1980s

Everett's break came in 1981 at the Greenwich Theatre and later West End production of Another Country, playing a gay schoolboy opposite Kenneth Branagh.^[6]

His first film was the Academy Award-winning short A Shocking Accident (1982), directed by James Scott and based on a Graham Greene story. This was followed by a film version of Another Country in 1984 with Cary Elwes and Colin Firth. Following on with Dance With a Stranger (1985), Everett began to develop a promising film career until he co-starred with Bob Dylan in the unsuccessful Hearts of Fire (1987). Around the same time, Everett recorded and released an album of pop songs entitled Generation of Loneliness.

Despite being managed by Simon Napier-Bell (who had steered Wham! to prominence), the public didn't take to his change in direction. The shift was short-lived, and he only returned to pop indirectly by providing backing vocals for Madonna many years later, on her cover of "American Pie" and on the track "They Can't Take That Away from Me" on Robbie Williams' Swing When You're Winning in 2001.

1990s

In 1989, Everett moved to Paris, writing a novel, Hello, Darling, Are You Working?, and coming out as gay, a disclosure which he has said may well have damaged his career.^[7] Returning to the public eye in The Comfort of Strangers (1990), several films of variable success followed. The Italian comics character Dylan Dog, created by Tiziano Sclavi in 1986, is graphically inspired by him. Everett, in turn, appeared in Cemetery Man (1994), an adaptation of Sclavi's novel Dellamorte Dellamore. In 1995 Everett published a second novel, The Hairdressers of St. Tropez.

His career was revitalised by his award-winning performance in My Best Friend's Wedding (1997), playing Julia Roberts's character's gay friend, followed by a role as Madonna's character's best friend in The Next Best Thing (2000). (Everett was a backup vocalist on her cover of "American Pie", which is on the film's soundtrack.) Around the same time, he starred as the sadistic Sanford Scolex/Dr. Claw in Disney's Inspector Gadget (also 1999) with Matthew Broderick.

2000s

For the 21st century, Everett decided to write again. He has been a Vanity Fair contributing editor, written for The Guardian, and he wrote a film screenplay on playwright Oscar Wilde's final years, for which he sought funding.^[8][9]

In 2006, Everett published a memoir, Red Carpets and Other Banana Skins, in which he reveals his six-year affair with British television presenter Paula Yates.^[10] Although he is sometimes described as bisexual, as opposed to gay, during a radio show with Jonathan Ross, he described his heterosexual affairs as the result of adventurousness: "I was basically adventurous, I think I wanted to try everything".^[11]

Since the revelation of his sexuality, Everett has participated in public activities (leading the 2007 Sydney Gay and Lesbian Mardi Gras), played a double role in the film St. Trinian's, and has appeared on TV several times (as a contestant in the special Comic Relief Does The Apprentice; as a presenter for Live Earth; and as a guest host on the Channel 4 show The Friday Night Project, among others). He has also garnered media attention for his vitriolic quips and forthright opinions during interviews that have caused public outrage.^[12][13][14]

In May 2007, he delivered one of the eulogies at the funeral of fashion director Isabella Blow, his friend since they were teenagers, who had died by suicide. He asked as part of his speech: "Have you gotten what you wanted, Issie? Life was a relationship that you rejected."^[15] During this time he also voiced the nefarious, but handsome villain Prince Charming in the first two Shrek sequels.

Everett's documentary entitled The Victorian Sex Explorer on Sir Richard Francis Burton (1821–1890) in which he retraces the travels of Burton through countries such as India and Egypt, aired on the BBC in 2008.^[13] In 2009, Everett told British newspaper The Observer that he wished he had never revealed his sexuality, as he feels that it hurt his career and advised younger actors against such candour.^[16]

Also in 2009, Everett presented two Channel 4 documentaries: one on the travels of Lord Byron, the Romantic poet, broadcast in July 2009,^[17][18] and another on British explorer Sir Richard Burton.^[19][20]

Everett then returned to his acting roots, appearing in several theatre productions: his Broadway debut in 2009 at the Shubert Theatre received positive critical reviews; he performed in a Noël Coward play Blithe Spirit, starring alongside Angela Lansbury, Christine Ebersole and Jayne Atkinson, under the direction of Michael Blakemore.^[21][22] and he was expected to tour several Italian cities during the 2008–09 winter season in another Coward play Private Lives (performed in Italian, which he speaks fluently)^[23]—playing Elyot to Italian actress Asia Argento's Amanda—but the production was cancelled.^[24]

2010s

During the summer of 2010, Everett performed as Professor Henry Higgins, with English actress Honeysuckle Weeks and Stephanie Cole, in a revival of Pygmalion at the Chichester Festival Theatre.^[25] He reprised the role in May 2011 at the Garrick Theatre in London's West End, starring alongside Diana Rigg and Kara Tointon.^[26]

In July 2010, Everett was featured in the family history programme Who Do You Think You Are?^[27] Released in late 2010, the comedy film Wild Target features Everett as an art-loving gangster, and also starred Bill Nighy and Emily Blunt.^[28]

In 2012, Everett starred in the television adaptation of Parade's End with Benedict Cumberbatch. The five-part drama was adapted by Sir Tom Stoppard from the novels of Ford Madox Ford, and Everett appears as the brother of protagonist Christopher Tietjens.^[29]

Everett then starred as Oscar Wilde in The Judas Kiss, a stage play which was revived at London's Hampstead Theatre^[30] beginning 6 September 2012, co-starring Freddie Fox as Bosie, and directed by Neil Armfield. It ran at the Hampstead through 13 October 2012,^[31] toured the UK and Dublin,^[32][33][34] then transferred to the West End at the Duke of York's Theatre on 9 January 2013 in a limited run through 6 April 2013.^[35][36][37]

Everett won the WhatsOnStage Award for Best Actor in a Play,^[38] and was nominated for the Olivier Award for Best Actor.^[39] In 2016 the production, still starring Everett and with Charlie Rowe as Bosie, ran in North America for seven weeks in Toronto^[40] and five weeks at BAM in New York City.^[41]

In early 2013, Everett began working on a film portraying the final period of Wilde's life, stating in the media that he has had a fascination with the playwright since he was a child, as his mother read him Wilde's children's story The Happy Prince before he slept.^[42] The subsequent film The Happy Prince, written and directed by Everett, was released in 2018.^[30][43]

In 2015, it was announced that he would play the part of Philippe Achille, Marquis de Feron, the corrupt Governor of Paris, Head of the Red Guard and illegitimate brother to Louis XIII in the third series of the BBC One drama The Musketeers.^[44]

In 2017, Everett appeared as a recurring character in the BBC 2 comedy Quacks. He plays Dr Hendricks, the neurotic principal of the medical school.^[45]

Political views

Everett is a patron of the British Monarchists Society and Foundation.^[52]

In 2006, as a homeowner in the central London area of Bloomsbury, he supported a campaign to prevent the establishment of a local Starbucks branch and referred to the global chain as a "cancer". He protested with 1,000 other residents, and the group compiled a petition.^[53]

In 2013, Everett worked on the production of a documentary on sex work for Channel 4 that included the issue of criminalisation. During and after its filming, he contributed to the discourse on prostitution legislation in the UK. In October 2013, he signed an open letter from the English Collective of Prostitutes and Queer Strike—alongside groups such as the Association of Trade Union Councils, Sex Worker Open University, Left Front Art – Radical Progressive Queers, Queer Resistance, and Queers Against the Cuts—to oppose the adoption of the "Swedish model", whereby the clients of sex workers (though not the workers themselves) are criminalised.^[54]

Everett continued his participation in the sex-work legislation debate in 2014, writing a long-form piece for The Guardian and appearing on the BBC One programme This Week.^[55][56] He also joined protesters in a demonstration outside the offices of Soho Estates, a major property company that owns properties on Soho's Walkers Court, where many sex workers are based.

In 2012, Everett said in an interview regarding same-sex marriage: "But why do we want to get married in churches? I don't understand that, myself, personally. I loathe heterosexual weddings; I would never go to a wedding in my life. I loathe the flowers, I loathe the fucking wedding dress, the little bridal tiara. It's grotesque. It's just hideous. The wedding cake, the party, the champagne, the inevitable divorce two years later. It's just a waste of time in the heterosexual world, and in the homosexual world I find it personally beyond tragic that we want to ape this institution that is so clearly a disaster."^[57] A few days after the release of the interview, he was criticized^[58][59][60] for the following remark: "I can't think of anything worse than being brought up by two gay dads". He went on to explain that "[f]or me, being gay was about wanting to do the opposite of the straight world, so I think that's where my problems in this particular area come from. [...] But that's me, just me. I'm not having a go at gay couples who do. I think if Elton and David want to have babies, that's wonderful. I think we should all do what we want."^[61]

Everett has also disclosed that he identified as transgender during his childhood and dressed as a girl from age six to 14. When he turned 15, he ceased to identify as female and embraced his identity as a gay man. He has expressed opposition to the use of hormones on children, saying that parents who offered the possibility of such a transition to their children were "scary".^[62]

Everett expressed his opposition to cancel culture in a 2020 interview with The Advocate.^[63]

Film

Television