Sophie_Ryder

Sophie Ryder

Sophie Ryder

British sculptor (born 1963)

Sophie Ryder (born 1963) is a British sculptor, painter, printmaker and collagist[1] known for her large wire structures. Ryder typically uses bronze, wet plaster embedded with found materials, sheet metal, marble, and stained glass.

Biography

Sophie Ryder was born in London, England, in 1963. She studied combined arts at the Royal Academy of Arts from 1981 to 1984, focusing initially on painting. She changed her focus when the Royal Academy's director, Sir Hugh Casson, encouraged her skills development in sculpture.[2]

Works

Sophie Ryder: Minotaur and Hare on Bench (1995) Canary Wharf, London[3]

Ryder's sculptures sometimes represent mystical creatures, animals and hybrid beings created in assemblages of materials such as sawdust, wet plaster, obsolete machinery, toys, weld joins, wire 'pancakes', torn scraps of paper and charcoal sticks. Her iconography includes the character of the Lady Hare, which she sees as a counterpart to Ancient Greek mythology's Minotaur. Her most known piece is the Lady Hare, a hare with a female human body. The works have been commended for questioning human relationships to the natural and folkloric worlds while contemplating dualities of perception.[4][5][6]

In 1994, a depiction of five minotaurs was excluded from an exhibition at Winchester Cathedral because the sculpture included genitalia as part of the anatomy.[7]

Ryder has stated, "I don't sit and contemplate what it is I am trying to achieve. My head is full of ideas all the time. It is part of my life. I don't plan anything, it just comes." Similarly, when asked about the prominence of hares in her work, the artist stated, "it's the same as asking me why I make sculptures, and the answer is because I feel driven to. So it's difficult to always pin down reasons. My introduction to hares was when my lurcher dog would proudly bring hares home and drop them at my feet."[8]

Solo shows[9]

1987 – Edward Totah Gallery, London

Courcoux & Courcoux Gallery, Salisbury

Salisbury Cathedral, Salisbury

1988 – St. Paul's Gallery, Leeds

Courcoux & Courcoux Gallery, Salisbury

1990 – Newport City Museum & Art Gallery, Newport, Gwent

Courcoux & Courcoux Gallery, Salisbury

Henley Festival, Henley-on-Thames

Berkeley Square Gallery, Landon

1991 – Yorkshire Sculpture Park, Wakefield

1992 – Courcoux & Courcoux Gallery, Salisbury

1994 – Winchester Cathedral, Inner Close, Winchester

Red House Museum & Gardens, Christchurch, Dorset

The Allen Gallery (Garden), Aton, Hampshire

1995 – Berkeley Square Gallery, London

1996 – Belloc Lowndes Gallery, Chicago

1997 – O'Hara Gallery, New York

Berkeley Square Gallery, London

1998 – Courcoux & Courcoux Gallery, Salisbury

1999 – Berkeley Square Gallery, London

Victoria Art Gallery, Bath

2000 – Berkeley Square Gallery, London

Odapark, Venray, The Netherlands

Courcoux & Courcoux Gallery, Salisbury

Buschlon Mowatt Galleries, Vancouver BC

2001 – Galerie de Bellefeuile, Montréal

2002 – Metropole Galleries, Folkestone, Kent, UK

Courcoux & Courcoux Galley, Salisbury

2003 – Berkey Square Galley, London

2004 – Victoria Art Gallery, Bath

Imago Galleries, Palm Desert, CA

Courcoux & Courcoux Gallery, Salisbury

Storey Galleries, Lancaster

2005 – Canary Wharf, London

Solomon Gallery, Dublin

2006 – Atkinson Gallery, Millfield School

Royal Hibernian Academy, Dublin

2007 – Imago Galleries, Palm Desert

Frederick Meijer Gardens & Sculpture Park, Grand Rapids

2008 – Yorkshire Sculpture Park, Wakefield

2009 – Victoria Art Gallery, Bath

2010 – Ayphoe Park, Oxfordshire

Chateau Saint Rosaline, Les Arc-sur Argens

2011 – Ayphoe Park, Oxfordshire

2012 – Cartwright Hall Aré Gallery, Bradford

Villa D’Arte, Pietrasanta, Italy

2013 – Cola Landis Contemporary Art Gallery, Moreton in- Marsh Royal West Academy, Bristol

Imago Galleries, Palm Desert

2014 – New Brewery Arts, Cirencester

Courcoux & Courcoux Gallery, Stockbridge

2016 – Hignell Gallery, London

Sophie Ryder Rising, Waterhouse and Dodd, Rising, New York

2017 – Hignell Gallery, London

2018 – Galerie de Bellefeuile, Montreal

References

  1. [1]
    "Ryder, Sophie, b.1963 | Art UK". artuk.org. Retrieved 12 August 2023.
  2. [2]
    "SOPHIE RYDER". sophieryder. Retrieved 3 October 2022.
  3. [3]
    Sophie Ryder: Minotaur and Hare on Bench Canary Wharf Art Trail. Canary Wharf Group. Retrieved 23 January 2024.
  4. [4]
    "Creating Mythical Hybrid Creatures, Sophie Ryder's Exhibition Challenges Our Perspective On the Animal World". LeftLion. Retrieved 24 March 2023.
  5. [5]
    "Sophie Ryder on mythology, majestic animals and the male-dominated field of sculpture". Creative Boom. 13 October 2017. Retrieved 24 March 2023.
  6. [6]
    Benington, Jonathan (2001). Sophie Ryder. Sophie Ryder. Aldershot, Hampshire: Lund Humphries in association with Berkeley Square Gallery. ISBN 0-85331-826-3. OCLC 47270995.
  7. [7]
    Alberge, Dalya (7 April 1994). "Cathedral ban on sculptor's 'indecent' minotaurs: Sophie Ryder's latest work has fallen foul of church censors because of its 'too prominent' genitalia". The Independent. Archived from the original on 24 May 2022. Retrieved 11 November 2013.
  8. [8]
    "Waterhouse & Dodd". Waterhouse & Dodd. Retrieved 4 May 2022.
  9. [9]
    "Ryder 2018". calameo.com. Retrieved 12 August 2023.
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