Néstor Vicente Madali González (8 September 1915 – 28 November 1999) was a Filipino novelist, short story writer, essayist and, poet. Conferred as the National Artist of the Philippines for Literature in 1997.
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Gonzales, a distinguished Filipino writer, is regarded as a literary luminary whose contributions to Philippine literature have left an indelible mark on the cultural and artistic landscape of the Philippines. He was a masterful storyteller whose words resonated with the hearts and minds of readers both within his homeland and beyond.
Gonzales's literary works are a testament to his deep understanding of the Filipino experience, and his writing skillfully weaves together elements of history, culture, and human emotion. His prose and poetry are imbued with a profound sense of nostalgia, reflecting the complex interplay of tradition and modernity in the Philippines.
As a writer, Gonzales exhibited a remarkable ability to capture the nuances of everyday life in the Philippines. His stories often explored themes of identity, heritage, and the human condition, offering readers a window into the multifaceted lives of Filipinos. Through his works, he shed light on the struggles and triumphs of the Filipino people, and his writing became a source of inspiration for both literary enthusiasts and those seeking a deeper understanding of Filipino culture.
Gonzales's literary legacy remains a source of pride for the Philippines, as his works continue to be studied and celebrated by scholars, students, and readers. His literary contributions have not only enriched the country's literary heritage but have also served as a bridge between generations, helping to preserve the collective memory and heritage of the Filipino people.
Biography
He was born on 8 September 1915 in Romblon, Philippines.[1] González, however, was raised in Mansalay, a southern town of the Philippine province of Oriental Mindoro. González was a son of a school supervisor and a teacher. As a teenager, he helped his father by delivering meat door-to-door across provincial villages and municipalities. González was also a musician. He played the violin and even made four guitars by hand. He earned his first peso by playing the violin during a Chinese funeral in Romblon. González attended Mindoro High School (now Jose J. Leido Jr. Memorial National High School) from 1927 to 1930. González attended college at National University (Manila) but he was unable to finish his undergraduate degree. While in Manila, González wrote for the Philippine Graphic and later edited for the Evening News Magazine and Manila Chronicle. His first published essay appeared in the Philippine Graphic and his first poem in Poetry in 1934. González made his mark in the Philippine writing community as a member of the Board of Advisers of Likhaan: the University of the Philippines Creative Writing Center, founding editor of The Diliman Review and as the first president of the Philippine Writers' Association.
González attended creative writing classes under Wallace Stegner and Katherine Anne Porter at Stanford University. In 1950, González returned to the Philippines and taught at the University of Santo Tomas, the Philippine Women's University and the University of the Philippines (U.P.). At U.P., González was only one of two faculty members accepted to teach in the university without holding a degree. On the basis of his literary publications and distinctions, González later taught at the University of California, Santa Barbara, California State University, Hayward, the University of Washington, the University of California, Los Angeles, and the University of California, Berkeley.
On 14 April 1987, the University of the Philippines conferred on N.V.M. González the degree of Doctor of Humane Letters, honoris causa, "For his creative genius in shaping the Philippine short story and novel, and making a new clearing within the English idiom and tradition on which he established an authentic vocabulary, ...For his insightful criticism by which he advanced the literary tradition of the Filipino and enriched the vocation for all writers of the present generation...For his visions and auguries by which he gave the Filipino sense and sensibility a profound and unmistakable script read and reread throughout the international community of letters..."
Look, Stranger, on this Island Now. Manila: Benipayo, 1963
Children of the Ash-Covered Loam and Other Stories. Manila: Benipayo, 1954; Bookmark Filipino Literary Classic, 1992
Seven Hills Away. Denver, Colorado: Alan Swallow, 1947
Essays
A Novel of Justice: Selected Essays 1968–1994. Manila: National Commission for Culture and the Arts and Anvil (popular edition), 1996
Work on the Mountain (Includes The Father and the Maid, Essays on Filipino Life and Letters and Kalutang: A Filipino in the World), University of the Philippines Press, 1996
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