Roger Mayne (5 May 1929 – 7 June 2014) was an English photographer, best known for his documentation of the children of Southam Street, London.^[1]

Born in Cambridge, Mayne studied Chemistry at Balliol College, Oxford University. Here he became interested in photographic processing, and met Hugo van Wadenoyen, a key figure in British photography's break with pictorialism. On graduating in 1951 Mayne contributed pictures to Picture Post, and was an occasional film stills photographer. In the early 1950s he made photographic portraits of many residents in the artist's-colony town of St. Ives, Cornwall. He operated very much in an aesthetic vacuum, struggling to find any coherent tradition of British photography to follow. In 1956 he had a one-man show of his portraits at the ICA (UK), and George Eastman House (US). By 1957 he was established as a freelance photographer for London magazines and book-jacket designers.

With some financial and limited curatorial security established, he began to look for a significant personal project. He found it in the street life of Southam Street in Notting Dale (now often considered part of Notting Hill), which he photographed between 1956 and 1961. The novelist Colin MacInnes asked Mayne to contribute the cover shot for Absolute Beginners (1959), which is set in the area around Southam Street. The Southam Street collection is of national importance, and is now held by the Victoria and Albert Museum, London.

Most of Southam Street was demolished in 1969 to make way for Trellick Tower; a small section still exists. Mayne's Southam Street work had a major retrospective exhibition at the Victoria and Albert Museum in 1986; and was brought to a new audience in the 1990s, through being extensively used for concert backdrops, record sleeves and press-adverts by the singer Morrissey.^[2]

In the early 1960s Mayne moved into colour photography, photographing Greece and Spain, artists and their studios, and then landscapes, and publishing work in the mid and late 1960s in the new Sunday Times and Observer colour magazines.

In 1962, Mayne married the playwright Ann Jellicoe. They moved to Lyme Regis in Dorset in 1975.

A major exhibition of his portraits was held at the National Portrait Gallery in 2004, and there have been other major exhibitions at Victoria Art Gallery, Bath (2013) and at The Photographers' Gallery, London (2017). He was represented in an important exhibition at Tate, Liverpool in 2006. Mayne's work is also seen in the film version of Absolute Beginners.

Mayne was an influential figure for the cinematographer Roger Deakins^[3]

• Art Institute of Chicago, Chicago, Illinois.^[11]
• J. Paul Getty Museum, Los Angeles.^[12]
• Metropolitan Museum of Art, New York.^[13]
• National Portrait Gallery, London.^[7]
• Princeton University Art Museum, Princeton, New Jersey.^[14]
• Victoria and Albert Museum, London.^[15]

• Francis Newton (i.e. Eric Hobsbawm). The Jazz Scene. London: MacGibbon & Kee, 1959. New York: Monthly Review Press, 1960. Harmondsworth, Middx: Penguin, 1961. New York: Da Capo, 1975. With 12 photographs by Mayne.^[16]
• Roger Mayne, "Portrait of Southam Street". In Theo Crosby, ed. Uppercase 5. London: Whitefriars, 1961. With 57 photographs by Mayne.^[17]
• Hugh J. Klare. Anatomy of Prison. Harmondsworth, Middx: Penguin, 1962. With 9 photographs by Mayne.
• Simon Clements, et al. Reflections: An English Course for Students Aged 14–18. London: Oxford University Press, 1963. With 12 photographs by Mayne.
• Carl-Olof Lång. Engelska bilder – mest om teater: Handbok till Radioteaterns huvudserie 1966/67. Stockholm: Sveriges Radio Vorlag, 1966. With 26 photographs by Mayne. (in Swedish)
• Simon Clements, et al. Things Being Various. London: Oxford University Press, 1967. With 81 photographs by Mayne.
• Ann Jellicoe and Roger Mayne. Shell Guide to Devon. London: Faber & Faber, 1975. (On the cover: Devon: A Shell Guide.) With 163 photographs by Mayne.
• Bruce Watken. Shell Guide to Surrey. London: Faber & Faber, 1977. ISBN 0-571-09609-3. With 17 photographs by Mayne.
• UNESCO. Le Monde me doit l'avenir. 1979. (in French) With 13 photographs by Mayne.
• Roger Mayne. The Street Photographs of Roger Mayne. London: Victoria & Albert Museum, 1986. ISBN 1-85177-002-X. With text by Mark Haworth-Booth. London: Zelda Cheatle Press, 1993.
• Martin Harrison. Young Meteors: British Photojournalism, 1957–1965. London: Cape, 1998.
• Ten out of ten: Cecil Beaton, Bill Brandt, Barry Lategan, Don McCullin, Roger Mayne, Norman Parkinson, Rankin, Lord Snowdon, John Swannell, Albert Watson. Göttingen: Steidl, 2001. ISBN 3-88243-440-6. With work by Cecil Beaton, Bill Brandt, Barry Lategan, Don McCullin, Norman Parkinson, Rankin, Lord Snowdon, John Swannell and Albert Watson.
• Roger Mayne. Photographs. London: Jonathan Cape, 2001. ISBN 0-224-06054-6.
• Tanya Barson, et al. Making history: Art and documentary in Britain from 1929 to now. London: Tate Publishing, 2006. ISBN 1-85437-682-9.