Title | Year | H:M[:S] | Description |
The Birds |
1963 |
0:02:18 |
Leaving the pet shop with two of his own Sealyham terriers, Geoffrey and Stanley, as Tippi Hedren enters.[3] |
Blackmail |
1929 |
0:10:25 |
Being bothered by a small boy as he reads a book on the London Underground. This cameo is 19 seconds long. |
Dial M for Murder |
1954 |
0:13:13 |
On the left side in the class-reunion photo sitting at the same table near Swan and Wendice. |
Easy Virtue |
1928 |
0:21:15 |
Walking past a tennis court carrying a walking stick. |
Family Plot |
1976 |
0:40:00 |
In silhouette through the door of the Registrar of Births and Deaths. |
Foreign Correspondent |
1940 |
0:12:44 |
After Joel McCrea leaves his hotel, he is seen wearing a coat and hat and reading a newspaper. |
Frenzy |
1972 |
0:02:24 |
At the very end of the aerial shot of the opening credits, wearing a bowler hat and leaning on the riverside wall at the bottom left of the concluding long shot. About a minute later, in the centre of a crowd, the only one not applauding the speaker; and another minute later, right after the victim washes ashore, standing next to a grey-haired bearded man. |
I Confess |
1953 |
0:01:33 |
Crossing the top of a flight of steps. |
The Lady Vanishes |
1938 |
1:32:31 |
In Victoria Station, wearing a black coat, smoking a cigarette, and making a strange movement with his head. |
Lifeboat |
1944 |
0:25:00 |
In the "before" and "after" pictures in the newspaper ad for "Reduco Obesity Slayer". |
The Lodger |
1927 |
0:04:44 |
Sitting with his back to the camera at a desk in the newsroom. |
1:23:50 |
In the mob scene next to Detective Joe, who is bearing the lodger's weight on the fence by holding his arms. (Disputed)[4] |
The Man Who Knew Too Much |
1934 |
0:33:25 |
Walking across a road in a dark trench coat as a bus passes. |
The Man Who Knew Too Much |
1956 |
0:25:12 |
As the McKennas watch the acrobats in the marketplace, Hitchcock appears at the left in a suit and puts his hands in his pockets. |
Marnie |
1964 |
0:05:00 |
Entering from the left of the hotel corridor after Tippi Hedren passes by. |
Mr. & Mrs. Smith |
1941 |
0:42:57 |
Passing Robert Montgomery in front of his building. |
Murder! |
1930 |
0:59:45 |
Walking past the house where the murder was committed with a female companion, at the end of Sir John's visit to the scene with Markham and his wife Lucy. |
North by Northwest |
1959 |
0:02:09 |
Missing a bus, just after his credit passes off screen during the opening title sequence. |
Notorious |
1946 |
1:04:44 |
At the big party in Claude Rains's mansion, drinking champagne and then quickly departing as Cary Grant enters. |
Number Seventeen |
1932 |
0:51:25 |
On the bus amongst other passengers, in a dark coat and hat, facing away, he bounces up and down; approx. four seconds. |
The Paradine Case |
1947 |
0:38:00 |
Leaving the train at a railway station, carrying a cello case. |
Psycho |
1960 |
0:06:59 |
Seen through an office window wearing a Stetson cowboy hat as Janet Leigh comes through the door. |
Rear Window |
1954 |
0:26:12 |
Winding the clock at the fireplace in the songwriter's apartment. |
Rebecca |
1940 |
2:06:57 |
The man wearing a bowler and topcoat with upturned collar that walks right to left behind Favell, played by George Sanders, and the policeman after Favell calls Mrs. Danvers. |
Rope |
1948 |
0:01:51 |
Just after Hitchcock's credit towards the end of the opening sequence, walking alongside a woman. |
0:55:00 |
In the background as a red flashing neon sign of his trademark profile. |
Sabotage |
1936 |
0:08:56 |
Just after the lights come back on in front of the Bijou, looking up as he crosses in front of the crowd. |
Saboteur |
1942 |
1:04:45 |
Standing in front of "Cut Rate Drugs" as the saboteurs' car stops. |
Shadow of a Doubt |
1943 |
0:16:27 |
On the train to Santa Rosa, playing cards, his back to the camera; he has a full hand of spades. |
Spellbound |
1945 |
0:39:01 |
Coming out of an elevator at the Empire State Hotel, carrying a violin case and smoking a cigarette. |
Stage Fright |
1950 |
0:39:49 |
Turning to look back at Jane Wyman in her disguise as Marlene Dietrich's maid as she is rehearsing her cover. |
Strangers on a Train |
1951 |
0:02:22 |
On the cover of the book Farley Granger is reading. |
0:10:34 |
Boarding a train with a double bass as Farley Granger gets off in his hometown. |
Suspicion |
1941 |
0:03:25 |
Walking a horse across the screen at the hunt meet. |
0:44:58 |
Mailing a letter at the village postbox (long shot). |
The 39 Steps |
1935 |
0:06:56 |
The man littering by tossing a white cigarette box while the bus pulls up for Robert Donat and Lucie Mannheim to leave the theatre. |
To Catch a Thief |
1955 |
0:09:40 |
Sitting next to Cary Grant on the bus. |
Topaz |
1969 |
0:32:27 |
Being pushed in a wheelchair at the airport by a nurse. Hitchcock gets up from the chair, shakes hands with a man, and walks off to the right. |
Torn Curtain |
1966 |
0:08:00 |
Sitting in the Hotel d'Angleterre lobby with a baby on his knee. The music playing at this point is an adaptation of Funeral March of a Marionette, the theme for Alfred Hitchcock Presents |
The Trouble with Harry |
1955 |
0:22:14 |
Seen outside of the window—the man walking past the parked limousine of an old man who is looking at paintings. |
Under Capricorn |
1949 |
0:02:11 |
In the town square during new governor's speech with his back to the camera, wearing a blue coat and brown top hat. |
0:12:17 |
One of three men on the steps of the Government House. |
Vertigo |
1958 |
0:11:22 |
In a grey suit walking across a street with a trumpet case. |
The Wrong Man |
1956 |
0:00:18 |
Seen in silhouette narrating the film's prologue. Donald Spoto's biography says that Hitchcock chose to make an explicit appearance in this film (rather than a cameo) to emphasize that, unlike his other movies, The Wrong Man was a true story about an actual person. |
Young and Innocent |
1937 |
0:15:00 |
Outside the courthouse main entrance as one of several reporters and journalists (he is holding a camera) as Robert Tisdall (Derrick De Marney) walks out. |