The Musique Cordiale International Festival & Academy is an annual festival of classical music, song, oratorio and opera, founded in 2005. It takes place in hill towns (village perché) of the Pays de Fayence between Nice and Aix-en-Provence in the South of France in late July and during the first two weeks of August. The festival features over 18 concerts including major choral and orchestral works, chamber ensembles, free lunchtime concerts and late night recitals in churches, chapels and in the open air.
|Location(s)||Seillans, Pays de Fayence, South of France.Faversham, Doddington Place Gardens, Kent|
|Years active||2005 – present|
|Founded by||Pippa Pawlik|
In a spirit of entente cordiale, the festival draws together people of all ages and from many countries and is designed to encourage intercultural friendship and understanding through a shared involvement in music-making. A collection of over 125 singers and players, ranging in age from 15 to 75, are assembled each year for a series of rehearsals and concerts. The 15th annual Musique Cordiale Festival took place from 5 - 17 August 2019. and there is a British offshoot, the Musique-Cordiale autumn weekend in Kent, also begun in 2005, which features 3 concerts in Faversham and Newnham, Kent, GB on 15, 16 & 17 November 2019. The 16th annual festival, scheduled for 1-15 August 2020, had to be cancelled and all sums reimbursed to participants because of the Covid-19 crisis. An single small concert did take place in the Pays de Fayence during that period with an officially-limited audience. The choir and musicians were not able to travel to Seillans for rehearsals or any performances. But UK-based members of the Festival Choir did stage an open-air performance of the Brahms Requiem in Doddington Place Gardens in Kent, England on 13 September 2020 after 3 days of rehearsal with 4 hands on a keyboard for accompaniment under the baton of Music Director, Graham Ross. It is not yet clear when concerts or rehearsals, with international participation, may be possible in the Pays de Fayence because of the still-developing pandemic and travel restrictions in Europe. Post-Brexit arrangements for touring musicians also need to be clarified. However it has been announced that there will be a week-long series of rehearsals and concerts in Kent, GB, many of them out of doors and/or socially-distanced, 29 July - 5 August 2021.
Artistic director Pippa Pawlik, studied the violin at the Royal College of Music in London and played professionally in London and Switzerland. With two young children, she then changed direction and worked in music promotion with record companies, international orchestras, festivals and artists from all over the world. Pippa now lives and works in Kent, having relaunched her PR business with clients in America, Germany and the UK. She also acts as a mentor, offering musicians career guidance, inspiration and brainstorming strategies.
Choir and orchestra
A choral tradition remains an integral part of Musique Cordiale and a major work for choir closes the festival each year. The choir is made up of excellent amateur and professional singers from ensembles including The Bach Choir, the London Symphony Chorus, Groupe Vocal Arpège de Bordeaux and the Ensemble Equinox.
The Festival Orchestra is a multi-generational ensemble made up of young professionals and established musicians from orchestras including the San Francisco Symphony, LSO, the OAE, the Tonhalle Zurich and the Oslo Philharmonic. Musique Cordiale acts as a platform for burgeoning soloists and orchestral players, offering them an opportunity to learn and perform works which they will later play on the international stage. Its Academy offers 6-8 talented players aged 15 - 19 the chance to study and play with professionals.
Each year, Pippa invites accomplished conductors to direct the orchestra and the choir. The idyllic surroundings of the Pays de Fayence provide a unique setting for these musicians and singers to perform together in an informal, Provençal environment. James Lowe, chief conductor of the Prussian Chamber Orchestra, Germany, and the Vaasa Sinfonia, Finland conducts and newly-appointed music director of the Spokane Symphony, conducting the Festival Orchestra and Graham Ross, director of Music at Clare College Cambridge, conducting the Festival Choir and orchestra, both with impressive line-ups of (mostly) young up-and-coming soloists and musicians. Previous conductors include Tom Seligman, Errol Girdlestone, Tomas Netopil and Kevin Griffiths.
Since 2005, performances have included Mozart’s C minor Mass and Requiem, Duruflé’s Requiem, Bach’s Magnificat and B Minor Mass, Haydn’s Te Deum and Nelson Mass, Handel’s Dixit Dominus and Solomon, Dvorak’s Stabat Mater, The Monteverdi Vespers, Hayn's Seasons, The Messiah and Fauré’s Requiem. 2019 featured a performance of Handel's Saul. Operas staged include Purcell’s Dido & Aeneas, Mozart’s Marriage of Figaro and Cosi fan Tutte, Puccini’s La Bohème and Rossini’s Barber of Seville. Orchestral and chamber works performed have covered a wide repertoire over the years and the Jazz evenings are added variety and spice, often in romantic out-of-door venues.
Commissions and autumn concerts
Works specially commissioned for Musique-Cordiale and premiered at the festival in recent years include pieces by Graham Ross and Cecilia McDowall. In 2005 and 2016, Musique-Cordiale featured in a weekend of choral and instrumental performance as part of the October Canterbury Festival and its choir has also performed in an autumn weekend in Totnes, Devon. It holds a regular series of choral and instrumental classical concerts each autumn in Kent, between September and November
in Doddington Place Gardens and in the church and other venues in Faversham
- Mike O'Donnell, oboe, Musique-Cordiale Festival 2007
- Craig Burnett, trumpet, 2005 Festival
- Official website
- Images of Musique-Cordiale Festivals 2004-2019 on Flickr
- Musique-Cordiale - group on Facebook
- Musique-Cordiale International Festival & Academy - pages on Facebook
- Michael White review on Telegraph.co.uk blog, 17 August 2010
- Singing Poulenc in a Sauna, Michael White review, Telegraph, 11 September 2012
- John Amis Blogspot: Review, dated 26 August 2010
- ResMusica review (in French) by Christian Lorandin, published 7 September 2010