Over the years, SEMF has been visited by many early music artists from various countries, including:
Jordi Savall (Spain), Andreas Scholl (Germany), Philippe Jaroussky (France), Les Arts Florissants (France), Anonymous 4 (USA), Freiburger Barockorchester (Germany), Collegium Musicum Wien (Austria), The Tallis Scholars (Great Britain), Il Giardino Armonico (Italy) Huelgas Ensemble (Belgium), Ensemble Villancico (Sweden), Ton Kooopman & Tini Mathot (Netherlands), L'Arpeggiata with Doron Sherwin (Europe), Operabyrån (Sweden), Marco Beasley (Italy), Swedish Vocal Harmony, Lisa Rydberg & Gunnar Idenstam (Sweden), Gothenburg Baroque (Sweden) (Swe: Göteborg Baroque), Swedish Radio Choir (Swe: Radiokören), Ida Falk-Winland (Sweden), Les Paladins (France), Nigel North (England), Trio Mediaeval (Norway), Concentus Musicus Wien (Austria), Sarband (Germany), Elyma (Switzerland), Drottningholms Barockensemble (Sweden), Maria-Christina Kiehr (Switzerland), L'Eventail (France), Hans-Ola Ericsson (Sweden), Kudsi Erguner (Turkey), Dialogos (Croatia), Ensemble Inegal (Czech), L’Aura Rilucente (Hungary), Fader Seraphim (Georgia), Gogochuri Sisters (Georgia), Skip Sempé (USA), Benedek Csalog (Hungary), Orfeus Barockensemble (Sweden), Ensemble Mare Nostrum with conductor Andrea de Carlo (Italy), Ricercar Consort (Belgium) and many more.[4]
Some of the concerts have been broadcast by the BBC. [5] [6] [7] [8]
SEMF operates at the cultural policy level and at the forefront of a number of early music actors in Sweden. The aim is to create a national center and stage for early music and dance. The focus for this purpose is Stockholm's oldest concert hall The Musical Palace (Swe: Musikaliska) built in 1878 at Nybrokajen 11.
In 2006, SEMF laid the foundations for the Nordic-Baltic Early Music Network (NORDEM) and has chaired its counterpart European Early Music Network (REMA) (Fra: Réseau Européen de Musique Ancienne) during the years 2011–2015. The festival's artistic director Peter Pontvik is also the initiator of European Day of Early Music.