Patricia_Kopatchinskaja

Patricia Kopatchinskaja

Patricia Kopatchinskaja

Moldovan-Austrian musician

Patricia Kopatchinskaja (born March 1977)[1] is a Moldovan-Austrian-Swiss violinist.

Quick Facts Background information, Born ...

Biography

Early life

Kopatchinskaja was born in Chișinău, in the Moldavian Soviet Socialist Republic (now Moldova). She comes from a family of musicians. Her parents were both with the state folk ensemble of Moldova: her mother, Emilia Kopatchinskaja, was a violinist, and her father, Viktor Kopatchinsky, was a cimbalom player. While her parents were on concert tour through the former Eastern bloc, she grew up with her grandparents.[2][3] She started playing the violin at age 6.[4]

In 1989, the family fled to Vienna.[5] Kopatchinskaja entered the University of Music and Performing Arts, Vienna at age 17,[2] where she studied musical composition and violin. From age 21 to 23, she finished her studies in Bern,[2] at the Musikhochschule, where her teachers included Igor Ozim. Kopatchinskaja, her Swiss neurologist husband,[6][7] and their daughter live in Bern, Switzerland.[4]

Career

In 2016, Kopatchinskaja wrote an editorial for The Guardian outlining her approach to music and her career and her preference for playing music "from the borders" of the repertoire instead of the standard repertoire of "Bach, Beethoven, Brahms, Bruckner, and Bruch."[8] She later said, "Standard pieces should be used only as exceptional, rare elements in programmes. There are enough recordings out there already.… The classical music industry is so far behind. If someone does anything that’s even just a tiny bit different, it becomes a huge, heated discussion."[9]

In 2014, the British Royal Philharmonic Society gave Kopatchinskaja one of its annual Music Awards in the instrumentalist category, calling her an "irresistible force of nature: passionate, challenging and totally original in her approach".[10]

Soloist

Kopatchinskaja has played with most of the important European orchestras including Vienna, Berlin and London Philharmonic.[citation needed] She regularly plays in Japan and Australia and recently also extended her activity to the United States, South America, Russia and China. She has ongoing collaborations with conductors including Teodor Currentzis, Péter Eötvös, Iván Fischer, Heinz Holliger, Vladimir Jurowski, Andrés Orozco-Estrada, Kirill Petrenko, Sir Simon Rattle and François-Xavier Roth.

Leading orchestras and festivals

Kopatchinskaja's experience as a leader of ensembles and chamber orchestras includes a tour with Britten Sinfonia, repeated tours with Mahler Chamber Orchestra and Australian Chamber Orchestra and being an artistic partner of the Saint Paul Chamber Orchestra since 2014.[11] Presently she is an artistic partner of the Camerata Bern. She has organised several staged concert productions, including "Death and the Maiden" with the Saint Paul Chamber Orchestra, "Bye-Bye Beethoven" with the Mahler Chamber Orchestra, "Dies Irae" with Lucerne Festival Alumni, and "War and Chips" and "Time and Eternity" with Camerata Bern.

From 2003 to 2005 Kopatchinskaja organised the Rüttihubeliade festival in the Swiss Alps. In June 2018, she was the music director of the Ojai Music Festival in California.[12]

Chamber music partners

Regular chamber music partners include cellist Sol Gabetta, clarinettist Reto Bieri and the pianists Joonas Ahonen, Markus Hinterhäuser, Polina Leschenko and Anthony Romaniuk. In April 2016, Kopatchinskaja performed with Anoushka Shankar at a concert in Konzerthaus Berlin, Germany. The Raga Piloo was composed, performed and recorded by Ravi Shankar as a duet with Yehudi Menuhin on the album West Meets East, Volume 2 in 1968.

Historically informed performance

Kopatchinskaja has collaborated with Il Giardino Armonico, the Akademie für Alte Musik Berlin, MusicAeterna Perm, the Orchestre des Champs-Élysées, the Orchestra of the Age of Enlightenment under the direction of Giovanni Antonini, René Jacobs and Philippe Herreweghe. She also has performed with Sir Roger Norrington and Roy Goodman.

New music and works

Kopatchinskaja has been outspoken in her support of new works and living composers, as well as works not considered part of the standard violin repertoire. She has performed and recorded works by Luca Francesconi, Francisco Coll García, Mark-Anthony Turnage, Sanchez-Chiong, Stefano Gervasoni, Simone Movio, Michael Hersch, Esa Pekka Salonen, Péter Eötvös, Heinz Holliger, and Michel van der Aa. Her "Time and Eternity" program with Camerata Bern, recorded for Alpha Classics, featured music by John Zorn, Ikonnikow, Tadeusz Sygietynski, Machaut, and Bach, along with Karl Amadeus Hartmann's Concerto Funebre.

Voice

Kopatchinskaja uses the voice in several compositions, including John Cage's Living Room Music, Jorge Sanchez-Chiong's Crin, Michael Hersch's Duo for violin and cello Das Rückgrat berstend, Heinz Holliger's Das kleine Irgendwas, her own cadenza for György Ligeti's Violin Concerto, and Otto Zykan's Das mit der Stimme.

In 2017, Kopatchinskaja performed the voice part (Sprechgesang) in Arnold Schönberg's Pierrot lunaire in the USA[13] and since 2018 has performed the piece many times with, among others, members of the Berlin Philharmonic, the Montreal and Göteborg Symphonies, and her own ensemble.

In 2018–19, Kopatchinskaja and some friends made a film based on Kurt Schwitters's Dadaistic nonsense poem "Ursonate" (1932). It has been shown at several festivals.[14]

Violin

Kopatchinskaja plays a violin by Giovanni Francesco Pressenda (Turin) in 1834,[15] which The Strad's Dennis Rooney called "a very colourful-sounding instrument whose viola-like quality lent her playing exceptional tonal interest". In 2010, she briefly played the 1741 "ex-Carrodus" violin by Guarneri del Gesù, on loan from the Austrian National Bank but had to give it back because of unresolvable problems with Swiss customs authorities. In period-instrument environments, she uses a violin by Ferdinando Gagliano (Naples, ca. 1780, mounted with a lowered bridge and gut strings) and appropriate bows.

First performances

Kopatchinskaja has given first performances of numerous works, e.g.:

  • 2004/5 seven first performances, among them violin concertos dedicated to her by Johanna Doderer[16] and Otto Zykan
  • 2005/6 first performances of violin concertos dedicated to her by Gerald Resch and Gerd Kühr with the Vienna Radio Symphony Orchestra
  • 2007/8 first performances of violin concertos dedicated to her by Jürg Wyttenbach and the Turkish composer/pianist Fazıl Say
  • 2009 first performance of the violin concerto dedicated to her by Faradj Karajew
  • 2011 first performance of violin concertos dedicated to her by Maurizio Sotelo and Helmut Oehring ("Four seasons") as well as the work "Oh whispering suns" for double choir, solo violin and cymbal by Vanessa Lann
  • 2012 first performance of the Romance for violin and strings dedicated to her by Tigran Mansurian with Amsterdam Sinfonietta.
  • 2014 first performance of her own violin concerto "Hortus animae" with Camerata Bern.[17]
  • 2015 (August) first performance of «Dialogue», concerto for Violin, Cello and Orchestra by Mark-Anthony Turnage (with Sol Gabetta and Gstaad Festival Orchestra).
  • 2015 (November) first performance of the violin concerto written for her by the American composer Michael Hersch with the Saint Paul Chamber Orchestra.[18]
  • 2016 first performance of Mauricio Sotelo's "Red Inner Light Sculpture" for Solo Violin, Strings, percussion and Flamenco Dancer (commissioned by P.K.)[19]
  • 2017 first performance of Michael Hersch's duet for violin and cello "Das Rückgrat berstend", with Jay Campbell.
  • 2019 first performance of Michel van der Aa's Double concerto for violin and violoncello with Sol Gabetta, Concertgebouw Orchestra and Peter Eötvös.
  • 2019 first performance of Francisco Coll's double concerto für violin and violoncello with Sol Gabetta und Camerata Bern, composer directing.
  • 2019 first performance of Francisco Coll's LaLuLa-Lied.
  • 2019 first performance of the duo for violin and cello by Marton Illes with Jay Campbell in Santa Barbara, California.
  • 2020 first performance of the violin concerto by Marton Illes with WDR-Orchestra Cologne, directed by Michael Wendeberg
  • 2020 first performance of the violin concerto by Francisco Coll with Luxembourg Philharmonic directed by Gustavo Gimeno.
  • 2020 first performance of the violin concerto "Possible Places" by Dmitri Kourliandski (b.1976) with SWR-orchestra Stuttgart and Teodor Currentzis.
  • 2020 First performance of the double concerto for two violins "Gemini" by Helene Winkelmann, with Helene Winkelmann, Basel Symphony Orchestra and Ivor Bolton.
  • 2021 First performance of the violin concerto "Corpo elettrico" by Luca Francesconi in Porto with Orquestra Sinfónica Casa da Música and Stephan Blunier (followed by the French premiere in Paris).
  • 2021 First performance of the concerto for violin, orchestra and electronics by Fred Popovici with Moldova Philharmonic Orchestra Iasi (Romania) and Adrian Petrescu in Iasi und Bucarest [20]

Richard Carrick, Violeta Dinescu, Michalis Economou, Heinz Holliger, Ludwig Nussbichler, Jorge Sánchez-Chiong, Ivan Sokolov, and Boris Yoffe have also written works for her.[citation needed]

Awards

  • 1997: 2nd prize in the age group 18 to 23 in the category "Strings" at the Classica Nova International Competition In Memoriam Dmitri Shostakovich in Hanover, Germany[21]
  • 2000: 1st prize in the International Henryk Szeryng Competition in Mexico
  • 2002: Credit Suisse Young Artist Award
  • 2004: New Talent – SPP Award of the European Broadcasting Union (EBU)[22]
  • 2006: Deutschlandfunk-award of the Bremer Musikfest[23]
  • 2008: Award of the music commission Kanton Bern, Switzerland
  • 2009: ECHO in the category chamber music for the CD recorded with Fazıl Say (works by Beethoven, Ravel, Bártok & Say)
  • 2010: BBC-Music-Magazine award (orchestral category) for the CD recorded with Philippe Herreweghe and the Orchestre des Champs Elysees: Collected works for violin and orchestra by Beethoven
  • 2011: "Golden Bow"-award of the Meiringen music festival, Switzerland
  • 2012: Praetorius music award of the county Niedersachsen, Germany in the category "musical innovation"
  • 2013: ECHO in the category concert recording of the year (20th/21st century/violin) for the double-CD with violin concertos by Bartók, Ligeti and Eötvös, recorded with the hr-Sinfonieorchester Frankfurt respectively Ensemble Modern under Peter Eötvös (Naive)
  • 2013: Gramophone Award "Recording of the year" and Grammy-nomination, both for the double-CD with violin concertos by Bartók, Ligeti and Eötvös, recorded with the hr-Sinfonieorchester Frankfurt respectively Ensemble Modern under Peter Eötvös (Naive)
  • 2014: International Classical Music Awards (Category Concerto) for the double CD with violin concertos by Bartók, Ligeti and Eötvös
  • 2014: Prix Caecilia (Belgium) for the CD with violin concertos by Stravinsky and Prokofjev recorded with London Philharmonic Orchestra and Vladimir Jurowski (Naive)
  • 2014: Royal Philharmonic Society Music Awards 2013 (Category instrumentalist)
  • 2016: Music Award of the Canton of Bern, Switzerland for "remarkable musical achievements"
  • 2017: Grand Prix of the Swiss Music Awards[24]
  • 2018: Grammy in the ‘Best Chamber Music/Small Ensemble Performance’ category for her Death & The Maiden album with the Saint Paul Chamber Orchestra on Alpha Classics[25][26]
  • 2019: 29. Würth Prize of Jeunesses Musicales Germany[27]
  • 2020: Honorary Membership Konzerthausgesellschaft Vienna[28]
  • 2021: OPUS KLASSIK-Award and Edison-Award for What's Next Vivaldi? (CD Alpha Classics) with Giardino Armonico directed by Giovanni Antonini [29]
  • 2022: BBC Music Magazine award, category concerto for CD "Plaisirs illuminés" (Alpha Classics) with Camerata Bern, Sol Gabetta and Francisco Coll.[30]

Discography

More information released, pieces ...

References

  1. [1]
    Roddy, Michael (14 March 2014). "Moldovan violinist Kopatchinskaja: 'Art should be alive'". Reuters. Retrieved 20 September 2020.
  2. [2]
    Ivan Hewett (14 August 2014). "Patricia Kopatchinskaja: Wild child of classical violin". The Daily Telegraph. Retrieved 26 November 2015.
  3. [3]
    "Patricia Kopatchinskaja: Ich kenne Dich, ich habe Dich spielen gehört". Documentary film, 2012. (Director: Béla Batthyany)
  4. [4]
    Andrew Clark (20 September 2013). "Interview: violinist Patricia Kopatchinskaja". Financial Times. Retrieved 26 November 2015.
  5. [5]
    "Viktor Kopatchinsky Biography". Thespco.org. 20 November 2014. Retrieved 27 February 2020.
  6. [6]
    Christiane Peitz (8 October 2009). "Wir spielen keine Noten". Die Zeit. Retrieved 26 November 2015.
  7. [7]
    Christine Lemke-Matwey (2 January 2014). "Mein rollendes R". Die Zeit. Retrieved 26 November 2015. (subscription required)
  8. [8]
    Kopatchinskaja, Patricia (5 February 2016). "Patricia Kopatchinskaja: We all need madness in our worlds". The Guardian. ISSN 0261-3077. Retrieved 20 September 2020.
  9. [9]
    "Upside Down". VAN Magazine. 12 May 2016. Retrieved 20 September 2020.
  10. [10]
    "Violinist Patricia Kopatchinskaja receives RPS Music Award for Instrumentalist". The Strad. Retrieved 1 June 2021.
  11. [11]
    "Violinist Patricia Kopatchinskaja appointed artistic partner of the Saint Paul Chamber Orchestra". The Strad. 3 February 2014. Retrieved 26 November 2015.
  12. [12]
    "Ojai Music Festival and Music Director Patricia Kopatchinskaja Announce the 72nd Festival: June 7–10, 2018 – Ojai Music Festival". 25 October 2017. Archived from the original on 12 June 2018. Retrieved 27 July 2018.
  13. [13]
    Rob Hubbard (27 October 2017). "Patricia Kopatchinskaja makes Schönberg fun". Pioneer Press. Retrieved 22 February 2018.
  14. [14]
    "Patricia Kopatchinskaja". Facebook.com. Retrieved 27 July 2018.
  15. [15]
    Jason Price (16 February 2018). "Patricia Kopatchinskaja's Pressenda 1834". Tarisio.com. Retrieved 22 February 2018.
  16. [16]
    David Gutman. "DODERER The Piano Trios". Gramophone.co.uk. Retrieved 12 November 2015.
  17. [17]
    "Der Ton, der durch die Musik wandelt". Derbund.ch. Retrieved 28 October 2015.
  18. [18]
    "Violinist Patricia Kopatchinskaja withdraws from concerts due to injury". The Strad. 11 November 2015. Retrieved 12 November 2015.
  19. [19]
    "Kopatchinskaja premières Sotelo". Universal Edition blog. 15 June 2016. Retrieved 19 June 2016.
  20. [20]
    "Patricia Kopatchinskaja enters Fred Popovici's sound world".
  21. [21]
    Classica Nova Prize Winners
  22. [22]
    "パトリシア・コパチンスカヤ：avex-CLASSICS". Avex.jp. Archived from the original on 4 March 2016. Retrieved 12 November 2015.
  23. [23]
    Violinistin Kopatchinskaja erhält "Förderpreis" auf radiobremen.de (archived in Internet Archive on 17 May 2010), checked on 19 March 2014
  24. [24]
    "Schweizer Musikpreis 2017 – Patricia Kopatchinskaja gewinnt den Grand Prix Musik". Srf.ch. 22 September 2017. Retrieved 29 January 2018.
  25. [25]
    "Classical strings in the 60th Grammy Awards nominations". Thestrad.com. Retrieved 29 January 2018.
  26. [26]
    "Patricia Kopatchinskaja". Grammy.com. 19 May 2020. Retrieved 28 August 2020.
  27. [27]
    "Ins Innere der Musik". Nmz.de.
  28. [28]
    "Kopatchinskaja und Gerhaher neue Ehrenmitglieder der Wiener Konzerthausgesellschaft". Magazin.klassik.com.
  29. [29]
    "Home". opusklassik.de.
  30. [30]
    "BBC Music Magazine award winners announced".
Wikimedia Commons has media related to Patricia Kopatchinskaja.
Share this article:

This article uses material from the Wikipedia article Patricia_Kopatchinskaja, and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.