Social banditry or social crime is a form of social resistance involving behavior that by law is illegal but is supported by wider "oppressed" society as moral and acceptable. The term "social bandit" was invented by the Marxist historian Eric Hobsbawm and introduced in his books Primitive Rebels (1959) and Bandits (1969). Hobsbawm characterized social banditry as a primitive form of class struggle and resistance in pre-industrial and frontier societies. Social banditry is a widespread phenomenon that has occurred in many societies throughout recorded history, and forms of social banditry still exist, as evidenced by piracy and organized crime syndicates. Later, social scientists have also discussed the term's applicability to more modern forms of crime, like street gangs and the economy associated with the trade in illegal drugs.

Hobsbawm's key thesis was that outlaws were individuals living on the edges of rural societies by robbing and plundering, who ordinary people often see as heroes or beacons of popular resistance. He called it a form of "pre-historic social movement", by contrast with the organized labour movement. Hobsbawm's book discusses the bandit as a symbol and mediated idea; some of the outlaws he refers to are Pancho Villa, Lampião,^[1] Ned Kelly, Dick Turpin, Juraj Jánošík, Sándor Rózsa, Billy the Kid,^[2] and Carmine Crocco, among others.^[3] The colloquial sense of an outlaw as bandit or brigand is the subject of the following passage by Hobsbawm:^[4]

The point about social bandits is that they are peasant outlaws whom the lord and state regard as criminals, but who remain within peasant society, and are considered by their people as heroes, as champions, avengers, fighters for justice, perhaps even leaders of liberation, and in any case as men to be admired, helped and supported. This relation between the ordinary peasant and the rebel, outlaw and robber is what makes social banditry interesting and significant ... Social banditry of this kind is one of the most universal social phenomena known to history.

Historians and anthropologists such as John S. Koliopoulos and Paul Sant Cassia have criticised the social bandit theory, emphasising the frequent use of bandits as armatoloi by Ottoman authorities in suppressing the peasantry in defence of the central state. Sant Cassia observed that Mediterranean bandits "are often romanticized afterward through nationalistic rhetoric and texts which circulate and have a life of their own, giving them a permanence and potency which transcends their localized domain and transitory nature".^[5] In Hobsbawm's case, the romanticisation was political rather than nationalistic, yet the fluid, ambiguous figure of the bandit remains.^[6]

• Giuseppe Musolino, infamous Calabrian brigand
• Robin Hood
• Brigandage in the Two Sicilies, peasant rebellion developed in southern Italy in the early 19th century
• Sardinian banditry
• Dacoity, Indian bandits who portrayed themselves (and were portrayed by the media) as social bandits^[7]
• Veerappan, an Indian bandit who portrayed himself as a representative of a community against oppresion
• Expropriative anarchism, the practice of robbery and scams in Argentina and Spain
• Cangaço, social banditry in Northeast Region, Brazil
• Hajduk, outlaws in Central and Eastern Europe
• Betyárs, social bandits in the Kingdom of Hungary
• Klepht, anti-Ottoman insurgents in Greece and Cyprus
• Narcocorrido, Mexican music from the norteño folk corrido tradition
• Rapparee, Irish guerrillas during the 1690s Williamite war
• Uskoks, Croatian Habsburg soldiers during the Ottoman wars in Europe
• Abrek, Anti-Cossack/Russian guerilla raiders in the North Caucasus, especially Chechnya
• Ned Kelly, Australian folk-hero

• Culture of honor
• Illegalism