Orchestral works

Choral and orchestral works

Chamber music

• Albumleaf for piano (1844)
• Hymne pour l’élévation in D major for organ (1844)
• Sérénade agreste à la Madone sur le thème des pifferari romains in E flat major for organ (1844)
• Toccata in C major for organ (1844)

Arrangements

• J. J. B. Pollet: Fleure du Tage (?1817)
• Claude Joseph Rouget de Lisle: La Marseillaise (1830)
• Claude Joseph Rouget de Lisle: Chant du neuf Thermidor (1830)
• Ferdinand Huber: Sur les alpes quel délice (1833)
• Carl Maria von Weber : Recitatives for Der Freischütz (1841)
• Carl Maria von Weber: L’invitation à la valse (1841)
• Leopold de Meyer: Marche marocaine (1845)
• Traditional: Marche de Rákóczi (1846)
• Christoph Willibald Gluck: Orphée (1859)
• J. P. E. Martini: Plaisir d’amour (1859)
• Franz Schubert: Erlkönig (1860)
• Christoph Willibald Gluck: Alceste (1861)
• François Couperin: Invitation à louer Dieu (?1861–68)

Extant works

Lost works

Unfinished works

• H23C Le Cri de guerre du Brisgaw intermezzo in one act based on Les francs-juges (1833–34)
• H61 Le Dernier Jour du monde oratorio (1831–33)
• H72 Fête musicale funèbre à la mémoire des hommes illustres de la France (1835)
• H77 Érigone intermède antique (1835–39)
• H91 La Nonne sanglante opera (1841–47)

There were also several works that Berlioz planned to write mentioned in his memoirs and letters that he never wrote. These include the operas Les Noces d’or d’Obéron et de Titania, La Mort d’Hercule, Richard en Palestine, Robin-Hood, Atala, Les Noces des fées, Les Brigands, Hamlet, Méphistophélès, Roméo et Juliette, Cléopâtre, Salammbô, and an opera on the Thirty Years' War; settings of verses by Édouard Turquety and Abbé Arnaud, Canon of Poitiers; a Symphony in A Minor; and a vast symphonic poem.^[3]

Literary works

• Grand traité d'instrumentation et d'orchestration moderne, Treatise on Instrumentation (Paris, 1843; revised ed. 1855)
• Voyage musical en Allemagne et en Italie, Musical journey in Germany and Italy (Paris, 1844)
• Les soirées de l'orchestre, Evenings with the Orchestra (Paris, 1852); ed. L. Guichard (Paris, 1968)
• Le chef d’orchestre: théorie de son art, The conductor: theory of his art (Paris, 1856)
• Les grotesques de la musique, The grotesques of music (Paris 1859)
• À travers champs, Cross-country (Paris, 1862); ed. L. Guichard (Paris, 1971)
• Mémoires, Memoirs (Paris, 1870); ed. P. Citron (Paris, 1969, 2/1991)
• Les musiciens et la musique, Musicians and music, ed. A. Hallays (Paris, 1903)
• ed. G. Condé: Cauchemars et passions, Nightmares and passions (Paris, 1981)^{[1]: Writings}

Criticism

Throughout his career Berlioz produced a large amount of music criticism, starting in 1823, writing articles in Le corsaire (1823–25), Le correspondant (1829–30), Berliner allgemeine musikalische Zeitung (1829), Revue européenne (1832), Europe littéraire (1833), Le rénovateur (1833–35),Gazette (later Revue et gazette) musicale (1834–61),Journal des débats (1834–63), Journal des artistes (1834), Monde dramatique (1835), Italie pittoresque (Paris, 1836), Chronique de Paris (1837–38),L’éclair (Brussels, 1842), L’émancipation (1843), L’artiste (1844), Monde illustré (1858–59)^{[1]: Writings}

Berlioz's complete music criticism is being collected and edited by l’Association Nationale Hector Berlioz as Hector Berlioz: Critique Musicale 1823–1863. The complete edition will comprise ten volumes:

• Volume 1: 1823–1834, ed. by H. Robert Cohen and Yves Gérard (1996)
• Volume 2: 1835–1836, ed. by Marie-Hélène Coudroy-Saghaï and Anne Bongrain (1998)
• Volume 3: 1837–1838, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2001)
• Volume 4: 1839–1841, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2003)
• Volume 5: 1842–1844, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2004)
• Volume 6: 1845–1848, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2008)
• Volume 7: 1849–1851, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2014)
• Volume 8: 1852–1855, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2016)
• Volume 9: 1856–1859, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2018)
• Volume 10: 1860–1863, ed. by Anne Bongrain and Marie-Hélène Coudroy-Saghaï (2020)^[4]

Correspondence

Nearly four thousand of Berlioz's letters have been preserved

• Hector Berlioz, Correspondance Générale I: 1803 – May 1832 [nos. 1–273], ed. by Pierre Citron (1972)
• Hector Berlioz, Correspondance Générale II: June 1832 – September 1842 [nos. 274–775], ed. by Frédéric Robert (1975)
• Hector Berlioz, Correspondance Générale III: September 1842 – 1850 [nos. 776–1367], ed. by Pierre Citron (1978)
• Hector Berlioz, Correspondance Générale IV: 1851 – February 1855 [nos. 1368–1904], ed. by Pierre Citron, Yves Gérard and Hugh J. Macdonald (1983)
• Hector Berlioz, Correspondance Générale V: March 1855 – August 1859 [nos. 1905–2395], ed. by Hugh J. Macdonald and François Lesure (1989)
• Hector Berlioz, Correspondance Générale VI: September 1859 – 1863 [nos. 2396–2816], ed. by Hugh J. Macdonald and François Lesure (1995)
• Hector Berlioz, Correspondance Générale VII: 1864–1869 [nos. 2817–3380], ed. by Hugh J. Macdonald (2001)
• Hector Berlioz: Correspondance Générale VIII: Suppléments, ed. by Hugh J. Macdonald (2003)
• Nouvelles lettres de Berlioz, de sa famille, de ses contemporains, ed. Peter Bloom, Joël-Marie Fauquet, Hugh J. Macdonald and Cécile Reynaud, Actes Sud/Palazzetto Bru Zane, May 2016^[4]