"Reflections of My Life" was a 1969/1970 hit single for the Scottish band, Marmalade.^[1] It was written by their lead guitarist Junior Campbell and singer Dean Ford (credited to his birth name, Thomas McAleese).^[2] Released in late 1969, it was the band's first release on Decca following an earlier spell at CBS.^[3]

The song went on to chart worldwide, reaching number three in the UK in 1969,^[1] No. 10 in the US in 1970 on the Billboard Hot 100, and No. 7 on the Cash Box Top 100. Initial sales were significant in both countries, and the one million mark was reported in November 1971, when the group was presented with a gold disc for global sales.^[3] The track featured a lead vocal by Ford backed by vocal harmonies, and included a reverse tape guitar solo (backmasking) by Campbell.

"Reflections of My Life" has produced sales of over two million units. In 1998 the writers were awarded a Special Citation of Achievement by the BMI for attaining radio broadcast performances in excess of one million in the US alone.^[4]

The recording took place over three days in October 1969 at Decca Studios 2 and 1 in West Hampstead London with band members Graham Knight on bass, Alan Whitehead on drums, Pat Fairley on acoustic guitar, and Junior Campbell on keyboards and electric guitars. Dean Ford sang lead vocal and Junior Campbell and Graham Knight provided harmony vocals.

The added brass and strings were orchestrated by Keith Mansfield. "Reflections of My Life" was released on 14 November 1969 in the UK. The Decca staff recording engineers were Bill Price and Peter Rynston.

The song structure is unusual in that the intro, verses and choruses all share the same 8 bar sequence, reminiscing of the Beatles' "A Day in the Life": G major B minor E minor G7 C major B minor A minor D7 repeated throughout.^{[citation needed]}

The guitar solo in "Reflections of My Life", often referred to as "reverse" guitar solo, was a sixteen bar (measure) sequence featured in the recording by Junior Campbell, the band's lead guitarist.

The song is in the key of G major and the solo was recorded thus:

The first 4 bars were recorded as normal, with Campbell playing a long “G” note, tied over from the last beat of bar 3, through bar 4, with slight feedback sustaining the long note.

The eight track tape was then turned over, and Campbell played against the reverse sound of the track, including his initial first four bars ensuring that he played another long “G” near the same point which could be cross-faded against the original – the tape was then turned over to normal setup, and he selected just 4 bars from the reverse recording which are bars 4–7 inclusive – this was cross-faded with the original at bar 4 – he then picked up from bar 8 through to bar 16 as normal, so in fact, only 4 bars are actually “reversed”.

The solo was played on his left-handed Gibson Stereo ES355 using a Sound City stack.

• The Australian band Flake recorded the song in 1970. It charted regionally in Adelaide and Sydney, where it reached No.10;^[22] as well as settling in as a top 40 hit on the Go-Set National Top 60 in January 1971.^[23][24] Marmalade's original had peaked at No.47.^[5]
• Ruddy Thomas included a reggae rendition on his 1983 album Reggae By Ruddy Thomas. It was a duet with Barry Biggs, who also arranged and co-produced the song. It was released as a single in 1983 and reached No.25 in the Netherlands.^[25]