amulet rings worn on specific fingers for specific purposes enhanced their powers, most people simply wear them on any finger on which they fit.

Thumb rings were originally worn to protect the thumb from injuries caused by the launching of arrows and are a sign of an archer.

Size

While the ISO standard defines ring size in terms of the inner circumference (measured in millimeters), various countries still use traditional sizing systems. Sizing beads, which functionally reduce the ring size, are small metal beads added to the inner surface of a ring to hold it in place against the finger; they have the advantage of being easily added or removed.

Styles

After several thousand years of ring manufacture, the total number of styles produced is vast. Even cataloging the rings of a single civilization, such as the Romans, presents a major challenge. As a result, the following list should be considered to be very limited.

More information Image, Usage ...

Notable rings

The fictional One Ring

Historical and current

Mythology and folklore

  • Ring of Gyges, a legendary ring of invisibility, mentioned by Plato
  • Andvaranaut, a cursed ring that can find gold in Norse mythology
  • Magic ring, a ring that has magical properties
  • Draupnir, a self-multiplying gold ring in Norse mythology

Fiction

Safety

A jeweler using a ring cutter to remove a stuck ring. The cutter has a guard placed under the ring, and a circular saw blade is turned by hand to cut the ring.

Wearing a ring can in some cases be a safety concern, when the ring is made of a material stronger than the hand, fully encircles the digit, and catches onto an immovable object. This can result in serious injury (degloving), amputation, or ring avulsion.[39] Some recommend specifically not to use a ring while operating machinery or playing sports.

If a ring catches on rotating machinery, or the ring of a falling person catches on a stationary object, the wearer may suffer injury. For these reasons, some workplaces require employees to remove their rings temporarily while performing certain tasks or when in certain areas of a workplace. Despite the ring's symbolic appeal as a solid band around the finger, modern jewelers are sometimes known to modify rings such that, at worst, they only tear the flesh of the wearer's finger in cases like those above-mentioned.[citation needed] Such "breakaway" modifications have not yet achieved popularity as standard designs.[citation needed]

A method of removing a ring

If the area near a ring is injured, the ring is removed immediately, before the injury starts to swell.[40] Pulling rings off forcefully may worsen the swelling. Relaxation, elevation, icing, lubrication, and rotating the ring as if unscrewing it may help. If these methods do not work, it may be possible to remove the ring by temporarily wrapping the finger with a slick string (something like dental floss), passing the inner end of the thread under the ring, and then unwrapping it, pushing the ring ahead of the unwrapping string. Failing that, a doctor may remove it by other methods.[41]

Other types

See also


References

  1. Studies in the Development of Ornaments and Jewellery in Proto-historic India, Volume 41. p. 130. Finger rings and ring stones have been found at practically all levels of the Indus Valley Civilization
  2. Williams, Brian (2016). Daily Life in the Indus Valley Civilization. Raintree. p. 27. ISBN 9781406298574.
  3. Tait, Hugh, ed. (2006). 7000 Years of Jewellery. British Museum Press. pp. 23–24. ISBN 9780714150321.
  4. Taylor, Gerald; Scarisbrick, Diana (1978). Finger Rings From Ancient Egypt to the Present Day. Ashmolean Museum. p. 31. ISBN 0-900090-54-5.
  5. Ogden, Jack (1992). Ancient jewellery Interpreting the past. University of California Press. p. 60. ISBN 0520080300.
  6. Taylor, Gerald; Scarisbrick, Diana (1978). Finger Rings From Ancient Egypt to the Present Day. Ashmolean Museum. p. 33. ISBN 0-900090-54-5.
  7. Taylor, Gerald; Scarisbrick, Diana (1978). Finger Rings From Ancient Egypt to the Present Day. Ashmolean Museum. p. 34. ISBN 0-900090-54-5.
  8. Johns, Catherine (1996). The Jewellery of Roman Britain Celtic and classical Traditions. Routledge. p. 42. ISBN 9780415516129.
  9. Johns, Catherine (1996). The Jewellery of Roman Britain Celtic and classical Traditions. Routledge. p. 48. ISBN 9780415516129.
  10. Simek, Rudolf (2008). A Dictionary of Northern Mythology. Translated by Hall, Angela. BOYE6. pp. 65–66, 312–313. ISBN 9780859915137.
  11. Jarman, Cat (2021). River kings : a new history of Vikings from Scandinavia to the Silk Roads. London: Harper Collins Publishers. p. 212. ISBN 9780008353117.
  12. Campbell, Marian (2009). Medieval Jewellery in Europe 1100–1500. V&A Publishing. pp. 72–79. ISBN 9781851775828.
  13. Campbell, Marian (2009). Medieval Jewellery in Europe 1100–1500. V&A Publishing. pp. 92–94. ISBN 9781851775828.
  14. Kunz, George Frederick, (1911) Rings for the Finger.
  15. McCarthy, James Remington, (1945) Rings Through The Ages.
  16. Swinburne, "Treatise of Spousal", 1680
  17. Church, Rachel (2014). Rings. V&A Publishing. p. 55. ISBN 9781851777853.
  18. Henderson, Jeffrey. "PLINY THE ELDER, Natural History". Loeb Classical Library. Retrieved 9 November 2019.
  19. "The History of Statement Rings". FWCJ. 12 July 2016. Retrieved 26 October 2020.
  20. Rosanna Greenstreet (24 April 2010). "Election Q&A: Gordon Brown | Politics". The Guardian. London. Retrieved 7 November 2012.
  21. "Will you fall for a "lover's eye" jewel?". Financial Times. 23 November 2021.
  22. "Giardinetti ring". ashmus.ox.ac.uk. University of Oxford – Ashmolean Museum. Retrieved 17 March 2015.
  23. Gänsicke, Susanne; Markowitz, Yvonne J. (2019). Looking at Jewelry - A Guide to Terms, Styles, and Techniques. J. Paul Getty Trust. p. 109. ISBN 9781606066102.
  24. "Ring". V&A Images. Victoria and Albert Museum. Retrieved 12 January 2013.
  25. Taylor, Gerald; Scarisbrick, Diana (1978). Finger Rings from Ancient Egypt to the Present Day. Ashmolean Museum. p. 76. ISBN 0-900090-54-5.
  26. Freer, Alison (14 August 2018). "Rings: Why and how". The Accessory Handbook - A Costume Designer's Secrets for Buying, Wearing, and Caring for Accessories. Clarkson Potter/Ten Speed. ISBN 9780399580819.
  27. Tait, Hugh, ed. (2006). 7000 Years of Jewellery. British Museum Press. p. 239. ISBN 9780714150321.
  28. Erlanger, Micaela (3 April 2018). "Rings". How to Accessorize - A Perfect Finish to Every Outfit. Clarkson Potter/Ten Speed. ISBN 9781524761158.
  29. de Paor-Evans, Dr Adam (July 2023). Hip Hop in The Sticks: A Deepening Con/Text. Squagle House/Rhythm Obscura. p. 216. ISBN 9781399953801.
  30. Hix, Lisa (22 January 2014). "From Hummingbird Heads to Poison Rings: Indulging Our Antique Jewelry Obsession". Collectors Weekly. Market Street Media. Retrieved 7 March 2014.
  31. Coghlan, Claire. "What Is a Promise Ring? The Real Meaning and Purpose". The Knot. Retrieved 26 October 2020.
  32. Grasso, Tony (1996). Bakelite Jewellery A Collector's guide. The Apple Press. pp. 94–98. ISBN 1850766134.
  33. "Decade ring". ashmus.ox.ac.uk. University of Oxford – Ashmolean Museum. Retrieved 16 March 2015.
  34. JAV Designs. "Schutzstaffel: The SS". Germaniainternational.com. Retrieved 13 August 2012.
  35. Turner, Anthony; Nye, James; Betts, Jonathan (2022). A General History of Horology. Oxford University Press. p. 474. ISBN 9780198863915.
  36. "Finger, Hand, and Wrist Injuries". HealthLink BC. Britich Columbia Ministry of Health. Retrieved 13 November 2021.
  37. "Removing a Ring From a Finger or Toe". HealthLink BC. Retrieved 13 November 2021.

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