Berlin State Opera

Goldberg performed at the Berlin State Opera from 1972, and in the world premiere of Ernst Hermann Meyer's Reiter in der Nacht in 1973.^[2] Appearing in the politically important opera gave him exemption from military service.^[1] He became an ensemble member in Berlin in 1981.^[4][5] His roles at the house included Beethoven's Fidelio; Weber's Max in Der Freischütz and Hüon in Oberon; Wagner's Tannhäuser; Lohengrin, Erik, and Stolzing in Die Meistersinger von Nürnberg; Siegfried and Parsifal; Gounod's Faust; Don José in Bizet's Carmen; Alfredo in Verdi's La traviata; Hermann in Tchaikovsky's Pique Dame; Sergei in Shostakovitch's Katerina Ismailowa; Stewa in Janáčeks Jenufa; and Pedro in d'Alberts Tiefland. His roles in Richard Strauss' operas included Bacchus in Ariadne auf Naxos; the Emperor in Die Frau ohne Schatten,; Herod in Salome; and Ägisth in Elektra. His 20th-century repertoire included the Drum Major in Berg's Wozzeck; Aron in Schönberg's Moses und Aron in 1975, directed by Harry Kupfer;^[6] and the title role of Dessau's Die Verurteilung des Lukullus.^[5]

Guest performances

Goldberg sang as a guest, first in the East, such as at the Oper Leipzig and the Kirov Theatre in Leningrad,^[2] and to Japan.^[2] He became increasingly in demand in the West, at Italian opera houses, at the Hamburg State Opera as Bacchus in Ariadne auf Naxos, at the Bavarian State Opera as Stolzing in Die Meistersinger, with the Dresden opera on tour in Paris, performing Wozzeck in 1973,^[1] and in a 1982 Paris concert performance of Die Liebe der Danae by Richard Strauss as Apollo.^[3] He also performed as Stolzing for his debut with the Royal Opera House in London in 1982,^[2] and appeared as Florestan in Fidelio at the Salzburg Festival the same year,^[2] alongside Éva Marton in the title role, and conducted by Lorin Maazel.^[7] Goldberg performed as Erik in Der fliegende Holländer at the Salzburg Easter Festival in 1982 and 1983, conducted by Herbert von Karajan. He performed in Guntram, an early opera by Richard Strauss, in a 1983 concert performance in New York City, as Tannhäuser at La Scala in Milan in 1984, and as Siegfried at the Liceo in 1985.^[2]

Bayreuth Festival

Goldberg was first invited to the Bayreuth Festival to sing Siegfried in both Siegfried and Götterdämmerung in the 1983 new Ring cycle conducted by Georg Solti and directed by Peter Hall, having auditioned with Solti and Wolfgang Wagner. During rehearsals, Hall was not satisfied, and he was replaced shortly before the first performances; both indisposition and misunderstanding the English director may have played a role.^[1] In 1986 Goldberg was invited by Wolfgang Wagner to perform Tannhäuser on short notice. He returned for Stolzing in Die Meistersinger in 1987, and in 1988 Stolzing again and Siegfried in Götterdämmerung. In 1989 he appeared as Siegfried both in Siegfried and Götterdämmerung in the second Ring cycle of that summer's festival, staged by Kupfer and conducted by Daniel Barenboim. From 1990 to 1994, he performed each year as Erik, conducted by Giuseppe Sinopoli.^[3]

Goldberg appeared as Max at the Grand Théâtre de Genève in 1988, and as Pedro in d'Albert's Tiefland from 1991. He performed at the Metropolitan Opera in New York City in the Ring cycle of 1991/92,^[2] conducted by James Levine, and alongside Hildegard Behrens as Brünnhilde and James Morris as Wotan.^[8][9]

Later years

In 2001, Goldberg learned the title role of Britten's Peter Grimes phonetically for a production at the Oper Graz, as he did not speak English.^[1] He reprised the role of Aron in 2004 in Hamburg in a new production directed by Peter Konwitschny and conducted by Ingo Metzmacher. Jürgen Kesting from the FAZ wrote that "he still sings the role gloriously: with the beautiful tone demanded by Schönberg, good connections and smooth transitions, overcoming expressive resistances especially in moments of highest tension, sometimes with refined parlando. In the seduction scene, he succeeds in making the ambiguity of the demagogic text perceptible in the iridescence of the tone".^[10]

At age 61, he appeared as the Emperor in Die Frau ohne Schatten with great success. He continued to sing with the Berlin State Opera, taking significant comprimario roles in Elektra and Salome up until 2015. Also in 2015, Barenboim had the idea of casting great Wagner singers of previous years as the various Masters in Die Meistersinger von Nürnberg; Goldberg performed as Eisslinger,^[11] and reprised it in 2019, alongside Franz Mazura as Schwarz, at age 95.^[12] He sang the role of the first prisoner in Fidelio in a production in Graz in 2020 at age 80.^[5]

In concert, Goldberg sang the tenor solo in Beethoven's Ninth Symphony at the Edinburgh Festival, with the Berlin Philharmonic conducted by Claudio Abbado.^[13] In 1995, Goldberg received the Special Music Award for the title role of Aron in a live recording of Moses und Aron with the Tokyo Symphony, conducted by Kazuyoshi Akiyama at Suntory Hall in Tokyo.^[14] He was named honorary member of the Berlin State Opera in 2019.^[5]

Goldberg died in Berlin on 7 October 2023, at age 83.^[4][15]