Slave_to_the_Rhythm_(album)

<i>Slave to the Rhythm</i> (album)

Slave to the Rhythm (album)

1985 studio album by Grace Jones

Slave to the Rhythm is the seventh studio album by Jamaican singer and songwriter Grace Jones, released on 28 October 1985 by Island Records. Subtitled a biography in the liner notes, Slave to the Rhythm is a concept album, produced by ZTT Records founder and producer Trevor Horn, that went on to become one of Jones' most commercially successful albums and spawned her biggest hit, "Slave to the Rhythm".

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Background

After finishing sessions at Compass Point for her Living My Life album in late 1982, Jones took a break from recording music and focused on an acting career. Within two years, she made her debut as an actress in the 1984 film Conan the Destroyer, where she played alongside Arnold Schwarzenegger. She later appeared in the James Bond film A View to a Kill as the villain May Day. After finishing filming in late 1984 she returned to the studio to work on a follow-up, ending an almost three-year-long hiatus.

Slave to the Rhythm, both song and album, was written by Bruce Woolley, Simon Darlow, Stephen Lipson and Trevor Horn and was produced by Trevor Horn, who was assisted by Lipson. Slave to the Rhythm was a concept album that featured several, radical interpretations of one title track. The project was originally intended for Frankie Goes to Hollywood as a follow-up to their hit "Relax", but was finally given to Jones.[4] The recording process featured Horn, Lipson and Jones creating a new version of the song every week or so, ballooning the budget for a single song to nearly $385,000 USD. As such, several versions were collected and released as the album proper.

Musically, Slave to the Rhythm ranges from funk to R&B, incorporating go-go beats throughout the album.[5] All eight tracks are interspersed with excerpts from conversations with Jones about her life, conducted by journalists Paul Morley and Paul Cooke, hence the a biography subtitle. The album also contains voice-overs from actor Ian McShane reciting passages from Jean-Paul Goude's biography Jungle Fever. Though recording dates of each version of the song are unknown, "Operattack" was created with vocal samples from "Jones the Rhythm"; while "Don't Cry - It's Only the Rhythm" is a variation of the bridge that appears on "Slave to the Rhythm." "The Fashion Show" could be[vague] an early version of "Ladies and Gentlemen: Miss Grace Jones". "Ladies and Gentlemen" was released as a single, under the title of "Slave to the Rhythm".

According to the album's sleeve notes, extensive use of the New England Digital Synclavier was made in its recording.

Slave to the Rhythm is one of the most commercially successful of Jones' albums.[citation needed] It performed best in German-speaking Europe and the Netherlands, where it secured top 10 placings. It reached number 12 on the UK Albums Chart in November 1985. The album remains the second highest-charting album of Jones' on the US Billboard 200 (after Nightclubbing) and her only entry on the Canadian Albums Chart. As of December 1986, the album had sold 150,000 copies in the United States and one million worldwide.[6]

Abridged version

Portions of the original LP material are absent on several CD reissues. "Jones the Rhythm", "The Fashion Show" and "Ladies and Gentlemen: Miss Grace Jones" are all edited in length (with the latter track matching the 7" single mix); and the interview portions between Morley and Jones are omitted, rendering "The Crossing" a fully instrumental track. "The Frog and the Princess" appears in extended form and is moved further down the running order, after "Slave to the Rhythm". Ian McShane's introduction from the start of the album, "Ladies and gentlemen: Miss Grace Jones", reappears as the intro to the song of the same name. Only the US CD, released in 1987 (Island 7-60460-2), and the 2015 remastered CD retain the same track listing and running times as the vinyl version.[7]

Artwork

Designed by Jean-Paul Goude, Jones' partner at that time, the cover picture is a montage of several copies of a single photograph of Jones, that makes her hair look "extended" and her mouth "stretched". The process of its creation is illustrated in the title song's music video.[8] The artwork has its roots in an earlier design of Goude's, the cover of Cristina's 1984 album Sleep It Off.

In 2008, the Slave to the Rhythm cover was included in Jason Draper's book A Brief History of Album Covers, which described it as "glass-shattering", reconfiguring the singer's image "as someone much more approachable and full of humour than previously thought."[9]

Singles

Only two singles were released from the album. The first, "Slave to the Rhythm", was a major hit and has eventually become Jones' biggest chart success. As previously mentioned, this version of "Slave to the Rhythm" was released on the album Slave to the Rhythm under the name of "Ladies and Gentlemen: Miss Grace Jones". However, due to numerous performances, usage in the music video and the big commercial success, this version is now more often associated with the title "Slave to the Rhythm". The actual album track titled "Slave to the Rhythm", which is rendered on the packaging in capital letters, is entirely different and has been confused for the single version for some greatest hits albums.

"Jones the Rhythm", the second and the last single, was released at the end of the year, but passed unnoticed, overshadowed by the success of the first single and the release of the Island Life compilation. It had relatively little promotion and no music video was produced for it.

Track listing

Original UK/US vinyl & US CD, and 2015 remaster pressings

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All tracks are written by Bruce Woolley, Trevor Horn, Stephen Lipson and Simon Darlow

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Abridged UK CD version

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Personnel

Charts

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Certifications and sales

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Release history

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References

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    Songs That Changed Music: Grace Jones - Slave To The Rhythm - with Stephen Lipson.
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    Scott Bultman. "Slave to the Rhythm - Grace Jones". www.allmusic.com. Retrieved 2006-12-28.
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    Hull, Tom (July 5, 2021). "Music Week". Tom Hull – on the Web. Retrieved July 7, 2021.
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    "Perfect Songs artists/writers Trevor Horn". www.perfectsongs.com. Archived from the original on 2011-11-28. Retrieved 2012-02-12.
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    "Go Go History". johnhenry22.tripod.com. Retrieved 2012-04-09.
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    Lichtman, Irv (13 December 1986). "Grace Gets Promo Blitz". Billboard. Vol. 98, no. 50. p. 74. ISSN 0006-2510 – via Google Books.
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    Scott Bultman (15 April 2011). "Grace Jones - Slave To The Rhythm (CD) at Discogs". www.discogs.com. Retrieved 2012-04-08.
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    "Grace Jones - Slave To The Rhythm - Video Dailymotion". www.dailymotion.com. Archived from the original on 2012-09-04. Retrieved 2012-04-08.
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    Draper, Jason (2008). A Brief History of Album Covers. London: Flame Tree Publishing. p. 262.
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    "David Gilmour: The Rightful Heir? - Q Magazine, Sep 1990". Q #48. www.pinkfloydfan.net. September 1990. Archived from the original on 2011-09-27. Retrieved 2011-07-23.
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    Miles, Barry; Mabbett, Andy (1994). Pink Floyd - The Visual Documentary. Omnibus. ISBN 0-7119-4109-2.
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    Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 160. ISBN 0-646-11917-6.
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    "Austriancharts.at – Grace Jones – Slave to the Rhythm" (in German). Hung Medien. Retrieved 23 December 2021.
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    "Top RPM Albums: Issue 0610". RPM. Library and Archives Canada. Retrieved 23 December 2021.
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    "European Hot 100 Albums" (PDF). Eurotipsheet. Vol. 2, no. 50. 16 December 1985. p. 15. OCLC 29800226 – via World Radio History.
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    "Offiziellecharts.de – Grace Jones – Slave to the Rhythm" (in German). GfK Entertainment Charts. Retrieved 23 December 2021.
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    "Classifiche". Musica e dischi (in Italian). Retrieved January 23, 2024. Select "Album" in the "Tipo" field, type "Grace Jones" in the "Titolo" field and press "cerca".
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    "Charts.nz – Grace Jones – Slave to the Rhythm". Hung Medien. Retrieved 23 December 2021.
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    "New Zealand album certifications – Grace Jones – Slave to the Rhythm". Recorded Music NZ. Retrieved 1 March 2016.
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