Adaptations

Chinese video platform Tencent Video released a series based on The Three-Body Problem in January 2023.^[16]

A cinematic adaptation of The Three-Body Problem has been filmed, but its release has been indefinitely postponed.^[17] In March 2018, Amazon was rumored to be negotiating for the rights to the project.^[18][19] However, YooZoo Pictures released a statement in response stating that it was the "sole owner of the rights for film and TV series adaptations."^[19] Although it "was originally scheduled to be released in 2017," the project "was postponed indefinitely due to the company's internal shuffling and the rumored 'bad quality' of the film's first cut."^[19] In June 2019, it was reported that work had begun on an animated adaptation,^[20] and in 2020, October Media announced another adaptation in the works.^[21]

The cinematic adaptation of his short story The Wandering Earth was released in China on February 5, 2019,^[22] which became the second highest-grossing film in the Chinese box office within 2 weeks.^[23]

The science-fiction comedy film Crazy Alien, adapted from his science fiction short story The Village Teacher [zh], had grossed 2.2 billion at the box office, making it the fifteenth film in Chinese film history with a box office exceeding 2 billion.^[24]

US streaming platform Netflix announced in September 2020 that it had ordered an English-language series based on Liu's well-known trilogy The Three-Body Problem. Liu would serve as a consulting producer on the project. David Benioff and D.B. Weiss were named as writers and executive producers. Other members of the creative team included executive producer Rian Johnson, Ram Bergman, Bernadette Caulfield, Nena Rodrigue, Lin Qi, and Rosamund Pike.^[25] The Netflix television adaptation started production in early November 2021, with a scheduled finish date in August 2022.^[26] In November 2023, Netflix released a sneak peek and announced that the drama would be released March 21, 2024.^[27]

Chinese video sharing website Bilibili released a series exploring the science of Liu Cixin's science fiction in November 2022.^[28]

Political views

This section may lend undue weight to certain ideas, incidents, or controversies. (April 2024)

In a June 2019 interview published in The New Yorker, interviewer Jiayang Fan found that Liu "prefers to avoid" talking about politics. In the same article, Liu stated that democracy was not appropriate for modern China. When probed by Fan about "individual liberty and freedom of governance", Liu said that this "not what Chinese people care about", adding "If you were to loosen up the country a bit, the consequences would be terrifying." He expressed support for policies such as the one-child policy and China's Xinjiang policies, saying "Would you rather that they be hacking away at bodies at train stations and schools in terrorist attacks? If anything, the government is helping their economy and trying to lift them out of poverty."^[30]

Liu's remarks in the New Yorker interview were questioned by five Republican U.S. senators in a letter to Netflix in September 2020. The letter asks whether Netflix was aware of Liu's remarks and demands a justification for proceeding with the adaptation of The Three-Body Problem.^{[31][32][33][34]} Netflix responded that Liu was not the creator of the show, and that Liu's comments "are not reflective of the views of Netflix or of the show's creators, nor are they part of the plot or themes of the show."^[35]

Liu's works (including some of his adaptations) contain various subtle and plot-wide criticisms of actions of the Chinese Communist Party. In one such case, Liu moved a brutal struggle session from where it was hidden in the middle of the book to the beginning of The Three Body Problem's English translation, when suggested by his translator, Ken Liu. In response to the prominently placed plot point, Liu Cixin acted positively and replied "That is how I wanted it originally!"^[36] The Netflix adaptation, where Liu Cixin was also a Consulting Producer, also starts with the struggle session.^[37] Liu Cixin's Chinese publishers chose to place the politically charged scene in the middle of the book instead of the beginning, in order to get past government censors.^[36][37]

Polish science fiction critic Wojciech Orliński argued that Liu's works such as Remembrance of Earth's Past and The Wandering Earth represent endorsement of concepts of world government, consequentialism as well as tacit approval of "China's surveillance and control society".^[38]

Novels

• China 2185 (中国2185) (1989)
• The Devil's Bricks (魔鬼积木) (2002)
• Supernova Era (超新星纪元) (2003)
• Ball Lightning (球状闪电) (2004)
• The Remembrance of Earth's Past (地球往事) trilogy:
  • The Three-Body Problem (三体) (2006)
  • The Dark Forest (黑暗森林) (2008)
  • Death's End (死神永生) (2010)
• Of Ants and Dinosaurs (2010), also published as The Cretaceous Past (2021)

Works of short fiction

Collections

2003

• 爱因斯坦赤道

2004

• With her Eyes (带上她的眼睛)

2008

• The Wandering Earth (流浪地球)
• 魔鬼积木·白垩纪往事

2014

• Time Immigrant (时间移民)
• 2018

2020

• To Hold Up the Sky

Essays

2003

• 文明的反向扩张 (Science Fiction World)
• 远航！远航！ (Science Fiction World)