List_of_tone_rows_and_series

List of tone rows and series

List of tone rows and series

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This is a list of tone rows and series. For a list of unordered collections, see set (music), Forte number, list of set classes, and trope (music).

Twelve tone rows

More information Row form, Integers ...

Other lengths

Fewer than twelve

Five
More information Prime form, Interval classes ...
Six
More information Prime form, Interval classes ...
Eight
More information Prime form, Interval classes ...
Nine
More information Prime form, Interval classes ...
Ten
More information Prime form, Interval classes ...
Eleven
More information Prime form, Interval classes ...

More than twelve

Thirteen
More information Prime form, Interval classes ...
Fourteen
More information Prime form, Interval classes ...
Seventeen
More information Prime form, Interval classes ...
Twenty-two
More information Prime form, Interval classes ...
Twenty-four
More information Prime form, Interval classes ...

See also


Sources

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  2. Dunker, Amy. "Twelve Tone Rows Used by Various Composers". AmyDunker.com: 3. Retrieved 4 November 2013.
  3. Hunter, David J.; von Hippel, Paul T. (Feb., 2003). "How Rare Is Symmetry in Musical 12-Tone Rows?". The American Mathematical Monthly (Mathematical Association of America) 110 (2): 124–132. Retrieved 4 November 2013.
  4. Whittall, Arnold (2008). The Cambridge Introduction to Serialism. Cambridge Introductions to Music. New York: Cambridge University Press. p. 71. ISBN 978-0-521-68200-8.
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  32. Leeuw 2005, p. 177.
  33. Carola Nielinger, "'The Song Unsung': Luigi Nono's Il canto sospeso", Journal of the Royal Musical Association 131, no. 1 (2006): 83–150. Citation on p. 97.
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  38. Jacobi, Bonnie S. (2000). "The Bransles of Stravinsky's Agon: A Transition to Serial Composition", Moores School of Music.
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  40. Pople, Anthony (1991). Berg: Violin Concerto. pp. 18 & 21. ISBN 0-521-39976-9.
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  43. Igor Stravinsky and Robert Craft, Themes and Episodes (New York: Alfred A. Knopf,1967): p. 60.
  44. Jerome Kohl, "Exposition in Stravinsky's Orchestral Variations", Perspectives of New Music 18, nos. 1 and 2 (Autumn 1979 – Summer 1980): pp. 391–405. Citation on pp. 391–392.
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  101. Andrew Mead, "Some Implications of the Pitch-Class/Order-Number IsomorphismInherent in the Twelve-Tone System: Part Two; The Mallelieu Complex: Its Extensions and Related Rows", Perspectives of New Music 27, no. 1 (Winter 1989): 180–233. Citation on pp. 209–213.
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  103. Stroh, Wolfgang Martin (Fall-Winter 1968). "Alban Berg's 'Constructive Rhythm'". Perspectives of New Music 7 (1): 18–31. JSTOR 832424 Retrieved 11 November 2013.
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  116. Michael Hicks, "Exorcism and Epiphany: Luciano Berio's Nones", Perspectives of New Music 27, no. 2 (Summer 1989): pp. 252–268. Citation on p. 254.
  117. Christoph Neidhöfer, "Inside Luciano Berio's Serialism", Music Analysis 28, nos. 2–3 (2009): pp. 301–348. Citation on p. 306.
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  119. Pierre Boulez, "The System Exposed" in Orientations: Collected Writings by Pierre Boulez, edited by Jean-Jacques Nattiez, translated by Martin Cooper, 129–142 (Cambridge: Harvard University Press, 1986): p. 129. ISBN 0-674-64375-5.
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