McCrary_and_Branson
McCrary & Branson
Knoxville, Tennessee studio and gallery
McCrary & Branson was a commercial art gallery and portrait studio that operated for approximately 30 years in the late 19th and early 20th century in Knoxville, Tennessee in the United States. The firm was likely in operation beginning approximately 1875–1880 and ending approximately 1905.[1][2] For much of its history, McCrary & Branson was located at 130 Gay Street, along Knoxville's major commercial thoroughfare.[3] In addition to stereoscopic views,[4] and posed portraits of wealthy whites,[5] they trafficked in a number of racist lithographs depicting blacks in crude and stereotyped scenarios.[6]
The panoramic lithographs included titles like "The Last One In's a Nigger," "Ain't Gwine Be No Rine,"[7][8] and "All Coons Look Alike to Me,"[9] the last of which was also a popular song of the day.[10][11] These images were commercially lucrative[12][13][14] for the firm and McCrary & Branson made a point to copyright these images to protect their intellectual property,[15] in one case entering into litigation to defend their claim.[7] The images of the babies in the Alligator Bait photograph were nonetheless plagiarized for "Alligator Bait" postcards published by Curt Teich, et al.[16]
An image called "She Was Bred in Old Kentucky" was "sold for $5,000 to a Louisville firm."[7] The image was heavily used in advertisements and marketing materials for Green River Whiskey, which was distilled in Owensboro, Kentucky.[17][18]