Joseph Wright ARA (3 September 1734 – 29 August 1797), styled Joseph Wright of Derby, was an English landscape and portrait painter. He has been acclaimed as "the first professional painter to express the spirit of the Industrial Revolution".^[1]

Wright is notable for his use of tenebrism, an exaggerated form of the better known chiaroscuro effect, which emphasizes the contrast of light and dark, and for his paintings of candle-lit subjects. His paintings of the birth of science out of alchemy, often based on the meetings of the Lunar Society of Birmingham, a group of scientists and industrialists living in the English Midlands, are a significant record of the struggle of science against religious values in the period known as the Age of Enlightenment.

Many of Wright's paintings and drawings are owned by Derby City Council, and are on display at the Derby Museum and Art Gallery.^[2]

Joseph Wright was born in Irongate, Derby, to a respectable family of lawyers. He was the third of five children of Hannah Brookes (1700–1764) and John Wright (1697–1767), an attorney and the town clerk of Derby. Joseph had two elder brothers, John and Richard Wright.

Deciding to become a painter, as a seventeen-year old youth Wright went to London in 1751 and for two years studied under Thomas Hudson, the master of Joshua Reynolds. Wright acknowledged that he was also influenced by Alexander Cozens and applied his composition ideas to paintings.

After painting portraits for a while in Derby, the young Wright again worked as an assistant to Hudson for fifteen months. In 1753 he returned to, and settled in Derby. He varied his work in portraiture by the production of subjects with strong tenebrism under artificial light, with which his name is chiefly associated, and by landscape painting. Wright also spent a productive period in Liverpool, from 1768 to 1771, painting portraits. These included pictures of a number of prominent citizens and their families.

Having established himself in his profession Wright married Ann (also known as Hannah) Swift, the daughter of a Derbyshire lead miner, on 28 July 1773.^[3]

Wright set off in 1773 with John Downman, a newly pregnant Ann Wright, and Richard Hurleston for Italy. Their ship took shelter for three weeks in Nice before they completed their outward voyage in Livorno in Italy in February 1774.^[4] Downman returned to Britain in 1775.^[5] Although he spent a great deal of productive time in Naples, Wright never witnessed any major eruption of Mount Vesuvius. However, it is possible that he witnessed smaller, less impressive eruptions, which may have inspired many of his subsequent paintings of the volcano.^[6]

On his return from his working sojourn in Italy he again established himself in England as a portrait-painter, this time at the fashionable spa resort of Bath. But he met with little encouragement there, and in 1777 returned to Derby where he spent the rest of his life. Over the years he became increasingly asthmatic and nervous about the house, and for these complaints he was treated by his friend and leading medical doctor Erasmus Darwin. His friendship with Darwin had brought him and his works into the orbit of the Lunar Society of Birmingham, and although he was not a formal member of the Society he can be considered a key artistic influence on the men of the Midlands Enlightenment.

In his latter years Wright was a frequent contributor to the exhibitions of the Society of Artists, and to those of the Royal Academy, of which he was elected an associate in 1781 and a full member in 1784. He, however, declined the latter honour on account of a slight that he believed that he had received, and severed his official connection with the Academy, although he continued to contribute to the exhibitions from 1783 until 1794.

His wife Ann Wright died on 17 August 1790, having borne six children from the marriage, three of whom had died in infancy. On 29 August 1797 Wright himself died at his new home at No. 28 Queen Street, Derby, where he had spent his final months with his two daughters.^[3]

Wright is seen at his best in his candlelit subjects of which the Three Persons Viewing the Gladiator by Candlelight (1765), his A Philosopher Lecturing on the Orrery (1766), in the Derby Museum and Art Gallery, and An Experiment on a Bird in the Air Pump (1768), in the National Gallery are excellent examples. His Old Man and Death (1774) is also a striking and individual production.

He painted Dovedale by Moonlight, capturing the rural landscape of a narrow valley called Dovedale, 14 miles northwest of Wright's home town of Derby, at night with a full moon. The painting hangs in the Allen Memorial Art Museum at Oberlin College.^[7] Its companion piece, Dovedale by Sunlight (c. 1784–1785) captures the colours of day. In another painting, Moonlight Landscape, in the John and Mable Ringling Museum of Art, Sarasota, Florida, equally dramatic, the Moon is obscured by an arched bridge over water, but illuminates the scene, making the water sparkle in contrast to the dusky landscape. Another memorable image from his tour of the Lake District is Rydal Waterfall of 1795.

Cave at Evening (above) is painted with the same dramatic chiaroscuro for which Wright is noted. The painting was executed during 1774, while he was staying in Italy. There are similarities to the Museum of Fine Arts, Boston's holding, Grotto by the Seaside in the Kingdom of Naples with Banditti, Sunset (1778).

Wright's birthplace at 28 Irongate, Derby, is commemorated with a representation of an armillary sphere on the pavement nearby.

Joseph Wright was buried in the grounds of St Alkmund's Church, Derby. The church was demolished in 1968 to make way for a major new section of the inner ring road cutting through the town centre, and its site now lies beneath the road. Wright's remains were removed to Nottingham Road Cemetery. In 1997, his tombstone was placed at the side of Derby Cathedral, and in 2002, it was brought inside and wall-mounted in a prominent place near the well-visited memorial to Bess of Hardwick.^[11]

Wright's name has been given to the sixth-form centre situated on Cathedral Row, Derby (not far from Iron Gate). The Joseph Wright Centre was opened in 2005 as the new flagship site for Derby College. The building is named after the eighteenth-century painter because his "artwork captured the many scientific and technological advances of the Industrial Revolution."^[12]

In early 2013 Derby City Council and Derby Civic Society announced they would erect a blue plaque on his home at 27 Queen Street in Derby.^[13]

• Vesuvius from Posillipo by Moonlight (1774)
• Grotto by the Seaside in the Kingdom of Naples with Banditti, Sunset (1778) Museum of Fine Arts, Boston^[14]
• Peter Labilliere (1780) Dorking Museum, UK^[15]
• Indian Widow (1784)
• Miss Mary Tunaley (1790–93) Museum of Fine Arts, Boston^[16]
• Romeo and Juliet: the Tomb Scene (1790) Derby Museum and Art Gallery
• Virgil's Tomb (three versions, 1779 to 1785)

• Georges de La Tour