Protection_(Massive_Attack_song)

Protection (Massive Attack song)

Protection (Massive Attack song)

1995 single by Massive Attack


"Protection" is a collaboration between English trip hop collective Massive Attack and Tracey Thorn from English duo Everything but the Girl. The song appears on Massive Attack's second studio album, Protection (1994). Released as a single on 9 January 1995 by Wild Bunch and Circa, "Protection" reached number 14 on the UK Singles Chart, staying on the chart for four weeks, and also peaked at number 27 in New Zealand. Michel Gondry directed the accompanying music video. The song was also included on Everything but the Girl's compilation The Best of and Like the Deserts Miss the Rain.

Quick Facts from the album, B-side ...

The song contains samples taken from "The Payback" by James Brown,[2] namely the hi-hat/bass figure that drives the beat and the recurrent wah-wah guitar chord.

Composition

Massive Attack had been looking to move away from the "Motown reggae" of their first album. Thorn received a backing track on cassette in the latter half of 1993—without title, melody or lyrics or "any indication as to where those things might go". Taken aback by the comparatively "slow and empty" sound, Thorn recognised that "a whole new thing" was happening.[3]

Initially unsure where to begin, Thorn lived with the track, allowing it to "seep into [her] brain", before putting down the words in a single sitting. She recounted the story of a girl told by friends a few nights earlier and reflected on her protective feelings towards Everything but the Girl band mate Ben Watt following a serious illness.[4]

Critical reception

Larry Flick from Billboard praised the song as "gorgeous".[5] Linda Ryan from the Gavin Report wrote, "Produced by Soul II Soul's Nellee Hooper (who also did Björk's album, Debut), "Protection" is a slow groove to paradise. I mean, this one is smooooth! Everything but the Girl's Tracey Thorn handles the vocals on this one, and she really shines."[6] Caroline Sullivan from The Guardian felt that the "normally limpid" singer "shows torchy sensuality" on the song.[7] Chuck Campbell from Knoxville News Sentinel viewed it as "supple", naming it the album's "highlight".[8] In his weekly UK chart commentary, James Masterton complimented the "velvet tones" of Thorn, stating that "the result is an instant Top 20 smash, just one place short of the peak originally reached by their groundbreaking debut hit "Unfinished Sympathy"."[9] David Stubbs from Melody Maker felt "Protection" "sets the tone that they sustain throughout this eclectic selection, with its stately, undulating sequencers and its wits-end plea for compassion and assistance. And though you want to live yourself/Could you forgive yourself/If you left her as you found her...."[10]

James Hamilton from Music Week's RM Dance Update described the song as "an attractive gentle atmospheric R&B swayer".[11] James Lavelle for NME wrote, "You have to forget the boom-box busting beats of the past and enter a more dreamy, minimalist state, complete with analogue synth, piano lead and a constant, slamming beat. A welcome and brave return.!"[12] Another NME editor, Ted Kessler, praised "her rich voice",[13] while Andy Richardson named it "Definitely Nearly Single of the Week", writing, "There's a storm brewing. Rain, a bit of thunder and all that stuff. Tracey Thorn breaks in and the sun starts shining. Mr Eno takes over, sprinkles angel dust and the skies clear. We pack our bags, remove some of our clothes and meander to a green-grassed place where we swoon and commune all day. Honest, "Protection" is music to move you, music to soothe you; a enchanting dive into tranguil waters. It's pure, unadulterated dance; blissed, heavenly feel-good stuff that will make you smile at people in the street."[14] Parry Gettelman from Orlando Sentinel felt the singer is "a cool, elegantly melancholy presence".[15] Barry Walters for Spin constated, "The eight pained minutes of the title track are alone worth the price of the CD, despite suggesting that an Everything but the Girl remix album might have been the way to go."[16]

Music video

A music video was produced to promote the single, directed by French film director, screenwriter, and producer Michel Gondry.[17]

Track listings

Charts

More information Chart (1995), Peak position ...

References

  1. "New Releases: Singles" (PDF). Music Week. 7 January 1995. p. 13. Retrieved 26 June 2021.
  2. "Search". Archived from the original on 3 March 2016. Retrieved 11 March 2010.
  3. Thorn, Tracey (2013). Bedsit Disco Queen. London: Virago Press. pp. 271–274. ISBN 978-1-84408-866-9.
  4. Thorn, Tracey (2013). Bedsit Disco Queen. London: Virago Press. p. 274. ISBN 978-1-84408-866-9.
  5. Flick, Larry (4 May 1996). "Dance Trax: Everything But The Girl Does No 'Wrong' Remixes" (PDF). Billboard. p. 28. Retrieved 27 November 2022.
  6. Ryan, Linda (20 January 1995). "Gavin Alternative: New Releases" (PDF). Gavin Report. p. 50. Retrieved 20 January 2023.
  7. Sullivan, Caroline (16 December 1994). "Music: The best CDs of the year - Pop CD of the year: Massive Attack". The Guardian.
  8. Campbell, Chuck (3 February 1995). "Stone Roses Might Need Some Pruning". Knoxville News Sentinel.
  9. Masterton, James (15 January 1995). "Week Ending January 21st 1995". Chart Watch UK. Retrieved 16 September 2021.
  10. Stubbs, David (24 September 1994). "Albums". Melody Maker. p. 37. Retrieved 23 October 2023.
  11. Hamilton, James (21 January 1995). "Dj directory" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 11. Retrieved 4 May 2021.
  12. Lavelle, James (17 September 1994). "Groove Check". NME. p. 15. Retrieved 23 October 2023.
  13. Kessler, Ted (24 September 1994). "Long Play". NME. p. 49. Retrieved 23 October 2023.
  14. Richardson, Andy (7 January 1995). "Singles". NME. p. 37. Retrieved 28 November 2023.
  15. Gettelman, Parry (3 February 1995). "Massive Attack". Orlando Sentinel.
  16. Walters, Barry (February 1995). "Spins". Spin. p. 77. Retrieved 28 January 2023.
  17. Iqbal, Nosheen (6 February 2010). "Massive Attack's art of darkness". The Guardian. Retrieved 30 March 2018.
  18. Protection (UK CD1 liner notes). Massive Attack. Wild Bunch Records, Circa Records. 1995. WBRX 6, 7243 8 82763 2 8.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  19. Protection (UK cassette single sleeve). Massive Attack. Wild Bunch Records, Circa Records. 1995. WBRC6.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  20. Protection (Australian CD single liner notes). Massive Attack. Wild Bunch Records, Circa Records. 1995. WBRDF 6, 7243 8 92765 2 7.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  21. Protection (UK CD2 liner notes). Massive Attack. Wild Bunch Records, Circa Records. 1995. WBRDX 6, 7243 8 92764 2 8.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  22. Protection (UK 12-inch single sleeve). Massive Attack. Wild Bunch Records, Circa Records. 1995. WBRT 6, 7243 8 92763 6 7.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  23. Protection (European CD single liner notes). Massive Attack. Wild Bunch Records, Circa Records. 1995. WBRDE6, 7243 8 92766 2 6.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  24. Protection (US CD single liner notes). Massive Attack. Virgin Records. 1995. V25H-38471.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  25. Protection (US cassette single sleeve). Massive Attack. Virgin Records. 1995. 4KM-38471.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  26. Ryan, Gavin (2011). Australia's Music Charts 1988–2010 (PDF ed.). Mt Martha, Victoria, Australia: Moonlight Publishing. p. 178.
  27. "Eurochart Hot 100 Singles" (PDF). Music & Media. Vol. 12, no. 4. 28 January 1995. p. 19. Retrieved 26 July 2020.
  28. "European Dance Radio" (PDF). Music & Media. 18 February 1995. p. 21. Retrieved 28 September 2022.

Share this article:

This article uses material from the Wikipedia article Protection_(Massive_Attack_song), and is written by contributors. Text is available under a CC BY-SA 4.0 International License; additional terms may apply. Images, videos and audio are available under their respective licenses.