List_of_Caribbean_membranophones

List of Caribbean membranophones

List of Caribbean membranophones

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This is a list of membranophones used in the Caribbean music area, including the islands of the Caribbean Sea, as well as the musics of Guyana, Suriname, French Guiana, Belize, Garifuna music, and Bermuda. It only includes membranophones that are indigenous to the local music area or are a vital and long-standing part of local culture. It does not include membranophones that are, for example, a part of Western style orchestras, nor does it include trap sets and other common membranophones used in popular music recordings of many genres across the world. Almost all membranophones are drums and percussion instruments.[1][2]

Conga drums are a common part of Caribbean music across much of the areas

The Hornbostel-Sachs number is given after each instrument.[3]

More information Instrument, Tradition ...

References

  • Manuel, Peter (1988). Popular Musics of the Non-Western World: An Introductory Survey. New York: Oxford University Press. ISBN 0-19-506334-1.
  • Koskoff, Ellen (2001). The Garland Encyclopedia of World Music, Volume 3: The United States and Canada. New York and London: Garland Publishing. ISBN 0-8240-6040-7.

Notes

  1. Catherine Schmidt-Jones. "Classifying Musical Instruments: Membranophones". Connexions. Archived from the original on July 23, 2011. Retrieved January 22, 2007.
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  3. von Hornbostel, Erich M.; Curt Sachs (March 1961). "Classification of Musical Instruments: Translated from the Original German by Anthony Baines and Klaus P. Wachsmann". The Galpin Society Journal. 14: 3–29. doi:10.2307/842168. JSTOR 842168.
  4. Melville J. Herskovits; Frances S. Herskovits. "Suriname folk-lore". Retrieved March 10, 2007.
  5. Goines, Leonard (Spring 1975). "The Black Perspective in Music". 3 (1): 40–44. {{cite journal}}: Cite journal requires |journal= (help)
  6. Malm, Krister; Roberts, John Storm (September 1973). "Review of Caribbean Island Music: Songs and Dances of Haiti, the Dominican Republic and Jamaica by John Storm Roberts". Ethnomusicology. 17 (3): 587–589. doi:10.2307/849985. JSTOR 849985.
  7. Davis, Martha Ellen (7 July 2003). "A Survey of Afro-Dominican Palos Sacred Drum Music". Séminaire d'ethnomusicologie caribéenne. Sainte-Anne, Guadeloupe: University of Florida. Retrieved March 9, 2008.
  8. "Abakuá Drums in Havana". Folk Cuba. Archived from the original on April 4, 2007. Retrieved March 10, 2007.
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  10. Courlander, Harold (July 1941). "Musical Instruments of Haiti". The Musical Quarterly. 27 (3): 371–383. doi:10.1093/mq/XXVII.3.371.
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  14. Messenger, John C. (Summer 1973). "African Retentions in Montserrat". African Arts. 6 (4): 54–57, 95–96. doi:10.2307/3334803. JSTOR 3334803.
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  26. McDaniel, Lorna. "Antigua and Barbuda". Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean. pp. 798–800.
  27. Millington, Janice. "Barbados". Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean. pp. 813–821.
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  32. DjeDje, Jacqueline Cogdell (Spring–Autumn 1998). "Remembering Kojo: History, Music, and Gender in the January Sixth Celebration of the Jamaican Accompong Maroons". Black Music Research Journal. 18 (1/2): 67–120. doi:10.2307/779395. JSTOR 779395.
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  35. Al Craighton (2001). "African Heritage in Guyana". Retrieved March 10, 2007.
  36. McDaniel, Lorna. "Trinidad and Tobago". Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean. pp. 952–967.
  37. Charles de Ledesma & Gene Scaramuzzo (2000). "Dance Funk Creole Style". In Broughton, Simon; Mark Ellingham; James McConnachie & Orla Duane (eds.). Rough Guide to World Music. Vol. 2. Rough Guides Ltd. pp. 289–303. ISBN 1-85828-636-0.
  38. Guilbault, Jocelyne. "Dominica". Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean. pp. 840–844.
  39. "The Arts and Literature". Cultural Profiles Project. Archived from the original on October 1, 2006. Retrieved September 27, 2005.
  40. McDaniel, Lorna (Spring 2002). "Musical Thoughts on Unresolved Questions and Recent Findings in Big Drum Research". Black Music Research Journal. 22 (1): 127–139. doi:10.2307/1519967. JSTOR 1519967.
  41. Manuel, pgs. 39–42
  42. Manuel, Peter (1988). Popular Musics of the Non-Western World: An Introductory Survey. New York and Oxford: Oxford University Press. pp. 24–36. ISBN 0-19-505342-7.
  43. Hill, Donald R. (Spring–Autumn 1998). "West African and Haitian Influences on the Ritual and Popular Music of Carriacou, Trinidad, and Cuba". Black Music Research Journal. 18 (1/2): 183–201. doi:10.2307/779398. JSTOR 779398.
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  48. Velez, Maria Teresa (2000). Drumming for the Gods: The Life and Times of Felips Garcia Villamil. Temple University Press. pp. 20. ISBN 1-56639-731-6.
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  55. Guilbault, Jocelyne. "Saint Lucia". Garland Encyclopedia of World Music, Volume Two: South America, Mexico, Central America, and the Caribbean.
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  66. "Curacao's Culture". Curacao Culture and Folklore. Archived from the original on December 3, 2005. Retrieved December 3, 2005.


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