Rapeman

Rapeman

Rapeman

American noise rock band

Rapeman was an American noise rock band founded in 1987 and disbanded in 1989. It consisted of Steve Albini (formerly of Big Black) on guitar and vocals, David Wm. Sims (formerly of Scratch Acid) on bass and Rey Washam (formerly of Scratch Acid and Big Boys) on drums. In the years since their brief tenure, Rapeman’s sound has also been described as post-hardcore.[2]

For the manga, see The Rapeman.
Quick Facts Background information, Origin ...

Rapeman were formed as a parallel sister project to the Jesus Lizard, although the latter outlasted Rapeman by several years.[3]

History

Rapeman was formed in 1987 when drummer Rey Washam and bassist David Wm. Sims relocated to Chicago from Texas after the breakup of their band Scratch Acid.[4] Steve Albini had just ended his group Big Black,[4] and was looking to switch to a musical project with a live drummer, instead of his Roland TR-606 drum machine.

Rapeman's initial 1988 releases included the mostly live recorded Budd EP, the "Hated Chinee b/w Marmoset" 7" single, and their sole album, Two Nuns and a Pack Mule.[4] The band recorded in Albini's own home studio, often giving production credit to someone named Fluss, later revealed to be Albini's cat.

All of Rapeman’s records were originally released on Touch and Go Records in the US, Blast First! in the UK, and Au Go Go in Australia. Rapeman left Blast First! in 1990 after Albini had an argument with the label over the release of a Big Black record. Touch and Go started distributing in the UK in 1992 and re-released Rapeman's records there.

The band's final record before their breakup, the "Inki's Butt Crack" instrumental 7" single, was issued in 1989[4] as part of the Sub Pop Singles Club.

Albini later played bass in live iterations of Pete Conway’s solo project, Flour, before going on to form Shellac and expanding his work as a recording engineer. Sims reunited with ex-Scratch Acid vocalist David Yow to form the Jesus Lizard (with Albini recording their albums).[4] Washam went on to drum for former Chrome guitarist Helios Creed.

Name controversy

According to Albini, Rapeman's first American tour garnered negative press response and protests at several of their gigs solely from the band's name.[5] In the 1994 book, Rock Names by Adam Dolgins, Albini revealed that "Rapeman is ... the title character in a Japanese comic book that I had come across through a friend of mine. The comic book is just a total mind-bender. There's a whole genre of comics in Japan, rape stories where women are raped in really graphic detail for whatever reason".[5] Albini and drummer Washam became "sort of obsessed" with the comic, and named their new group after the titular satirical anti-hero.

In a Kreative Kontrol podcast in 2014, Sims discussed always having issues with the name, saying it was "the biggest musical regret" of his life.[6]

In an April 2020 interview on the Conan Neutron's Protonic Reversal podcast, Albini expressed regret for the name of the band, saying that he did not feel he had been "held to account for being in a band called Rapeman". He added that "it was a flippant choice", calling it unconscionable and indefensible. He later likened it to getting a bad tattoo.[7] He again addressed the mistakes in October 2021 on his Twitter account. "A lot of things I said and did from an ignorant position of comfort and privilege are clearly awful and I regret them. It's nobody's obligation to overlook that, and I do feel an obligation to redeem myself...".[8] He added, "I expect no grace, and honestly feel like I and others of my generation have not been held to task enough for words and behavior that ultimately contributed to a coarsening society."[9]

Discography

Studio albums

Singles and EPs

  • Budd EP (1988, Touch and Go/Blast First!/Au Go Go) UK Indie No. 2[10]
  • "Hated Chinee" 7" single (1988, Touch and Go/Blast First!/Au Go Go)
  • "Inki's Butt Crack" 7" single (1989, Sub Pop Singles Club)[4]

Compilation appearances

  • Nothing Short Of Total War (Part One) (Blast First) (1987) - "Dutch Courage"
  • The Devil's Jukebox (Blast First) (1989) - "Dutch Courage"
  • Indie Top 20 Vol. VI-Pride Of Independents (Beechwood) (1989) - "Bud(d)"
  • Au-Go-Go sampler #1 cassette (Au Go Go) (1989) - "Hated Chinee"

References

  1. [1]
    "Noise Rock Guide: History and Characteristics of Noise Rock". MasterClass. June 7, 2021. Retrieved June 27, 2023.
  2. [2]
    Greene Jr., James (June 26, 2010). "The Weakest Cut: Siamese Dream". Crawdaddy Magazine. Archived from the original on March 6, 2011. Retrieved October 25, 2010. [...]This is understandable, considering what end of the spectrum Albini hails from. The guy once fronted a post-hardcore outfit called Rapeman and has written too many scathing punk indictments of mainstream society to count. [...]
  3. [3]
    Warwick, Kevin (December 6, 2017). "The Third Coming of the Jesus Lizard". Chicago Reader. Retrieved March 13, 2024.
  4. [4]
    Colin Larkin, ed. (1992). The Guinness Who's Who of Indie and New Wave Music (First ed.). Guinness Publishing. p. 228. ISBN 0-85112-579-4.
  5. [5]
    Interview with Steve Albini (May 6, 1994). "Steve discusses the naming of Big Black and Rapeman". Action Park, quoting Rock Names by Adam Dolgins. Archived from the original on May 5, 2007. Retrieved May 21, 2007.
  6. [6]
    "Ep. #92: The Jesus Lizard Week with David Wm. Sims". Kreative Kontrol (vishkhanna.com). April 18, 2014. Retrieved November 24, 2019.
  7. [7]
    "Ep150: Steve Albini (Shellac, Big Black, Rapeman)". Radioneutron.com. April 3, 2020. Retrieved May 7, 2020.
  8. [8]
    @electricalWSOP (October 12, 2021). "I certainly have some 'splainin to do, and am not shy about any of it. A lot of things I said and did from an ignorant position of comfort and privilege are clearly awful and I regret them. It's nobody's obligation to overlook that, and I do feel an obligation to redeem myself..." (Tweet) – via Twitter.
  9. [9]
    @electricalWSOP (October 12, 2021). "A project I've undertaken piecemeal as I've matured, evolved and learned over time. I expect no grace, and honestly feel like I and others of my generation have not been held to task enough for words and behavior that ultimately contributed to a coarsening society" (Tweet) – via Twitter.
  10. [10]
    Lazell, Barry (1997) Indie Hits 1980 - 1989, Cherry Red Books, ISBN 0-9517206-9-4
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