Marcel Janco

Marcel Janco (German: [maʁˈsɛl ˈjaŋkoː], French: [maʁsɛl ʒɑ̃ko]; common rendition[lower-alpha 1] of the Romanian name Marcel Hermann Iancu[1] [marˈtʃel ˈherman ˈjaŋku]; 24 May 1895 – 21 April 1984) was a Romanian and Israeli visual artist, architect and art theorist. He was the co-inventor of Dadaism and a leading exponent of Constructivism in Eastern Europe. In the 1910s, he co-edited, with Ion Vinea and Tristan Tzara, the Romanian art magazine Simbolul. Janco was a practitioner of Art Nouveau, Futurism and Expressionism before contributing his painting and stage design to Tzara's literary Dadaism. He parted with Dada in 1919, when he and painter Hans Arp founded a Constructivist circle, Das Neue Leben.

Marcel Janco
Janco in 1954
Born
Marcel Hermann Iancu

24 May 1895
Died21 April 1984(1984-04-21) (aged 88)
NationalityRomanian, Israeli
EducationFederal Institute of Technology, Zurich
Known forOil painting, collage, relief, illustration, found object art, linocut, woodcut, watercolor, pastel, costume design, interior design, scenic design, ceramic art, fresco, tapestry
MovementPostimpressionism, Symbolism, Art Nouveau, Cubism, Expressionism, Futurism, Primitivism, Dada, Abstract art, Constructivism, Surrealism, Art Deco, Das Neue Leben, Contimporanul, Criterion, Ofakim Hadashim
Awards

Reunited with Vinea, he founded Contimporanul, the influential tribune of the Romanian avant-garde, advocating a mix of Constructivism, Futurism and Cubism. At Contimporanul, Janco expounded a "revolutionary" vision of urban planning. He designed some of the most innovative landmarks of downtown Bucharest. He worked in many art forms, including illustration, sculpture and oil painting.

Janco was one of the leading Romanian Jewish intellectuals of his generation. Targeted by antisemitic persecution before and during World War II, he emigrated to the British Mandate for Palestine in 1941. He won the Dizengoff Prize and Israel Prize, and was a founder of Ein Hod, a utopian art colony.


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