Ringo's_Rotogravure

<i>Ringo's Rotogravure</i>

Ringo's Rotogravure

1976 studio album by Ringo Starr

Ringo's Rotogravure is the fifth studio album by Ringo Starr, released in 1976. It was the last project to feature active involvement from all four former Beatles before John Lennon's murder in 1980, and the second of two projects following the band's 1970 breakup to hold the distinction (alongside Ringo from 1973). Following the end of his contract with EMI, Starr signed on with Polydor Records worldwide (Atlantic Records handling US distribution).

Quick Facts Ringo's Rotogravure, Studio album by Ringo Starr ...

Background and recording

It was reported in December 1975 that ABC Records in the US was to sign former Beatle Ringo Starr for a 5-year recording contract, worth $5 million.[1] However, on 26 January 1976, when Starr's recording contract with EMI ended, he signed with Atlantic for the US and Polydor for the UK, on 10 March.[2] As stated in the deal, Starr was expected to release 7 albums within 5 years, with the first album planned for release in June.[1] Starr's original intention was to get Richard Perry to produce the album, before he had switched labels.[3] Starr thought "since we were trying another label, we'd try another producer."[3] It had been suggested by Atlantic to Starr that he work with Arif Mardin, who was the in-house producer for the label at the time.[3] Mardin met up with Starr in London to see what they were like together and, pleased with the encounter, Mardin told Starr he would be happy to work with him.[3] Starr's intention was to work in Los Angeles as his friends were there.[3]

Well, Paul asked to write a song. I asked John and ... eventually he came up with ["Cookin'"] ... I also asked George to write one, but there was an old one of his that was never released by anybody, that I always loved ... It's called "I Still Love You", a big ballady thing.[1]

– Ringo Starr on how he got material from his former Beatles bandmates

Starr again stuck to his proven formula of having friends write songs and perform on the recordings. This time, Eric Clapton took part, in addition to his old friend Harry Nilsson, and Peter Frampton, Jesse Ed Davis, Melissa Manchester, Dr. John, and former Beatles John Lennon, Paul McCartney and George Harrison.[4] Sessions began in April at Sunset Sound Recorders in Los Angeles,[1] and eventually moved on 12 June to Cherokee Recording Studios.[2] Starr was joined at this session by Lennon and his wife Yoko Ono, recording the Lennon-penned "Cookin' (In the Kitchen of Love)".[1][4] Lennon played the piano lines that are heard at the beginning of the song, in what was his only known studio recording during his five years of musical retreat that he kept until 1980, when he recorded his album Double Fantasy.[1]

McCartney, while on break from his Wings Over America tour with Wings, made the backing track to "Pure Gold" along with his wife Linda McCartney, which McCartney got Starr to sing over,[4] on 19 June.[2] Harrison donated a song too, but because of his commitments to get his album Thirty Three & 1/3 (1976) done on schedule, he was unable to partake in any recording for Ringo's Rotogravure.[5][6] Harrison's contribution was a song previously known as "When Every Song Is Sung",[6] which he had attempted to record first with Ronnie Spector in 1971, then with Cilla Black (on which Starr also played), and later still with Leon Russell's wife Mary.[5] Eric Clapton played guitar on the track "This Be Called a Song".[7] Several unreleased tracks were recorded during the sessions: "Where Are You Going",[nb 1] "All Right", "It's Hard to Be Lovers"[1] and a track Starr co-wrote with Nilsson, "Party".[9]

Music and lyrics

"Pure Gold", composed by Paul McCartney, had been influenced by Starr's then-girlfriend Nancy Andrews.[4] "Cookin' (In the Kitchen of Love)" was written specifically for Starr by John Lennon.[10] "Las Brisas", a track co-written between Starr and Andrews[11] in Mexico,[3] features Mariachi Los Galleros de Pedro Rey [12] with Starr on maracas.[3] Starr claimed that he had "looked around all these Mexican restaurants and found this band who were sensational."[3] "Lady Gaye" was based on Clifford T. Ward's "Birmingham" (from Ward's 1975 album No More Rock 'N' Roll), which in turn gave him co-credit on the Starkey–Poncia composition. "Spooky Weirdness" is an ad-libbed piece that closes the album.[13]

Release

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Ringo's Rotogravure was released on 17 September 1976 in the UK,[nb 2][2] to a lukewarm response. Despite letting him record the song, Harrison was not pleased with Starr's version of "I'll Still Love You", and proceeded to take legal action against Starr, which was soon settled out of court.[1] The album's title came from the film Easter Parade (1948).[21] At the time living as a UK tax exile, Starr promoted the album with interviews in Denmark, France and Italy.[2] The album was packaged with a free magnifying glass so that those who bought the album could read the graffiti that was featured on the album's back cover.[1] The "A Dose of Rock 'n' Roll" single, backed with "Cryin'", was released on 20 September in the US,[2] reaching number 26.[nb 3][22]

Released in the US on 27 September,[nb 4][23] the album performed poorly, only reaching number 28 in America and quickly falling off the charts, while it never even appeared in the UK charts. The promotional film for "You Don't Know Me at All" aired on Dutch TV, in the Netherlands, on the show Voor De Vuist Weg.[1] On 15 October the "A Dose of Rock 'n' Roll" single was released in the UK.[nb 5][24] In between this and the next single, Starr recorded the track "I Can Hear You Calling" at Atlantic Studios on 15 October.[24] The follow-up single, his cover of Bruce Channel's "Hey! Baby", backed with "Lady Gaye", was released on 22 November in the US and stalled at number 74.[nb 6][24] The single was released in the UK on 26 November.[nb 7][24] A single comprising "Las Brisas" and "Cryin'" was released in Mexico. Ringo's Rotogravure was issued on CD, on the same day as Ringo the 4th, on 16 August 1992, in the US[26] by Atlantic.[nb 8][23]

Track listing

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Personnel

Charts

Weekly charts

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References

Footnotes

  1. [N 1]
    "Where Are You Going" was one of two songs that was co-written between Starr and Billy Lawrie in the early 1970s.[8] The other was "Rock & Roller", a track that would be recorded by Lawrie at Starr's Startling Studios in May 1973 for his album, Ship Imagination (1973).[8]
  2. [N 2]
    UK Polydor Deluxe 2302 040[20]
  3. [N 3]
    US Atlantic 45-3361[22]
  4. [N 4]
    US Atlantic SD 18193[23]
  5. [N 5]
    UK Polydor 2001 694[22]
  6. [N 6]
    US Atlantic 45-3371[25]
  7. [N 7]
    UK Polydor 2001 699[25]
  8. [N 8]
    US Atlantic 7 82416-2P[23]

Citations

  1. [1]
    Miles; Badman 2001
  2. [2]
    Harry 2004, p. 122
  3. [3]
    Robinson 2005, p. 112
  4. [4]
    Rodriguez 2010, p. 37
  5. [5]
    Harrison 2002, p. 228
  6. [6]
    Rodriguez 2010, pp. 37–38
  7. [7]
    Harry 2004, p. 174
  8. [8]
    Harry 2004, p. 235
  9. [9]
    Harry 2004, p. 256
  10. [10]
    Harry 2004, p. 176
  11. [11]
    Harry 2004, p. 9
  12. [12]
    Starr, Michael Seth (1 September 2016). Ringo: With a Little Help. Rowman & Littlefield. ISBN 978-1-61713-632-0.
  13. [13]
    Harry 2004, p. 320
  14. [14]
    William Ruhlmann, Ringo's Rotogravure at AllMusic (retrieved 19 July 2012).
  15. [15]
    Christgau, Robert (1981). "Consumer Guide '70s: S". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved 13 March 2019 – via robertchristgau.com.
  16. [16]
    Larkin, Colin (2011). The Encyclopedia of Popular Music (5th edn). London: Omnibus Press. p. 1984. ISBN 978-0-85712-595-8.
  17. [17]
    Strong, Martin C. (2006). The Essential Rock Discography. Edinburgh, UK: Canongate. p. 1028. ISBN 978-184195-827-9.
  18. [18]
    Gary Graff & Daniel Durchholz (eds), MusicHound Rock: The Essential Album Guide, Visible Ink Press (Farmington Hills, MI, 1999; ISBN 1-57859-061-2), p. 1083.
  19. [19]
    Brackett, Nathan, with Hoard, Christian (eds) (2004). The New Rolling Stone Album Guide (4th edn). New York, NY: Fireside. p. 777. ISBN 0-7432-0169-8.
  20. [20]
    Harry 2004, p. 184
  21. [21]
    Harry 2004, p. 295
  22. [22]
    Harry 2004, p. 188
  23. [23]
    Harry 2004, p. 185
  24. [24]
    Harry 2004, p. 123
  25. [25]
    Harry 2004, p. 215
  26. [26]
    Harry 2004, pp. 144–145
  27. [27]
    Kent, David (1993). Australian Chart Book 1970–1992. St Ives, N.S.W.: Australian Chart Book. ISBN 0-646-11917-6.
  28. [28]
    Library and Archives Canada. Archived 29 November 2014 at the Wayback Machine
  29. [29]
    "allmusic (((Ringo – Charts & Awards – Billboard Albums)))". allmusic.com. Retrieved 12 February 2012.

Sources

  • Harrison, George (2002). I Me Mine. San Francisco, CA: Chronicle Books.
  • Harry, Bill (2004). The Ringo Starr Encyclopedia. London: Virgin Books. ISBN 9780753508435.
  • Miles, Barry; Badman, Keith, eds. (2001). The Beatles Diary After the Break-Up: 1970–2001 (reprint ed.). London: Music Sales Group. ISBN 9780711983076.
  • Robinson, Lisa (2005). "A Dose of Rock'N'Roll". NME. NME Originals. 2 (3).
  • Rodriguez, Robert (2010). Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980. New York: Backbeat Books. ISBN 9780879309688.
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