List_of_works_by_George_Vincent
This is an incomplete list of works by George Vincent. The British artist George Vincent (June 1796 – c.1832).[1] was one of the most talented of the Norwich School of painters;[2] his work was founded on the Dutch School of landscape painting as well as the style of John Crome. The school's reputation outside East Anglia in the 1820s was based largely upon the works of him and his friend James Stark.[3]
Vincent was educated at Norwich Grammar School and afterwards apprenticed to Crome.[4][5] He exhibited in London and elsewhere,[6] and from 1811 until 1831 showed works with the Norwich Society of Artists, exhibiting more than a 100 pictures of Norfolk landscapes and marine works.[7] By 1818 he had relocated to London and had obtained the patronage of wealthy clients, but then began to struggle financially. His financial problems led to his incarceration in the Fleet Prison for debt in 1824.[8][9]
After 1831, Vincent disappeared and his whereabouts after this date remain uncertain. His death may have occurred before April 1832, perhaps in Bath.[10] His picture Greenwich Hospital from the River was shown in London three decades after his death and caused renewed interest in his paintings and helped to establish his reputation as a leading member of the Norwich School.[11] The art historian Herbert Minton Cundall wrote in the 1920s that had Vincent "not given way to intemperate habits he would probably have ranked amongst the foremost of British landscape painters".[10]
- Key
- BM—work held at the British Museum in London[12]
- NMC—work held by the Norfolk Museums Collections,[13] based at Norwich Castle
- O—work held elsewhere.
More information Image, Title ...
| Image | Title | Date | Locations | Commentary | known states |
|---|---|---|---|---|---|
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A Gypsy Encampment | 1822 | NMC, BM | 2 | |
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Shipwreck on the coast | BM | 2 | ||
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Trees and ruin | BM | 4 | ||
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View of a harbour | BM | 4 | ||
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View of a ruin | BM | 4 | ||
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View of a rural path | BM | 5 | ||
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View of a rural path from the left | BM | 5 | ||
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View on the Yare, Afternoon | BM | Titled The River Yare and On the Yare, View of Norwich (NMC) | 2 (NMC); 3 (BM) | |
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View with a figure standing at the gate of a cottage | NMC | 1 | ||
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View with a large tree in the left foreground | NMC | 1 | ||
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View with a path in the centre leading to a river | NMC | 4 | ||
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View with two cows walking in the foreground | NMC | 4 | ||
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Whitlingham | NMC | 5 | ||
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Whitlingham | NMC | 2 | ||
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Woodland and figures | BM | Titled Group of trees with figure in roadway by NMC | 1 (NMC); 5 (BM) | |
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More information Image, Title ...
| Image | Title | Date | Technique | height x width (cm) | Location | Commentary |
|---|---|---|---|---|---|---|
| A Distant View of Pevensey Bay, the Landing Place of King William the Conqueror | 1824 | Oil on canvas | 14.61 x 233.6 | Norwich Museums Collections[14] | View of Beachy Head from Pevensey – "Vincent's most ambitious painting"; its "bright colouring and magnificent panoramic space" emulated J. M. W. Turner. (Hemingway)[15]
Moore suggests that the "magnificence" of the view depicted by Vincent can be compared with both Constable and Turner.[16] "one of his most ambitious oils" (Walpole)[17] | |
| A Harbour Scene in the Isle of Wight, Looking Towards the Needles | 1824 | Oil on panel | 39.1 x 55.9 | Yale Center for British Art, Paul Mellon Collection[18]  |
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| An English Farmstead | oil on canvas | 101.5 x 127 | Wolverhampton Art Gallery[19] | (attributed to) | ||
| An Old Farmstead near Norwich | oil on canvas | 76.8 x 63.5 | ||||
| A Norfolk Cottage | oil on panel | 43.2 x 59.7 | Sold at Keys in 2016. A photograph of a similar composition entitled View Near Cromer, signed and dated 1827, is in the Witt Library of the Courtauld Institute of Art.[20] | |||
| A Norfolk Mill | Oil on panel | 32.8 x 24.2 | Museums Sheffield[21][22] | |||
| A Quiet Pool | Oil on panel | 30.5 x 22.9 | ||||
| A Shady country road | Oil on canvas | 20.3 x 25.7 | Victoria and Albert Museum | As part of an analysis of the painting's provenance by the Victoria and Albert Museum, the painting is a copy, and the whereabouts of the original by Vincent is unknown. According to the V&A, the painting has been convincingly attributed to John Joseph Cotman.[23] In 1905, Dickes did not doubt that it was Vincent's.[24] | ||
| A Shady Pool | Oil on oak panel | 30.4 x 25.4 | Norwich Museums Collections[25] | |||
| A View near Thorpe, Norwich | Sheffield Museums[22] | |||||
| A View of Cheddar Gorge | c.1820 | Oil on canvas | 91.4 x 121.9 | Yale Center for British Art, Paul Mellon Collection[26] |
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| A View of Suffolk | oil on canvas | 90.6 x 113.4 | Museums Sheffield[27][22] | |||
| A View of Thames Street, Windsor | oil on canvas | 67.6 x 93.3 | Yale Center for British Art |
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| A View to Canterbury, Kent | Oil on canvas | 62 x 75 | Sold at auction, Previously with Newhouse Galleries, New York[28] | |||
| After the storm | Oil on canvas | 75 x 125.5 | Sold at Bonhams in 2015 (fetched £625)[29] | |||
| Alum Bay, Isle of Wight | "exceptional example of the work of Crome's pupil, George Vincent..." (Walpole, Art and Artists of the Norwich School): painting reproduced p. 45.[30] | |||||
| Beechy Head and the Martello Towers looking over Hastings from Fairlight | Oil on board | 38 x 49 | Sold at Bonhams in 2015 (fetched £812)[31] | |||
| Bramerton, Woods End, near Thorpe, Norfolk | 1821 | Oil on canvas | Bolton Art Gallery[32][22] | |||
| Brancepeth Castle, Durham | oil on canvas | 27.9 x 43.2 | Sold at Keys in 2011 for £1500.[33] | |||
| Castle Ashby, Northamptonshire | Oil on canvas | 35.1 x 46.5 | Newstead Abbey[34] | |||
| Cattle and sheep crossing a ford, a distant view of Norwich beyond | Inland Revenue Register of Conditionally Exempt Works of Art[22] | |||||
| Cattle Drinking | oil on canvas | 49.8 x 75.1 | Museums Sheffield[35][22] | |||
| Cattle grazing before a windmill | Oil on panel | 32 x 43 | Sold at Bonhams in 2003 (fetched £2937)[36] | |||
| Coast Scene with Rivers and Boats | Lady Lever Art Gallery[22] | |||||
| Country Lane with Figures by a Cottage | oil on canvas | 24.3 x 33 | Sold at Keys in 2011 for £270.[37] | |||
| Driving the Flock, St Mary's, Beverley | Oil on canvas | 101.6 x 127 | Private collection | Also known as Driving the Flock, St Mary's, Beverley. Exhibited in 1820 under the title Sheep Crossing a Brook, "freshly coloured" and already showing Vincent's ability to be original and distinctive. (Hemingway)[38] | ||
| Dutch Fair on Yarmouth Beach (The Dutch Fair at Great Yarmouth) | Oil on canvas | 130 x 162 | Norwich Museums Collections | Hemingway describes the work as being "on a much more ambitious scale than Crome's" and compares it with Turner's St Mawes at the Pilchard Season.[39][22] | ||
| English landscape with a windmill | Victoria Art Gallery, Bath, Somerset[22] | |||||
| Entrance to Loch Katrine – moonlight; Highlanders Spearing Salmon | 1825 | Oil on canvas | 76.8 x 107.9 | Norwich Museums Collections[40] | Regarded by the Norfolk Chronicle 6 August 1825 as "capital"; Vincent's stated ambition of producing 'Rembrant effects' in a painting was achieved here. (Moore)[41]
Described by Hemingway as the most romantic of Vincent's Scottish scenes, and by Dickes as "magnificent and Crome-like".[42][43] | |
| Evening Twilight | Oil on canvas | 67.9 x 91.4 | Nottingham Castle Museum and Art Gallery[44][22] | (attributed) | ||
| Farmyard Scene | Haworth Art Gallery[22] | |||||
| Figures in a Wooded Lane with Cottage in Distance | oil on board | 21.6 x 27.9 | Sold at Keys in 2015 for £720.[45] | |||
| Fish Auction, Yarmouth Beach | 1827 | Oil on canvas | 63.5 cm x 76.2 | National Trust | ||
| Fishing Boats in a Harbour | 1828 | Oil on canvas | 64 cm x 92.4 | Norwich Museums Collections[46] | ||
| Greenwich Hospital | 1827 | "It is at the same time a most charming performance". (Dickes)[47] | ||||
| Greenwich Hospital from the River | 1827 | Oil on canvas | hw | "his masterpiece" (Dodgson)[8]
For further information about the painting see the main article about George Vincent. | ||
| Grove Scene, Norwich | 1824 | oil on panel | 55.9 x 47.7 | Victoria Art Gallery, Bath, Somerset[48][22] | ||
| Landscape | Oil on canvas | 22.2 x 32.2 | Victoria and Albert Museum[49] | |||
| Landscape (View near Norwich) | Oil on mahogany panel | 26.7 x 34.6 | Norwich Museums Collections[50] | |||
| Landscape, Cattle and Figures | Williamson Art Gallery and Museum[22] | |||||
| Landscape – Cattle Crossing A Stream | Oil on canvas | Birmingham Museum and Art Gallery[51][22] | ||||
| Landscape – Loading Hay | 64.77 x 80 | "Texture excellent, particularly on the cattle and sheep." (Dickes)[52] | ||||
| Landscape with Cart | Oil on canvas | 25.4 x 18.1 | Norwich Museums Collections[53] | (attributed) | ||
| Landscape with Cattle in a Pool | oil on wood | 25.4 x 30.5 | Nottingham Castle Museum and Art Gallery[54][22] | |||
| Landscape with Cottages and Tinker | 1828 | oil on canvas | 43.8 x 60.3 | Nottingham Castle Museum and Art Gallery[55][22] | ||
| Landscape with Figures | 1824 | oil on wood | 38.1 x 48.2 | Leeds Art Gallery, Leeds Museums and Galleries[56] | ||
| Landscape with figures and cottage | Oil on panel | 25.4 x 18.1 | Norwich Museums Collections[57] | |||
| Landscape with mule, pedlar and figures | Nottingham Castle Museum and Art Gallery[22] | |||||
| Lane Scene | Oil on oak panel | 24.8 x 20.3 | Norwich Museums Collections[58] | |||
| Loch Etive, Argyllshire | 1821 | Oil on canvas | 54 x 72.2 | Fitzwilliam Museum, Cambridge[59][22] | ||
| London from the Surrey Side of Waterloo Bridge | 1820 | oil on canvas | 142.24 x 203.2 | "an important work" (Dickes)[60]
Listed and illustrated in A catalogue of pictures by British artists in the possession of Sir John Fleming Leicester, Bart. (1825)[61] Sold at Christie's on 11 September 2019 as St. Paul's from the Surrey Side of Blackfriars Bridge, figures and sailing barges in the foreground, for £10,000.[62] | ||
| Middle Mill, Wandsworth | oil on canvas | 65 x 89.5 | British Embassy, Luxembourg | Part of the Government Art Collection[63] | ||
| Mousehole Heath, Norfolk | oil on canvas | 43 x 63 | The Ashmolean Museum of Art and Archaeology[64][22] | (attributed to) | ||
| Mouth of the Yare | 1821 | Oil on panel | 71.1 x 91.4 | Towneley Hall Art Gallery & Museum[65][22] | ||
| Norfolk river scene | Oil on panel | 47.5 x 55.5 | Sold at Bonhams in 2008 (fetched £4200)[66] | |||
| On the river Yare | Sheffield Museums[22] | |||||
| On the River Yare | Oil on canvas | 87.0 x 112.7 | Norwich Museums Collections[67] | |||
| On the River Yare, Norfolk | Oil on canvas | |||||
| Overstand near Cromer | oil on panel | 21.6 x 16.1 | Sold at Keys in 2014 for £300.[68] | |||
| Pastoral Scene | 1828 | Oil on mahogany panel | 66.1 x 84.5 | Norwich Museums Collections[69] | ||
| Pevensey Bay 1824 | 1824 | Oil on paper laid on millboard | 20.6 x 27.5 | Norwich Museums Collections[70] | Signed, inscribed and dated lower left centre 'GV to HD 1824'.[70] | |
| Portrait of George Vincent (1796–1832), with landscape background by himself | Oil on canvas | 77 cm x 63.5 | Norwich Museums Collections[71] | Portrait by James Clover | ||
| Postwick Grove | Oil on panel | 38.4 x 32.4 | Norwich Museums Collections[72] | |||
| River Scene with Boats | 1825 | Oil on board | 25 x 35 | National Trust, Felbrigg Hall[73][22] | ||
| Road Scene with Cattle | Oil on oak panel | 42.2 x 34.9 | Norwich Museums Collections[74] | |||
| Road Scene with Cottage | Oil on panel | 29.8 x 38.1 | Norwich Museums Collections[75] | |||
| Rouen | 1816 | Oil on canvas | 63.4 cm x 91.7 | Norwich Museums Collections[76] | Vincent's only painting derived from a visit to the continent in 1816.[77]
Probably painted shortly after a visit to France, may have been inspired by Boulevard des Italiens, painted by John Crome. "...marred by inconsistencies of scale and perspective..." (Hemingway)[42] | |
| Rural landscape with figures | Oil on canvas | 63.5 cm x 81.3 | A group of large russet trees are in the foreground before a pool, on which three ducks are floating. At left and right are thatched cottages amid foliage. Exhibited in New York in 1932.[78] | |||
| Rustic Scene | 1826 | Oil on panel | 53.0 x 63.8 | Norwich Museums Collections[79] |
On display at the Elizabethan House Museum, Great Yarmouth[80] | |
| Sea Piece | 1827 | oil on canvas | 50.2 x 68.6 | Nottingham Castle Museum and Art Gallery[81][22] | ||
| Ship Building at Greenwich | 1823 | Oil on canvas | 31 x 40 | Sold at Bonhams in 2004 (fetched £27,500)[82] | Stamped to the reverse of the panel: 'R. Davy, 83 Newman Street'. This would date the panel to post-1822. Exhibited: Norwich School paintings, Norwich Castle 1927. No 121. | |
| St Benet's Abbey, Norfolk | oil on panel | 21.6 x 27.9 | Sold at Keys in 2016.[83] | |||
| Sunlit glade | Oil on mahogany panel | 67.3 x 83.8 | Art Gallery NSW[84]  |
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| The Blasted Oak | 1830 | Oil on canvas | 76.1 x 63.1 | Norwich Museums Collections[85] | ||
| The River Yare with Cottage and Young Man Fishing from the Bank | oil on canvas | 40.6 x 55.9 | Sold at Keys in 2012.[86] | |||
| The Travelling Pedlar | c.1826 | Oil on canvas | 388.4 x 112 | Norfolk Museums Service[87] | ||
| The Travelling Tinker | oil on canvas | 42.2 x 53.3 | Victoria Art Gallery, Bath, Somerset[88][22] | |||
| The Travelling Tinker | Christchurch Mansion Museum and Art Gallery, Suffolk[22] | |||||
| Trowse Hythe, near Norwich | Oil on canvas | 31.8 cm x 41.3 | Norwich Museums Collections[89] | |||
| Trowse Meadows, near Norwich | 1828 | Oil on canvas | 72.9 x 109.4 | Norwich Museums Collections[90] | "This charming pastoral was apparently so admired by Thirtle that he made a beautiful water-colour drawing from it". (Dickes)[42]
"...one of the most impressive of his late works. It inevitably invites comparison with Constable's Haywain"; "The handling of Trowse Meadows does not have the transparency and glitter of Constable's paintwork, but the perspective of the clouds, the light effect and the atmospheric recession are all superbly rendered." (Hemingway)[91] "The dainty painting of the trees, the broad treatment of the middle distance and above all the spectacular cloud formation... ...are all features associated with the best of Vincent's late work". (Moore)[92] | |
| Valley of the Yare, near Bramerton | 1828 | Oil on canvas | 76.2 x 104.5 | Norwich Museums Collections[93] | ||
| View from Sandlings Ferry | 45.7 x 63.5 | "...has a good deal of quiet beauty." (The Builder, 12 January 1878)[94]
"This picture is remarkable for its pearly atmosphere. A tender vapour seems to pervade the scene." Owned by the Norfolk antiquarian William Birkbeck in 1905.(Dickes)[95] Donated to the Norwich Castle Museum by his widow in 1914. Sold to Liverpool Museum in 1956.[96] | ||||
| View in Glen Sharrah near Inverary | 1823 | Oil on canvas | 63.5 x 76.8 | Norwich Museums Collections[97] | ||
| View in the Highlands | 1827 | Oil on canvas | 101.6 x 127.9 | Fitzwilliam Museum, Cambridge[98][22] | ||
| View near Norwich, Norfolk | c.1820 | Oil on canvas | 50 x 60 | Northampton Museums & Art Gallery[99] | ||
| View near Pevensey Bay, Sussex, with Shepherd and Sheep | Oil on canvas | 64.77 x 79 | Reproduced in Walpole Art and Artists of the Norwich School, p. 46. | |||
| View near Wroxham, Norfolk | oil on canvas | 49.1 x 38.8 | Manchester Art Gallery[100] | |||
| View of Yarmouth from Gorleston | Oil on canvas | 104.1 x 166.4 | "Though a multiplicity of detail gives a rather spotty effect, the sky naturally and solidly painted, representing beautiful floating clouds, renders this a masterpiece." (Dickes)[95] | |||
| View on the River Yare | oil on canvas | 112.5 x 202 | Southampton City Art Gallery[101] | |||
| Woodland Road with Horseman and Sheep | Oil on panel | 45.7 x 33 | National Trust for Scotland, Brodie Castle[102] | |||
| Yarmouth Quay | 1823 | Oil on canvas | 77.2 x 103.0 | Norwich Museums Collections[103] |
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_-_View_in_the_Highlands_-_PD.50-1949_-_Fitzwilliam_Museum.jpg){kind=link}
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More information Image, Title ...
| Image | Title | Date | Technique | height x width (cm) | Location | Commentary |
|---|---|---|---|---|---|---|
| Drawing | 1819 | Graphite on paper | 15.2 x 20.2 | British Museum[104] | ||
| Shipping scene | watercolour on paper | 15.9 x 23.4 | Norwich Museums Collections[105] | |||
| The Needles (The Needles from Christchurch) | 1830 | Watercolour on paper | 16.8 x 20.4 | Norwich Museums Collections[106] | "a pleasant piece of work to which the underlying jumpiness of the drawing gives vitality" (Clifford)[107] | |
| Thorpe, near Norwich | watercolour | 17.8 x 27.9 | sold at Keys in 2015 for £180.[108] | |||
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More information Image, Title ...
| Image | Title | Date | Technique | height x width (cm) | Location | Commentary |
|---|---|---|---|---|---|---|
| A View Near Norwich, with Cattle Grazing | Oil on panel | (11" x 16.5") | Sold at auction 2019 for £280.[109] | |||
| A view on the Broads with men fishing from punts | undated | Oil on canvas | 64.8 x 87.7 | Sold at auction in 2020[110] | ||
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- "George Vincent". Archdeacons transcripts for Norwich parishes, 1600–1812. FamilySearch. Retrieved 14 October 2020.
- Hemingway 1979, pp. 181–182.
- Hemingway 2017, p. 190.
- Mottram 1931, p. 168.
- Rajnai & Stevens 1976, p. 92.
- Rajnai & Stevens 1976, pp. 92, 144.
- Dodgson, Campbell (1885–1900). "Vincent, George" . Dictionary of National Biography. London: Smith, Elder & Co.
- Cundall 1920, pp. 26–27.
- Cundall 1920, p. 3.
- "George Vincent". The British Museum. Retrieved 31 October 2020.
- "George Vincent". Norfolk Museums Collections. Retrieved 31 October 2020.
- "View of Beachy Head from Pevensey". Norfolk Museums Service. Retrieved 26 November 2018.
- Hemingway 1979, p. 64.
- Moore 1985, p. 44.
- Walpole 1997, p. 46.
- "A Harbor Scene in the Isle of Wight, Looking Towards the Needles". Yale Center for British Art. 2018. Retrieved 25 November 2018.
- "An English Farmstead". Art UK. Public Catalogue Foundation. Retrieved 2 December 2018.
- "A Norfolk Cottage". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "A Norfolk Mill". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
- Wright & Gordon 2006, p. 790.
- "A Shady country road". V&A Search the Collections. Retrieved 30 November 2018.
- Dickes 1905, p. 520.
- "A Shady Pool". Norwich Museums Service. Retrieved 27 November 2018.
- "A View of Cheddar Gorge". Yale Center for British Art. 2018. Retrieved 25 November 2018.
- "A View of Suffolk". Art UK. Retrieved 1 December 2018.
- "A view to Canterbury, Kent". 1stDibs. 2018. Retrieved 25 November 2018.
- "After the storm". Bonhams. Retrieved 26 November 2018.
- Walpole 1997, p. 45.
- "Beechy Head and the Martello Towers looking over Hastings from Fairlight". Bonhams. Retrieved 26 November 2018.
- "Bramerton, Woods End, near Thorpe, Norfolk". Bolton Library and Museum Services. Public Catalogue Foundation. Retrieved 1 December 2018.
- "Brancepeth Castle, Durham". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "Castle Ashby, Northamptonshire". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
- "Cattle Drinking". Art UK. Retrieved 1 December 2018.
- "Cattle grazing before a windmill". Bonhams. Retrieved 26 November 2018.
- "Country Lane with Figures by a Cottage". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- Hemingway 1979, pp. 63, 66.
- Hemingway 1979, pp. 63–64.
- "Entrance to Loch Katrine – moonlight; Highlanders Spearing Salmon". Norwich Museums Service. Retrieved 26 November 2018.
- Moore 1985, p. 43.
- Dickes 1905, p. 515.
- Hemingway 1979, pp. 65–66.
- "Evening Twilight". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
- "Figures in a Wooded Lane with Cottage in Distance". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "Fish Auction, Yarmouth Beach". Norwich Museums Service. Retrieved 26 November 2018.
- Dickes 1905, p. 518.
- "Grove Scene, Norwich". Art UK. Retrieved 1 December 2018.
- "Landscape". V&A Search the Collections. 2018. Retrieved 25 November 2018.
- "Landscape (View near Norwich)". Norwich Museums Service. Retrieved 26 November 2018.
- "Landscape – Cattle Crossing A Stream". Birmingham Museums. Retrieved 26 November 2018.
- Dickes 1905, p. 519.
- "Landscape with Cart". Norwich Museums Service. Retrieved 27 November 2018.
- "Landscape with Cattle in a Pool". Art UK. Public Catalogue Foundation. Retrieved 1 December 2018.
- "Landscape with Cottages and Tinker". Art UK. Retrieved 1 December 2018.
- "Landscape with Figures". Art UK. Retrieved 1 December 2018.
- "Landscape with figures and cottage". Norwich Museums Service. Retrieved 27 November 2018.
- "Lane Scene". Norwich Museums Service. Retrieved 27 November 2018.
- "Loch Etive, Argyllshire". University of Cambridge. Retrieved 30 November 2018.
- Dickes 1905, p. 498.
- "Middle Mill, Wandsworth". Art UK. Retrieved 1 December 2018.
- "Mousehole Heath, Norfolk". Art UK. Public Catalogue Foundation. Retrieved 2 December 2018.
- "Mouth of the Yare". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
- "Norfolk river scene". Bonhams. Retrieved 26 November 2018.
- "On the River Yare". Norwich Museums Service. Retrieved 27 November 2018.
- "Overstand near Cromer". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "Pastoral Scene". Norwich Museums Service. Retrieved 26 November 2018.
- "Pevensey Bay 1824". Norwich Museums Service. Retrieved 26 November 2018.
- "Portrait of George Vincent (1796–1832), with landscape background by himself". Norwich Museums Service. Retrieved 26 November 2018.
- "Postwick Grove". Norwich Museums Service. Retrieved 27 November 2018.
- "River Scene with Boats". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
- "Road Scene with Cattle". Norwich Museums Service. Retrieved 26 November 2018.
- "Road Scene with Cottage". Norwich Museums Service. Retrieved 27 November 2018.
- Moore 1985, p. 42.
- "Rustic Scene". Norwich Museums Service. Retrieved 27 November 2018.
- "The Dutch Fair at Great Yarmouth". Norwich Museums Service. Retrieved 30 November 2018.
- "Sea Piece". Art UK. Retrieved 1 December 2018.
- "Ship Building at Greenwich". Bonhams. Retrieved 26 November 2018.
- "St Benet's Abbey, Norfolk". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "Sunlit glade". Art Gallery of New South Wales. Retrieved 26 November 2018.
- "The Blasted Oak". Norfolk Museums Service. Retrieved 26 November 2018.
- "The River Yare with Cottage and Young Man Fishing from the Bank". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "The Travelling Pedlar". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
- "The Travelling Tinker". Art UK. Retrieved 1 December 2018.
- "Trowse Hythe, near Norwich". Norwich Museums Service. Retrieved 26 November 2018.
- "Trowse Meadows, near Norwich". Norwich Museums Service. Retrieved 26 November 2018.
- Hemingway 1979, p. 66.
- Moore 1985, p. 46.
- "Valley of the Yare, near Bramerton". Norwich Museums Service. Retrieved 26 November 2018.
- "The Builder". Internet Archive. Retrieved 29 November 2018.
- Dickes 1905, p. 517.
- "William Birkbeck: Banker and collector of antiquities". World Museum. National Museums Liverpool. 2018. Retrieved 30 November 2018.
- "View in Glen Sharrah near Inverary". Norwich Museums Service. Retrieved 27 November 2018.
- "View in the Highlands". University of Cambridge. Retrieved 30 November 2018.
- "View near Norwich, Norfolk". Art UK. Public Catalogue Foundation. Retrieved 27 November 2018.
- "View near Wroxham, Norfolk". Art UK. Retrieved 1 December 2018.
- "View on the River Yare". Art UK. Retrieved 1 December 2018.
- "Woodland Road with Horseman and Sheep". ArtUK. Public Catalogue Foundation ArtUK. Retrieved 25 November 2018.
- "Yarmouth Quay". Norwich Museums Service. Retrieved 27 November 2018.
- "Shipping scene". Norwich Museums Service. Retrieved 27 November 2018.
- "The Needles". Norwich Museums Service. Retrieved 26 November 2018.
- Clifford 1965, p. 37.
- "Thorpe, near Norwich". Keys Fine Art Auctioneers. Retrieved 2 December 2018.
- "A view on the broads with men fishing from punts". Bonhams. Retrieved 31 October 2020.
- Clifford, Derek Plint (1965). Watercolours of the Norwich School. Cory, Adams & Mackay. OCLC 1624701.
- Cundall, Herbert Minton (1920). The Norwich School. London: Geoffrey Holme Ltd. OCLC 651802612.
- Day, Harold (1979). The Norwich School of Painters. Eastbourne, UK: Eastbourne Fine Art. ISBN 978-0-902010-10-9.
- Dickes, William Frederick (1905). The Norwich school of painting: being a full account of the Norwich exhibitions, the lives of the painters, the lists of their respective exhibits and descriptions of the pictures. Norwich: Jarrold & Sons Ltd.
- Dodgson, Campbell; Watt, Norma (23 September 2004). "Vincent, George". In Watt, Norma (ed.). Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/28308. Retrieved 12 February 2015. (Subscription or UK public library membership required.)
- Hemingway, Andrew (1979). The Norwich School of Painters, 1803–33. Oxford: Phaidon. ISBN 978-0-7148-2001-9.
- Hemingway, Andrew (2017). Landscape Between Ideology and the Aesthetic: Marxist Essays on British Art and Art Theory, 1750-1850. Leiden; Boston: Brill. ISBN 978-90-04-26900-2.
- Moore, Andrew W. (1985). The Norwich School of Artists. HMSO/Norwich Museums Service.
- Mottram, Ralph Hale (1931). John Crome of Norwich. London: John Lane The Bodley Head Ltd. OCLC 145422947.
- Rajnai, Miklos; Stevens, Mary (1976). The Norwich Society of Artists, 1805-1833: a dictionary of contributors and their work. Norfolk Museums Service for the Paul Mellon Centre for Studies in British Art.
- Walpole, Josephine (1997). Art and Artists of the Norwich School. Woodbridge: Antique Collectors' Club Holme. ISBN 978-1-85149-261-9.
- Wright, Christopher; Gordon, Catherine (2006). British and Irish paintings in public collections : an index of British and Irish oil paintings by artists born before 1870 in public and institutional collections in the United Kingdom and Ireland. New Haven: Yale University Press. pp. 790–1. ISBN 978-0-300-11730-1.